The interwoven stories of three couples which are forced to make life altering decisions in the face of a disastrous war. Inspired and sometimes blinded by their love, Len, Mia, Andy, Esther, Anna and Erik are as flawed and beautiful as any of the billions who are facing this human-made biological disaster.

Mike Dooley has been teamed up with Jerry Lee, a German Shepherd dog, for nearly ten years, but Jerry Lee isn't as young as he once was, and Dooley's superiors suggest that maybe it's time that Jerry Lee was retired from the force. But there is a stalker who wants Dooley dead. The stalker, disgruntled crime novelist Devon Lane, became obsessed with Dooley's wife after she rejected his book, and he blames Dooley for her death. When Jerry Lee can't keep up with chasing Devon during a shootout, Captain Byers teams Dooley and Jerry Lee with a younger K9 team -- aggressive female detective Welles and her dog Zeus, a young, strong Doberman Pincher. After Dooley futilely investigates a convict he once busted, the dogs get him back on track by sniffing out Devon's storage locker. The room reveals Devon's identity to Dooley, and one of Devon's manuscripts reveals that he intends to make Dooley suffer for his words. When Devon makes a bold move by invading the precinct and taking Welles hostage, it's Dooley and Jerry Lee to the rescue. But can Jerry Lee pull off this rescue?

When a young woman's niece and nephew are threatened with foster care after her sister is hospitalized following yet another overdose, she flees with them until they land in the sleepy town of Bethlehem just before Christmas and a series of kindnesses and coincidences gives the trio a chance at happiness.

Bad Grandpa .5 gives you a whole new perspective on the world of Irving Zisman with new scenes and pranks also featuring Spike Jonze as "Gloria" and Catherine Keener as Irving's wife "Ellie", plus a look at the evolution of Johnny Knoxville's naughty alter-ego, the makeup effects, and a behind-the-scenes peek at the idiocy it takes to make a hidden camera movie in public.

Memento chronicles two separate stories of Leonard, an ex-insurance investigator who can no longer build new memories, as he attempts to find the murderer of his wife, which is the last thing he remembers. One story line moves forward in time while the other tells the story backwards revealing more each time.

Opposites attract when Wendy (Lisa Whelchel), a wedding coordinator, and Marco (Antonio Cupo), a divorce attorney, find their lives suddenly intertwined. Wendy is finally settling into the single life after struggling with the death of her husband. After a difficult season of grief, she's taken over the family business of coordinating the town's most beautiful and memorable weddings with the help of her friend and co-worker Roseanne (Kim Fields). Wendy's business and values are challenged, however, when the charming and incredibly irritating Marco opens shop as a divorce attorney right next to her wedding chapel. Although Wendy will stop at nothing to promote her marriage business over Marco's divorce business, she must form an alliance with Marco after her son Collin (Edward Ruttle) announces his unexpected engagement to Marco's daughter Sophia (Alicia Josipovic). As Wendy grows closer to Marco, she begins to realize that if she shields herself from the pain of love lost, she may prevent herself from experiencing true love in the future. Will Wendy open up to a second chance at love?

The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life-or-death circumstance.

Two years ago, Jason Bourne thought he had walked away from his past. But now the past catches up to Jason Bourne when the CIA threatens to ruin his new life. Bourne and Marie have maintained their anonymous, underground existence at the cost of permanence. Fueled by splintered nightmares and haunted by the past he cannot remember, Bourne moves Marie from city to city, trying to remain one step ahead of the threat implicit in every unexplained stranger's glance, every "wrong number" phone call--that at any second, without any warning, he might get pulled back into the world he hopes he left behind.

From the outside, Alexa has the perfect life. Her son is the high-school football star, her daughter a straight-A student, and her husband the CFO of a booming start-up company. But her father's sudden death disrupts her perfectly...

Expecting their first child, newlyweds, Ryan and Claire, can't wait to settle in their new home, even though their unkempt and monosyllabic new landlord, Gerald, is a downright creepy recluse who lives nearby. However, what the unsuspecting couple don't realise, is that the taciturn overseer has already rigged their new nest with undetectable cameras and a closed-circuit surveillance system to watch their every move. Inevitably, as the repulsive Gerald keeps himself glued to his monitors to watch his private Big Brother show, no secrets are safe--including those between the couple. Is there a way to expose the slumlord's obsession?

Fiercely protective single-mom Meredith Hendricks happens to also be the best cop in her quiet town on Lake Tahoe. When a black-market exotic species dealer named Clint, is paroled from prison, something he let loose begins to make its presence known. Swimmers and land-lovers alike begin to become part of the food chain at an unbelievable rate. Meredith and the new man in her life, a biologist named Peter, begin to investigate these brutal attacks and discover that they're not just hunting one eating machine, but a whole family of them. After a documentary crew is devoured when they don't take the threat seriously, it's up to Meredith, Peter, and the unlikely hero, Clint, to stop the most dangerous thing on the planet: A mother protecting its young. Not everyone will make it out alive, but those who do will never forget this summer at Shark Lake.

Set in France, Georges is a TV Literary Reviewer and lives in a small yet modern town house with his wife Ann, a publisher and his young son Pierrot. They begin to receive video tapes through the post of their house and family, along side obscure child-like drawings. They visit the police with hope of aid to find the stalker, but as there is no direct threat, they refuse to help. As the tapes become more personal, Georges takes it upon himself to figure out who is putting through his family through such horror. A true Michael Haneke Classic.

Matt Stifler, the younger brother of the legendary Steve Stifler, who made it big as Hollywood porn-producer and shamelessly ignores the idolizing kid brother, may claim the title of Stifmeister as his heritage, but even for his horniest mates he's little more then a bad joke. When Matt alone gets caught red-handed for a prank with the school band's instruments, present high school counselor Sherman 'Sherminator' finds great pleasure in taking revenge on him for the misbehavior Steve excelled even worse in, so instead of expelling the little prick, he condemns him to take part in band camp at Great Oaks, where Jim Levenstein's still understanding dad is filling in for the feared problem counselor. As there are plenty of girls in the competing bands, Matt hopes to turn his (mis)fortune around by smuggling in camera equipment including a robot to shoot saucy, clandestine material for his counterpart to Steve's hit video "Girls Gone Wild", an at least as 'revealing' Bandies Gone Wild. Matt's nerdy, yet also horny roomie Ernie was originally confined to the closet, but is promoted to assistant-producer when he proves himself an invaluable technician. Things get complicated as Matt becomes romantically involved with Elyse, his own school band's director, whose ambition is to beat haughty five-fold winner Brandon Vandecamp -son of a famous, rich father- as band music composer and thus win a good shot at a scholarship for an exclusive music school. For her sake Matt turns musician (on the trivial triangle by her decree, bagpipes in surprising scenes) and proves his leadership skills, but courting a 'decent' girl just doesn't square with voyeurism...

On the top floor of an abandoned tenement, Harry Lesser struggles to complete the novel he has been writing for almost ten years. Then Willie Spearmint, black militant and aspiring writer, moves into another part of the building to work on his own book.

The Connollys and the Lucases have long lived next door to each other on Catalina Island. Bridget Connolly and Betsy Lucas have hated each other for as long in both being A-type personalities, while their respective husbands, James Connolly and Frank Lucas, have been golf buddies behind their wives' backs and have done nothing to help resolve their wives' dispute in fearing that if that anger is lost, it will just get redirected to them. Things get more complicated when their respective early thirty-something offspring, schoolteacher Theresa Connolly who has just moved back to Los Angeles after a break-up with her boyfriend of five years in Seattle, and Los Angeles based pilot Mark Lucas, reconnect. While they were not friends when they were growing up next door to each other partly because of their mothers' feud and partly because of the few year age gap between them, they are immediately attracted to each other this second time around. That attraction moves into dating - they each navigating their feelings with the help (or hindrance) of their best friends, Angela and Roger respectively, including what to do about their mothers, who they ultimately decide not to tell about their dating status until it becomes serious. When that time does come, and it does, their mothers' reactions and actions may threaten Theresa and James' relationship in its entirety despite what they have being true love.

After unwittingly making off with a mysterious flash drive during the rescue of his young niece from a powerful drug cartel, Colton MacReady is thrust into a relentless fight to save his family as the cartel descends upon his sister's home in search of it and their own brand of south-of-the-border justice. In tow is a corrupt local sheriff and his crew of deputies, ensuring that help won't be coming any time soon. What ensues is a non-stop assault, a blow-by-blow survival marathon for Colton to protect his loved ones and save his own life while keeping the drive from falling back into the wrong hands.

Anna suffers from agoraphobia so crippling that when a trio of criminals break into her house, she cannot bring herself to flee. But what the intruders don't realize is that agoraphobia is not her only problem.

Emotionally disturbed Isabelle is locked in a fierce battle with a vicious demon that's hell-bent on owning her soul. Desperate to bring her back from the tangle of evil, her family calls on Jacob, the troubled local priest, to perform an exorcism. In a race against time and terror, he must wrestle his own dark demons before he can save Isabelle. But she isn't the only one who needs saving...

Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge.

Popular prank TV show, Scare Campaign, has been entertaining audiences for the last 5 years with its mix of old school scares and hidden camera fun. But as we enter a new age of online TV the producers find themselves up against a new hard edged web series which makes their show look decidedly quaint. It's time to up the ante, but will the team go too far this time, and are they about to prank the wrong guy?

Joaquín is a computer engineer in wheelchair trapped by the imminent foreclose of his house due to the debt with his bank. Trying save it, he rents one room to Berta, an exotic dancer, and Betty, her six-years-old daughter. Meanwhile Joaquín is blocked emotionally by the remembers of his wife and daughter, dead after an accident time ago, Berta lives with the drama of Betty, who two years ago stopped to talk mysteriously. Their at the beginning uneasy coexistence gradually softens, turning in a friendship and a love interest between them, when Joaquín accidentally discovers that a little gang wants to steal a bank it causes that Joaquín decides to watch them in secret. But Joaquín's plan crashes against a couple of secrets that will threaten all the plan provided.

In director John Stewart Muller's stylish psychological thriller, Mira Sorvino stars as Veronica, a politician's wife whose brief affair with a troubled young artist comes back to haunt her when he begins to infiltrate every part of her life. While her husband (Cary Elwes) and daughter (Katherine McNamara) are away, New Orleans psychiatrist Veronica Simon (Mira Sorvino) enjoys a weekend fling with Victor (Christopher Backus), an alluring young sculptor. But after Veronica calls off the affair, Victor refuses to let go and will stop at nothing to have Veronica for himself. Just how far will Victor go to get what he wants, and is there anything Veronica can do to stop his mad obsession before it destroys her family?

A fraternity house throws their big "Winter Luau" party but when fraternity brothers and coeds begin dying horrible deaths they discover an evil entity has taken over the house.

A city of monsters with no humans called Monstropolis centers around the city's power company, Monsters, Inc. The lovable, confident, tough, furry blue behemoth-like giant monster named James P. Sullivan (better known as Sulley) and his wisecracking best friend, short, green cyclops monster Mike Wazowski, discover what happens when the real world interacts with theirs in the form of a 2-year-old baby girl dubbed "Boo," who accidentally sneaks into the monster world with Sulley one night. And now it's up to Sulley and Mike to send Boo back in her door before anybody finds out, especially two evil villains such as Sulley's main rival as a scarer, chameleon-like Randall (a monster that Boo is very afraid of), who possesses the ability to change the color of his skin, and Mike and Sulley's boss Mr. Waternoose, the chairman and chief executive officer of Monsters, Inc.

The story follows Joe, (Cage), a down-on-his-luck truck driver haunted by the memory of his deceased wife and child. He meets Julie (Potente), a spiritually gifted woman who enlists Joe in a desperate effort to find the lost soul of her comatose daughter, Billie (Mitchell). But the spirit of Joe's dead wife Mary proves stronger, possessing the young woman's body and determined to settle her unfinished business with the living.

Ellie Hartman (D'Orsay) is an aspiring crafter working in her small town's bakery making famous Christmas Kringles. When the new big-city CEO Nick Carlingson (Lissing) visits the bakery, he arrives filled with modernization ideas destined to lay off many employees. During his visit, Ellie is to teach Nick how to make a Kringle and she's determined to show him it's the people who make the business a success, not machines. Nick meets more of the employees and townspeople, visits the food bank, and begins to see all the kindness that is shared, and he begins to soften, though he's not convinced yet that automation isn't better. Struggling with chasing her own entrepreneurial dreams, Ellie begins to fall for Nick, but not before feeling betrayed when she inadvertently sees Nick's laptop filled with automation plans. When Nick finally tells the employees his future ideas for the company, Ellie must decide if she should trust him, but more importantly, whether to take a leap of faith in making her own dreams come true.

In this handsome period piece perfectly suited for cinephiles of all stripes, director Michael Engler (Downton Abbey, 30 Rock, Six Feet Under) and screenwriter Julian Fellowes (Downton Abbey, Gosford Park) bring a fascinating slice of pre-Hollywood history to light in a coming-of-age story centering on the relationship between the young, free-spirited and soon-to-be international screen starlet Louise Brooks (a riveting, high-intensity Haley Lu Richardson) and her tee-totalling chaperone (a wonderfully nuanced Elizabeth McGovern). On their journey from the conservative confines of Wichita Kansas to the flash and sizzle of New York City, both women are driven by a kindred desire for self-discovery and liberation from the past. Based on the book by Laura Moriarty and anchored by a superb supporting cast (Miranda Otto, Géza Röhrig, and Blythe Danner in a key cameo), The Chaperone is a sensitive, resonant, and illuminating tale of women's lives in the early 20th century.

Harbouring negative feelings of their cantankerous neighbour and cryptic hermit, Harold Grainey, the bored tech-savvy best friends, Ethan and Sean, decide to play a trick on him, under the guise of a psychological social experiment. Thrilled with the idea of becoming the next YouTube sensation, the boys embark on an audacious project to convince the man that his dark and vacant house is haunted and record his unmodified reaction with their advanced computer setup. Now, the stage seems set for the ultimate "Haunting Project". However, who is truly the good neighbour living across the street?

A newlywed couple is terrorized by a consumer drone that has become sentient with the consciousness of a deranged serial killer.

A hotel room shootout between two assassins kicks off a long night of bodies falling like dominoes, as we follow a chain of crooked cops, gangsters, hitmen, a femme Fatale and an ex-mercenary through a confluence of murder, betrayal, revenge and redemption.

GROWING UP SMITH is the story of a ten-year-old boy from India growing up in Small Town, America in 1979. While the boy's family straddles the fine line between embracing the American Dream and preserving their Indian heritage, there are barbecues, Halloween and hunting. And as Smith falls for Amy, the girl-next-door, he finds in Amy's father Butch the cowboy he wishes his own father could be. But alas, when Smith's father Bhaaskar sees Smith is quickly losing any hope of remaining a respectable Indian boy, he banishes him back to India. Nineteen years later Smith will return to America, back to a place he once called home.

Two couples on an oceanside getaway grow suspicious that the host of their seemingly perfect rental house may be spying on them. Before long, what should have been a celebratory weekend trip turns into something far more sinister, as well-kept secrets are exposed and the four old friends come to see each other in a whole new light.