Since college, Nora hasn't had much luck with men. Now in her 30s, she works in a NYC hotel going nowhere. That is, until she meets Julien.

The true-life story of a Harlem's notorious Nicky Barnes, a junkie turned multimillionaire drug-lord, MR. UNTOUCHABLE takes its audience deep inside the heroin industry of the 1970s. The most powerful black drug kingpin in New Yor...

The devastating reconstruction of the rape and murder of a 15-year-old Iraqi girl by American soldiers in Samarra in 2006.

Chronicles the rise and fall of 1970s New York City nightclub Plato's Retreat.

A semi-paralyzed radio reporter is sent out to investigate a story that leads him into an odd subculture and on a journey of disturbing self-realization.

Enron dives from the seventh largest US company to bankruptcy in less than a year in this tale told chronologically. The emphasis is on human drama, from suicide to 20,000 people sacked: the personalities of Ken Lay (with Falwellesque rectitude), Jeff Skilling (he of big ideas), Lou Pai (gone with $250 M), and Andy Fastow (the dark prince) dominate. Along the way, we watch Enron game California's deregulated electricity market, get a free pass from Arthur Andersen (which okays the dubious mark-to-market accounting), use greed to manipulate banks and brokerages (Merrill Lynch fires the analyst who questions Enron's rise), and hear from both Presidents Bush what great guys these are.

In a small North American town, the middle age Martha and the twenty and something years old Kyle work in a doll factory. Martha nurses her old father and usually gives a lift to Kyle, who works also in the night-shift cleaning a shovel factory. When the young single mother Rose is hired to work with airbrush and stencils in the factory, she is befriended by Kyle and Martha. In a Friday night, Rose hires Martha to work as babysitter of her two year old daughter Jesse and Martha finds that she is dating Kyle. Rose returns back home early after stealing Kyle's savings, and Martha witnesses Jesse's father Jake accusing Rose of stealing weed and money from his house. On the next morning, Rose is found strangled in her house and Detective Don Taylor interviews Jake, Kyle and Martha along his investigation.

A boy, Dylan (Michael Angarano), in grade ten with terminal cancer gets a last wish from the Wish Givers Foundation. His makes a new wish which seems a little inappropriate. As his last wish he wants to be with a super model (Sunny Mabrey) for a week alone. At first Nikki (Mabrey) has pity for him but soon it turns into love.

Sayeed Choudhury was born Pakistan but has immigrated to the U.S.A., where he now lives in New York with his wife, Farida; a school-going daughter, Rasheeda; a school-going son, Ali; and unmarried sister, Duri. One morning Farida hears a knock on the door, Ali opens it and there is Sayeed's childhood friend, Hassan, who is welcomed with open arms by the family. Hassan informs them that he is going to be hired soon in the States and he is invited to spend a few days with the Choudhury family. Duri, who has a Caucasian boyfriend, Mike, is also thrilled to meet Hassan and openly shows her attraction to him. Ali also takes an instant liking to Hassan, and is taught the true values of Islam, and when one Muslim hurts, then the pain is felt by Muslims worldwide. Sayeed is quite content with the American way of life and feels secure and comfortable especially when he sees Germans, Jews, Muslims, Catholics, and non-believers living in harmony and doing business with each other. Sayeed will soon find out that Hassan has different ideas about America, a country paralyzed in fear, a nation of tyranny, hatred, greed, domination, & war. He also believes that Non-Muslims are Jaheels. Sayeed will also find out that Hassan is in the States for a deadly reason - on a suicide mission to bomb Grand Central Station. Watch what happens when Hassan leaves the house after a confrontation with Sayeed, and whether or not he will be successful in carrying out his deadly mission.

S&MAN begins with footage from Michael Powell's exploration of voyeurism, "Peeping Tom." Director JT Petty uses this footage as a starting point to examine the classic comparison between filmmaking and voyeurism, particularly within the horror genre. He goes on to investigate this connection further, but rather than looking to classic horror films, Petty explores the seedy underground genre of fetish films. These movies are basically simulated snuff films where victims are raped and murdered in a variety of fantasy scenarios. The most notorious of these is a series called "S&Man," where voyeurism takes center stage as people are unknowingly followed with a camera. Petty plunges headfirst into this world of bizarre fetish films, and comes up with mesmerizing interviews with the producers and actors of these movies. Much of the footage from these videos will shock and disturb even the most seasoned horror veteran. However, the connection that Petty draws between these films and mainstream horror classics like "Texas Chainsaw Massacre" and "Henry: Portrait of a Serial Killer" proves even more unsettling. Using interviews with Carol Clover (author off the definitive horror book, "Men, Women, and Chainsaws), and his personal experience as a horror director, Petty suggests that viewers' interest in horror films is rooted in the same voyeuristic urge to which these fetish videos appeal. Ulitmately, Petty directly confronts the audience, forcing them to examine their fascination with horror, torture, and violence. And for genre fans, these implications may make S&MAN the most unsettling horror film experience in years.

A ten-years-later continuation of Hal Hartley's "Henry Fool", where Fay Grim (Posey) is coerced by a CIA agent (Goldblum) to try and locate notebooks that belonged to her fugitive ex-husband (Ryan). Published in them is information that could compromises the security of the U.S., causing Fay to first head to Paris to fetch them ...

A story about a tight-knit group of friends, who try to maintain their small-town way of life in the face of enormous changes in 1970s Long Island.