An alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world. Major William Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop-forcing him to live out the same brutal combat over and over, fighting and dying again...and again. But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Vrataski take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy!

Mia Hall thought the hardest decision she would ever face would be whether to pursue her musical dreams at Juilliard or follow a different path to be with the love of her life, Adam. But what should have been a carefree family drive changes everything in an instant, and now her own life hangs in the balance. Caught between life and death for one revealing day, Mia has only one decision left, which will not only decide her future but her ultimate fate.

A young street artist, Danny, in East Los Angeles is caught between his father's obsession with lowrider car culture, his ex-felon brother and his need for self-expression. Danny puts his graffiti artist skills to use and paints murals on the hoods of lowrider cars to help his brother win an upcoming competition.

Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician with her own plan to win, inspiration from the late Fabulous Hudson Hornet, and a few unexpected turns. Proving that #95 isn't through yet will test the heart of a champion on Piston Cup Racing's biggest stage!

SON OF RAMBOW is the name of the home movie made by two little boys with a big video camera and even bigger ambitions. Set on a long English summer in the early '80s, SON OF RAMBOW is a comedy about friendship, faith and the tough business of growing up. We see the story through the eyes of Will, the eldest son of a fatherless Plymouth Brethren family. The Brethren regard themselves as God's 'chosen ones' and their strict moral code means that Will has never been allowed to mix with the other 'worldlies,' listen to music or watch TV, until he finds himself caught up in the extraordinary world of Lee Carter, the school terror and maker of bizarre home movies. Carter exposes Will to a pirate copy of Rambo: First Blood and from that moment Will's mind is blown wide open and he's easily convinced to be the stuntman in Lee Carters' diabolical home movie. Will's imaginative little brain is not only given chance to flourish in the world of film making, but is also very handy when it comes to dreaming up elaborate schemes to keep his partnership with Lee Carter a secret from the Brethren community. Will and Carter's complete disregard for consequences and innocent ambition means that the process of making their film is a glorious roller-coaster that eventually leads to true friendship. They start to make a name for themselves at school as movie makers but when popularity descends on them in the form of the Pied Piper-esque French exchange student, Didier Revol, their unique friendship and their precious film are pushed, quite literally, to breaking point.

A creepy old mortician manages a very strange mortuary all alone until a young woman shows interest in working for him. The mortician tells the young apprentice a series of stories about those that have died in the town.

The story of witty and introspective Adam (Charlie Plummer), who appears to be your typical young adult - a little unkempt with raging hormones and excited about a future pursuing his dream of becoming a chef. Expelled halfway through his senior year following an incident in chemistry class, Adam is diagnosed with a mental illness. Sent to a Catholic academy to finish out his term, Adam has little hope of fitting in and just wants to keep his illness secret until he can enroll in culinary school. But when he meets outspoken and fiercely intelligent Maya (Taylor Russell), there is an instant soulful and comforting connection. As their romance deepens, she inspires him to open his heart and not be defined by his condition. Now, with the love and support of his girlfriend and family, Adam is hopeful for the very first time that he can see the light and triumph over the challenges that lie ahead.

There, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.

Trapped in a time loop that constantly repeats the day of his murder, a former special forces agent must unlock the mystery behind his untimely demise.

In the not-too-distant future, Todd Hewitt (Tom Holland) discovers Viola (Daisy Ridley), a mysterious girl who crash lands on his planet, where all the women have disappeared and the men are afflicted by "the Noise" - a force that puts all their thoughts on display. In this dangerous landscape, Viola's life is threatened - and as Todd vows to protect her, he will have to discover his own inner power and unlock the planet's dark secrets. From the director of The Bourne Identity and Edge of Tomorrow and based on the best-selling novel The Knife of Never Letting Go, Daisy Ridley and Tom Holland star with Mads Mikkelsen, Demián Bichir, Cynthia Erivo, Nick Jonas, Kurt Sutter, and David Oyelowo in Chaos Walking.

Just as Tessa makes the biggest decision of her life, everything changes. Revelations about her family, and then Hardin's, throw everything they knew before in doubt and makes their hard-won future together more difficult to claim.

Now in their 50's, four friends recreate an inter-rail journey across Europe, but this time 18-year-old Maddie is taking her mother's place, fulfilling her dying wish. With lost passports, train strikes and romantic entanglements thrown in their way, they must put old feuds aside to complete the journey within five days and remind themselves that they are still at their peak.

Tetê doesn't feel accepted either at school or at home. When her unemployed parents must move in with her grandparents to their home in Copacabana, in Rio de Janeiro, the 16-year-old girl must start over at a new school. She will try everything not to be bullied again, and maybe make friends and have a social life.

Following his stateside return from Iraq, Jack Armstrong, a literal and figurative Jack-of-All-Trades in his civilian life, came down with an undiagnosed illness, he sent home from the hospital to the care of his wife, Lizzie Armstrong, in what were expected to be his final days. Instead, it was Lizzie who passed suddenly in a traffic accident, Jack miraculously fully recovering following. Jack has decided to take their two children, fifteen year old Mikki and young adolescent Cory, on what was Lizzie's planned family summer vacation to her hometown of Channing, it to be spent at what Lizzie had always considered her "palace", her parents' recreational property, a beachside cottage, now a rental, complete with a lighthouse. The fact that the three of them, upon their arrival, find that it is not the palace that Lizzie had described but a rundown property only exacerbates the issues with which they all are dealing beyond their general grief. Jack is struggling to be both father and mother to the kids, while needing to deal with Lizzie's mother, Bonnie O'Toole. While Jack and Bonnie never had the best of in-law relationships, they have the added issue of Bonnie's concerns for the children's welfare without their mother, she who has become overly protective in not wanting to lose any more children. Besides going through puberty, Mikki is constantly angry, largely directed at her father, more in her own unspoken fear that he will becomes sick again. In making the necessary repairs to the cottage, Jack decides to fix the non-functioning lighthouse in Lizzie's memory. In the process, Jack is guided by a visible manifestation only to him of Lizzie's spirit. The presence of that spirit may provide a complication as Jack seems to be making a connection with restaurateur Jenna Fontaine, who moved to Channing four years ago with her now mid-teen son, Liam, to escape a crumbling marriage, those connections which seem to be developing also at the next generation between Mikki and Liam.

To the folks in Conway, South Carolina, Duncan Mayor is a very cranky guy. To "my sweet girl" - his wife, Suzy - he's a doting pussycat. But Suzy is just home from the hospital and cared for 24/7 by nurse Natalie, whom Duncan tries his best to ignore. Duncan decides the best medicine Suzy could possibly have - and a Christmas present she'll never forget -- is a ride on a real Ferris wheel, set up in their own back yard. Why a Ferris wheel? Because it was while riding one many moons ago that Duncan asked Suzy to marry him. Where to find a 45-foot-high used Ferris wheel? Duncan strikes gold in an abandoned amusement park, presided over by a lonely ex-carnival worker -- Henry. Assembling the mechanical monstrosity is not exactly a one-man job. Duncan gets a crucial assist from Tommy, a former student of Suzy's, who is deeply in her debt. He's become a successful landscape designer after a troubled youth; it was Suzy who set him straight. Meanwhile, the neighbors are not amused; especially prim and proper Gayle Matthews. She's entered her garden in an upscale magazine's "Christmas Showcase" contest. The interest of the contest's judges witnessing the atrocity next door is more than Gayle can bear. Fortunately, her brother is the local sheriff - and there are zoning laws to prevent this kind of thing, aren't there?

To earn some extra cash, quirky college student Benny (Jorge Lendeborg, Jr.) moonlights as a chauffeur for one night. His task: drive two mysterious young women (Debby Ryan and Lucy Fry) around Los Angeles for a night of party hopping. Taken captive by his clients' charm, he soon learns that his passengers have their own plans for him - and an insatiable thirst for blood. As his night spins out of control, Benny is thrust into the middle of a clandestine war that pits rival tribes of vampires against the protectors of the human world, led by his brother (Raúl Castillo), who will stop at nothing to send them back into the shadows. With sunrise fast approaching, Benny is forced to choose between fear and temptation if he wants to stay alive and save the City of Angels.

A young woman seeking self-improvement enlists the help of a renowned hypnotherapist. But after a handful of intense sessions, she discovers unexpected and deadly consequences.