MI5 personnel are caught up in a traffic jam in London while escorting the CIA's most wanted terrorist to an arranged CIA handover point, when he is suddenly rescued by armed men on motorbikes. Harry Pearce, the head of Counter-Terrorism at MI5 is blamed for the terrorist escaping. Especially as Harry disappeared shortly after the incident. An ex-agent, Will Holloway, and protégé of Harry's is recalled by MI5 to assist in finding and bringing Harry in. However Harry has disappeared for a reason. Certain that there is a traitor in a senior position in MI5, he enlists the somewhat reluctant Will to help him in uncovering the rat or rats concerned.

A group of men are trapped in a small pod on the sea bed, after diving down to fix an oil pipeline and becoming separated from their ship.

TAKE DOWN focuses on the reckless sons and daughters of international billionaires, who have been sent by their frustrated parents to an exclusive, tough-love boot camp on a remote island, where they will be taught basic survival skills in the hope it will teach them to take responsibility for their lives. When they are taken hostage and held for a billion dollar ransom by a group of sophisticated kidnappers, the young captives suddenly need every ounce of their brief training to survive.

During the London Blitz of World War II, Catrin Cole is recruited by the British Ministry of Information to write scripts for propaganda films that the public will actually watch without scoffing. In the line of her new duties, Cole investigates the story of two young women who supposedly piloted a boat in the Dunkirk Evacuation. Although it proved a complete misapprehension, the story becomes the basis for a fictional film with some possible appeal. As Cole labors to write the script with her new colleagues such as Tom Buckley, veteran actor Ambrose Hilliard must accept that his days as a leading man are over as he joins the project. Together, this disparate trio must struggle against such complications such as sexism against Cole, jealous relatives, and political interference in their artistic decisions even as London endures the bombs of the enemy. In the face of those challenges, they share a hope to contribute something meaningful in this time of war and in their own lives.