Still searching for a place to settle down after the cataclysmic events of The Croods (2013), the overprotective prehistoric patriarch, Grug, leads his family to the great unknown. Hoping for the best in an increasingly dangerous world, while trying to come to terms with Eep and Guy's budding romance, Grug stumbles upon a secluded Eden of plenty, containing everything that they have been seeking. However, there is a catch. This verdant heaven on Earth is already occupied by the significantly more evolved Bettermans: Phil, Hope, and their daughter, Dawn. Now, as tensions boil over between the antagonistic clans, a new menace threatens the future of both families. Can the Croods and the Bettermans put aside their differences to fight the common enemy, and live to tell the tale?

When college freshman Alia returns home for the summer, she discovers secrets and lies in her parents' past that make her question everything she thought she knew about her family.

After her long-time music star boyfriend Devin breaks up with her, songwriter Harmony reluctantly accepts her dad's invitation to come home to her small snowy mountain town for Christmas and finally meet his girlfriend Debbie. Since her mother passed away some years ago, she has not gone home. She's paired up with local "hero" Luke to coordinate the annual music festival. He and his guardian, nephew Weston, open her heart to something new. But, she's thrown a loop when Devin suddenly reappears suddenly towing a ring, claiming he made a big mistake. Is she in love with Devin, or is he just using her? Where does her destiny lie?

Midway, Utah is in contention with two other cities to be featured on Sterling Masters' (Christopher Russell) Holiday Adventures. Heading up Midway's push to get the attention which would give a much-needed boost to the local resort and recreation business industry is Aria (Kellie Pickler) whose family owns The Mistletoe Diner. As it turns out Sterling Masters is only the face of the show while his best friend Alex is the writer and heart of the show. Alex comes to the Mistletoe Diner in advance to gather intel. He butts heads with Aria, who is none too subtle about her idolization of Masters and is rubbed the wrong way by Alex's sarcastic remarks questioning Masters' dubious talents. Loosely based on NY Times best-selling author Richard Paul Evans' novel of the same name.

John and Steve have few redeemable qualities. They really would rather do as little as possible and live off of someone else's hard work. Only the opposite sex has a chance to make them change, John's high school sweetheart, Nichole, is back in town for one last class at the university. When they run into each other at school, John makes it his mission to get her back. Meanwhile, when Cindy applies for a job at the movie theater, Steve decides she will be his next conquest. But pretty soon the line is blurred between who is conquering whom. Add in an eccentric sociology professor and a mixed bag full of inappropriate situations and you have Bottom Feeders.

When his journal of bright ideas is stolen, college freshman Bickford Schmeckler (Fugit) has to blanket the campus in order to locate it.

Four lifelong friends, Greyson, Sloane, Henry and Callie, convene for their last college winter break before entering the dreaded "real world". But when Sloane unexpectedly reveals that her family is moving after the holiday, the pressure for a final, perfect Christmas together snowballs into a collision of looming feelings and past regrets. Greyson grapples with whether he should snuff out the torch he's carried for Sloane since grade school, or let it burn brighter than ever. Henry, who's picked up a "soul crushing" seasonal gig at the local carousel and its adjacent museum, suggests an overnight lock-in before both venues succumb to the threat of a looming shutdown; Callie, a starry-eyed thespian in training, enlists his help in going viral on TikTok, drudging up uncertainty about their futures, and whether or not chasing the spotlight is always worth it. And while Sloane reflects with her family on memories of loss and love, she realizes that opening your heart-and all the risks that come with it-is a far more meaningful gift than anything under the tree.

After her life in New York unexpectedly falls apart, powerhouse stockbroker Sam Wallace returns to her small town for the holidays and reconnects with her high school sweetheart who helps reignite her humanitarian spirit just in time to help their community on Christmas.

Holly, a single college professor, signs up for an online dating service, but begins to grow suspicious when the guy's beautifully-written texts don't match his actions.

Surgeon Angie prepares to spend another Christmas alone on call for the hospital. However she nods off on the commuter train home and when she wakes up she's in her home town ten years earlier. After she's recovered from the shock, she realizes that she now can make some different choices in life and that the right actions might give her the ticket back to the future. But should she accept the proposal from the handsome sports commentator Tyler this time? Can she save her parents failed marriage? And what about her friend Ben? And if she manages to come back, what will her life look like?

Avery, a Manhattan contract lawyer, has long dreamed of a fantasy Christmas wedding, something that her fiancé David has obliged despite their respective extremely busy work schedules. She also dreams of having an elegant first dance, ballroom which neither she or David know how to do. As such, especially as she is the type of person who needs to do things well or not do them at all, she wants to sign them up for a couple of waltz lessons. When with just over three weeks until the wedding David makes a unilateral decision that she sees as placing his career over her, Avery responds by breaking up with him. Remembering back to her childhood when she did take a few dance classes, with she further reminded by her parents that they pulled her from those classes in focusing on other activities at which she had greater aptitude, Avery ultimately decides to keep the ten waltz lessons up for which she signed her and David, she now going in solo under the tutelage of the dance school's owner, Roman. Despite the disaster of her first lesson leading to thoughts of quitting, she, with Roman's help, perseveres in part due to the two of them being tied together in a personal sense out of circumstance. In the process, the two make a human connection as Avery flourishes as a waltzer and changes as a person. As a romance between the two seems a possibility, that possibility is threatened as David reenters her life asking for her forgiveness in wanting their marriage plans to get back on track.

In Boise, Idaho, Pat Godfrey and Margie Southworth were young sweethearts, which was particularly special to Margie because Pat's family was more like a real family than her own emotionally-distant one was. Margie's first job working for retailer Connor and Co. at their Oak Street store also felt like family, especially under her manager Willa. But when Pat moved to Hawaii immediately following high school for his dream of working in the outdoor-adventure business, Margie decided to stay in Boise. He asked her to go with him, but she thought he would only be there until he discovered his true life and career. Now 20 years later, right before Christmas, Margie is still working at Connor and Co., still in Boise but in their regional office as the VP of Marketing and Promotions; Willa is still her boss. Margie met her current boyfriend of six months, Scott, in the company; he worked in the field office 90 minutes away, so they've been doing the long-distance relationship thing. When Scott is brought into the regional office for training under Margie, they will get an opportunity to deepen their relationship in the probability that he is training for a job in the Boise office. Meanwhile, Pat, now divorced and the primary parent to adolescent sons PJ and John, has just sold his outdoor-adventure company in Hawaii for a job in Boise to be closer to his ex-wife Casey in San Francisco for the boys' sake, and to be closer to his now-widowed mother Lois, with whom they'll be living until they find something more permanent. Pat's job falls through so he scrambles to find another. He had planned to contact Margie in the New Year just as old friends, but fate seems to usurp Pat and they accidentally run into each other...again and again and again. While Lois believes their encounters are "Godwinks" at work telling them that they are meant to be together, which is the case if they listen to their hearts, their brains might be telling them something else. Pat feels his first priority is to find that job regardless of what that actually means in practical terms, and Margie feels the need to explore what a more-dedicated relationship with Scott entails, while both begin to believe that Scott being brought in for training at the Boise office means work changes for both of them, and not necessarily in a good way for Margie.

Alex, a college freshman, joins her university's rowing team and undertakes an obsessive physical and psychological journey to make it to the top varsity boat. No matter the cost. Intent on outperforming her teammates, Alex pushes herself to her limits-and beyond, alienating everyone around her in the name of success.

When a successful woman returns to her hometown to revive her family's Christmas festival, she meets a dashing stranger who's volunteered to help organize the event. Sparks begin to fly between them, but little does she know that he's really a prince in disguise, longing to find the true spirit of the holidays. It will take a Christmas miracle of royal proportions for their hearts to meet as one.

Single mom Maggie O'Donnell (Ashley Williams) is facing Christmas alone, until stranger Lucas Cavelli (Niall Matter) crashes into her life and becomes an unexpected house guest. Together, they overcome Christmas, while finding comfort in their growing bond.

Holly Hayes works in her best friend Megan Snyder's Greenwich Village vintage clothing shop, while she designs jewelry on the side, that love and knowledge of jewelry something she learned from her jewelry store owner father, Sam Hayes. When Holly discovers a high end charm bracelet in the pocket of a coat donated to the store, Holly is certain that the bracelet, with many of the charms Christmas themed, was donated in error and goes on a mission to discover its owner to be able to return the bracelet hopefully before Christmas a few weeks away. Greg Matthews, a reporter for The Voice, a proverbial "fluff" magazine, wants to assist Holly in this task as he wants to use Holly as the subject for his assigned "Christmas Hero" story. Greg used to be an investigative reporter, a career he abandoned when he got fleeced on a story that took eight months of his life, the story which almost ruined the life of its subject. Holly, who earlier rebuffed Greg's personal advances in their initial chance meeting, initially resists his help in knowing both that Christmas and the actual bracelet mean nothing to him personally beyond the story, but eventually welcomes his help in coming to the realization that she has hit a wall in her own search. Despite Holly's stipulation that there is to be no personal interaction between the two in accepting Greg's help, the two start to fall for each other. The problem becomes whether their personal connection is predicated on success in their professional connection, which for Greg has the added deadline of December 23rd in a story for his Editor, Sheyla Green, who has reserved the magazine cover for this story.