Four freshmen navigate the terrors of adolescence at their first-ever high school party.

Keanu Reeves, Kiefer Sutherland, and Billy Zane star as high-school students who start a vigilante group to combat crime in their neighborhood.

The Vigils are a gang of students at Trinity Catholic School... part of the tradition. They control the other boys by intimidation and the threat of violence.

A 13-year-old boy, obsessed with making remote-control toys, puts up a fight when trapped in a vacant model house with three dimwit prison escapees.

A group of young boys befriend a prostitute named, V.

After an unexpected introduction to the world of competitive paper-plane throwing, the timid twelve-year-old, Dylan Weber, finally makes it to the Aussie Junior Championships in Sydney. However, with a resigned father living in the past, Dylan will have to use his resourcefulness to come up with a winning paper-plane model for the World Junior Paper Plane Championship in Tokyo, to compete against skilful and very ambitious contestants. Clearly, at the end of Dylan's great adventure, the only important thing is fighting for what matters in life--and even though winning is something--never giving up is everything.

Surrounded by the eccentric faculty of Truman High School, Mitch Carter wins the California Teacher of the Year award and immediately receives a tempting offer that may force him to leave his job.high schoolteacherofficeclassroomdiscussion22 morePlot summaryPlot synopsisTaglines

A new teacher squares off against his crusty competitor for a teacher of the year award.

Young Caucasian Dan Dunne teaches history and coaches the girls basketball team at a Brooklyn high school populated primarily by black and Hispanic students. To the chagrin of his superiors, Dan bucks the outlined curriculum of historical facts in favor of the philosophy of historical events, generally discussing the concept of dialectics. As such, he captures the imagination of his students, at least in the classroom. Outside of the classroom, Dan's life is in shambles. He has a distant but cordial relationship with his family. He uses illicit drugs rampantly. Although his former girlfriend Rachel was able to clean up her drug habit, Dan believes that rehab will not work for him. Due to a combination of these issues, he treats women poorly. Thirteen-year-old Drey is a student in his class and a player on his basketball team. Drey has her own problems. Her parents are divorced, with her father a virtually non-existent figure in her life and her EMT mother generally absent as she is always working to provide for Drey. Her older brother Mike is incarcerated for selling drugs for a local dealer named Frank. Mike took the fall for Frank, who in turn protects Drey whether she wants to be associated with him or not. Dan and Drey's relationship changes when Drey catches Dan, believing he is alone, smoking crack in the girl's locker room bathroom. He is totally stoned. Their resulting friendship, which is seen as inappropriate by the few who know, is based on each being unable to deal with their own life, but feeling like they can be at least a minor salvation in the other's life.

1998. Ron Clark, still relatively early in his career, leaves his stable life teaching at an elementary school in his suburban North Carolina hometown, the school where he is appreciated by both his fellow teachers and his students for his innovative teaching methods which results in raising test scores. Instead, he decides to look for a teaching job at a tough New York inner city school where he feels he can be more useful. He eventually finds a job at Inner Harlem Elementary School, where the students are segregated according to their potential. As Clark is white and "nice" looking, Principal Turner wants to assign him to the honors class, especially as Turner's job security depends on good test scores. Clark, however, wants to take the most disadvantaged class. He quickly learns that it will be a battle of wills between himself and his disruptive students to see who can outlast the other. But he also learns that he has to understand them, both individually and collectively, on their level to be able to get through to them before he can teach them the standardized materials. But even the best laid plans can be turned askew by unforeseen events, such as illness and the behavior of others outside of his control. And he has to overcome the self-fulfilling prophecy of failure to instill a sense of worth within the students. Through it all, he is supported by Marissa Vega, the beautiful waitress at the restaurant where he works part-time.

In an Earthly world resembling the 1950s, a cloud of space radiation has shrouded the planet, resulting in the dead becoming zombies that desire live human flesh. A company called Zomcon has been able to control the zombie population. Zombies can be temporarily neutralized by being shot, but can only be permanently neutralized by their brain being destroyed. Their ultimate disposal is through cremation, or burial, the latter which requires decapitation with the head being buried separately from the body. Conversely, Zomcon has created the domestication collar, when activated and placed on a zombie makes the zombie controllable, and thus an eternally productive creature within society. Because all dead initially become zombies, the elderly are viewed negatively and suspectly. And all people, adult or child, learn to shoot to kill to protect society. Zomcon is the go to organization for all things zombie. In the town of Willard, the Robinsons - father Bill (Dylan Baker), mother Helen (Carrie-Anne Moss), and adolescent son Timmy (Kesun Loder) - are one family who don't own a zombie as a domestic, since Bill is afraid of zombies, as, when he was a child, he had to shoot his own zombie father, who tried to eat him. Bill has thus become fascinated with funerals to see zombies put away permanently. But Helen feels pressured to get a zombie when Zomcon's new head of security in Willard, the officious Jonathan Bottoms (Henry Czerny), moves into the neighborhood with his family. Never having had to deal with a zombie directly, Timmy is initially wary of their zombie. But as a lonely child who has no friends and is often bullied, Timmy eventually befriends their zombie, who he names Fido (Sir Billy Connolly), as he treats the zombie much like a faithful pet dog. Timmy protects Fido at all cost, even after Fido, due to no fault of its own, is implicated in some deaths, which creates a mini-wave of loose zombies unknown to Zomcon. But Fido may play a larger role within the family as a companion for Helen, who is largely neglected by Bill, since he sees human affection as ultimately resulting in such difficult issues as what happened between him and his own father. With Timmy and Helen treating Fido with kindness, Fido, in turn, may prove that not all zombies, even when without their domestication collar, are out to kill anyone and everyone in their path.

In this handsome period piece perfectly suited for cinephiles of all stripes, director Michael Engler (Downton Abbey, 30 Rock, Six Feet Under) and screenwriter Julian Fellowes (Downton Abbey, Gosford Park) bring a fascinating slice of pre-Hollywood history to light in a coming-of-age story centering on the relationship between the young, free-spirited and soon-to-be international screen starlet Louise Brooks (a riveting, high-intensity Haley Lu Richardson) and her tee-totalling chaperone (a wonderfully nuanced Elizabeth McGovern). On their journey from the conservative confines of Wichita Kansas to the flash and sizzle of New York City, both women are driven by a kindred desire for self-discovery and liberation from the past. Based on the book by Laura Moriarty and anchored by a superb supporting cast (Miranda Otto, Géza Röhrig, and Blythe Danner in a key cameo), The Chaperone is a sensitive, resonant, and illuminating tale of women's lives in the early 20th century.

A revenge tale about a former college student who forges essays for cash, the client who becomes her lover, and their professor.

Evan Birch is a family man and esteemed professor at a distinguished college, where his charm and reputation have made his philosophy class very popular. When a female student named Joyce goes missing, Evan's previous off-campus dalliances make his wife question his alibi. Gruff police Detective Malloy has even more reason to be suspicious when crucial evidence makes Evan the prime suspect in Joyce's disappearance. Suddenly, the questions Evan faces aren't merely academic - they're a matter of life or death.