We're in an English village shortly before Dunkirk. "Mr. Tom" Oakley still broods over the death of his wife and small son while he was away in the navy during WWI, and grief has made him a surly hermit. Now children evacuated from London are overwhelming volunteers to house them. Practically under protest, Mr. Tom takes in a painfully quiet 10-year-old, who gradually reveals big problems. William nightly wets the bed. He can't read or write, although he is intelligent and shows artistic talent. He constantly dreads going to hell. Scars cover his back. Mr. Tom soon realizes that his little boarder comes from a horribly abusive home, and determines to provide him a better one. All goes well until William's mother persuades him to return to London for a few days' visit. When Mr. Tom hears nothing from the boy after two weeks, he can endure the loneliness and worry no longer.

Vampire in London is searching for the ideal woman to redeem him.

Mean, gritty, dirty, and low - and that's just Policeman Gary Keltie (Ken Stott) out for retribution for the horrendous crimes against the helpless people of Edinburgh, Scotland during the 1970s by notorious, torturous, and killer...

When a young woman's niece and nephew are threatened with foster care after her sister is hospitalized following yet another overdose, she flees with them until they land in the sleepy town of Bethlehem just before Christmas and a series of kindnesses and coincidences gives the trio a chance at happiness.

In a world that does not appreciate artists, where sensitive souls don't stand a chance, a poetry-loving kindergarten teacher discovers a child poet and decides to take it upon herself to nurture him. To save his greatness from the world, to salvage him from the banal, the mediocre and the crude - to save him from life itself. It is the story of a female Don Quixote, who strives to save the world through the poetry of a child, and of a pensive child who has no desire to be saved.male frontal nuditykindergartencheating wifereciting a poemwriting a poem244 morePlot summaryAdd synopsis

An animator's commissioned works, rejected because of their increasingly absurd and violent tone (reflecting the animator's own progressive breakdown), eventually find their entire animated world collapsing in upon itself.

Because of scoring exceptionally high on a statewide standardized exam, and being an exceptionally good basketball player, Jamal Wallace is sent to a prestigious prep school in Manhattan. He soon befriends the reclusive writer, William Forrester.

Opposites attract when Wendy (Lisa Whelchel), a wedding coordinator, and Marco (Antonio Cupo), a divorce attorney, find their lives suddenly intertwined. Wendy is finally settling into the single life after struggling with the death of her husband. After a difficult season of grief, she's taken over the family business of coordinating the town's most beautiful and memorable weddings with the help of her friend and co-worker Roseanne (Kim Fields). Wendy's business and values are challenged, however, when the charming and incredibly irritating Marco opens shop as a divorce attorney right next to her wedding chapel. Although Wendy will stop at nothing to promote her marriage business over Marco's divorce business, she must form an alliance with Marco after her son Collin (Edward Ruttle) announces his unexpected engagement to Marco's daughter Sophia (Alicia Josipovic). As Wendy grows closer to Marco, she begins to realize that if she shields herself from the pain of love lost, she may prevent herself from experiencing true love in the future. Will Wendy open up to a second chance at love?

Eight strangers find themselves waking up in a strange cube-shaped room with no recollection of how they came to be there. Soon discovering that they're in a strange fourth dimension where our laws of physics don't apply, they have to unravel the secrets of the "hypercube" in order to survive...

While his latest movie Being John Malkovich (1999) is in production, screenwriter Charlie Kaufman is hired by Valerie Thomas to adapt Susan Orlean's non-fiction book "The Orchid Thief" for the screen. Thomas bought the movie rights before Orlean wrote the book, when it was only an article in The New Yorker. The book details the story of rare orchid hunter John Laroche, whose passion for orchids and horticulture made Orlean discover passion and beauty for the first time in her life. Charlie wants to be faithful to the book in his adaptation, but despite Laroche himself being an interesting character in his own right, Charlie is having difficulty finding enough material in Laroche to fill a movie, while equally not having enough to say cinematically about the beauty of orchids. At the same time, Charlie is going through other issues in his life. His insecurity as a person doesn't allow him to act upon his feelings for Amelia Kavan, who is interested in him as a man. And Charlie's twin brother, pretentious Donald, has moved into his house with a goal of also becoming a screenwriter. Despite not admiring Donald as a screenwriter, Charlie asks for his advice. Together, they feel that there is some interesting subtext in the book on which Orlean herself can only elaborate, if only Charlie has the nerve to talk to her. If she can't or won't elaborate, they may have to find out the meaning of that subtext on their own.

Intermission is an urban love story about people adrift and their convoluted journeys in the search for some kind of love. When the desperately insecure and emotionally inarticulate John breaks up with Deirdre to 'give her a little test' his plan backfires leaving her broken-hearted and him alone and miserable. Through chance and coincidence, their break-up triggers a roller coaster ride of interweaving escapades in the lives of everyone around them. Intermission presents a slice of life, the passage between breaking up and making up, exploring how our lives intersect, and the power we all possess to affect the lives of those around us.

The story follows 19-year-old Renee (Kat Dennings) who has always loved fairy tales: the idea of a princess, a hero and a happily ever after. But Renee's life is that of a darker tale: she's a young woman battling addiction, depression and self-injury. In a creative blend of artistic fantasy balanced with harsh reality, the movie follows Renee on her courageous journey towards recovery.

A geneticist wakes up from an accident with only fragments of his memory is forced to relearn who he is via his twin brother. But as he digs deeper, he discovers he might not be who he thought at all.

Self-declared aspiring writer Hank Chinaski has neither qualifications, ambition nor ethics. Any dead-end job he lands is soon lost through laziness or mischief. His relationship with fellow deadbeat Jan gets strained to crisis through her insecurity, so he even gives up betting on horses which brought in easy money.

A Pulitzer-winning writer grapples with being a widower and father after a mental breakdown, while, 27 years later, his grown daughter struggles to forge connections of her own.

Walter Goodfellow (Rowan Atkinson), the vicar for the small English country parish of Little Wallop, has let his marriage to Gloria (Kristin Scott Thomas) go stale, and he is so detached from his family that he has not taken notice that his seventeen-year-old daughter Holly (Tamsin Egerton) is going through a succession of relationships with unsuitable boyfriends, and his son Petey (Toby Parkes) fears going to school, owing to being bullied. Out of desperation for affection, Gloria begins to fall for the advances of Lance (Patrick Swayze), an American golf pro who is giving her "private" lessons. The problems upsetting the family start to fade away after Grace Hawkins (Dame Maggie Smith), the new housekeeper, arrives and starts tending to matters as an older, and rather darkly mysterious version of Mary Poppins (1964).

Canadian acting legend William Shatner takes viewers inside the creation of Star Trek: The Next Generation, the bold attempt in 1986 to recreate the success of the original television series, in which Shatner played Captain James T. Kirk. The documentary, directed, written and presented by Shatner reveals the drama, chaos and controversy behind the scenes as producers tried to make lighting strike twice. Not only were the beloved original characters of Kirk, Spock and McCoy excluded from the new series, the studio also attempted to block the involvement of the creator of the original series - Gene Roddenberry. Few believed it would work including those closest to the production. Yet Star Trek: The Next Generation went on to enormous success lasting seven seasons and spawning the multi-billion dollar Star Trek franchise, which continues to the present day. Now, more than 25 years later, William Shatner brings together the cast, crew and fans of Star Trek: The Next Generation to present an intimate look inside the development of a television series that became a benchmark for many of the high profile science fiction series that we enjoy today.

The Connollys and the Lucases have long lived next door to each other on Catalina Island. Bridget Connolly and Betsy Lucas have hated each other for as long in both being A-type personalities, while their respective husbands, James Connolly and Frank Lucas, have been golf buddies behind their wives' backs and have done nothing to help resolve their wives' dispute in fearing that if that anger is lost, it will just get redirected to them. Things get more complicated when their respective early thirty-something offspring, schoolteacher Theresa Connolly who has just moved back to Los Angeles after a break-up with her boyfriend of five years in Seattle, and Los Angeles based pilot Mark Lucas, reconnect. While they were not friends when they were growing up next door to each other partly because of their mothers' feud and partly because of the few year age gap between them, they are immediately attracted to each other this second time around. That attraction moves into dating - they each navigating their feelings with the help (or hindrance) of their best friends, Angela and Roger respectively, including what to do about their mothers, who they ultimately decide not to tell about their dating status until it becomes serious. When that time does come, and it does, their mothers' reactions and actions may threaten Theresa and James' relationship in its entirety despite what they have being true love.

When she's dumped at the altar, a young woman takes her mother on her intended honeymoon to a remote resort. But her mother has ulterior motives -- she needs a big interview to help her magazine, and the resort owner is the perfect catch.

When two people "connect," the bond between them can be so pure and simple as to stir hearts in heaven. When they connect in all the right places at all the wrong times, heaven weeps for broken hearts. To heal these broken hearts, heaven breaks time.

When Lila, a celebrated but fame-weary and amnesiac singer forgets how to perform, super-fan Violeta steps in to teach Lila how to be Lila once again.

When, one day in 1929, writer Thomas Wolfe decided to keep the appointment made by Max Perkins, editor at Scribner's, he had no illusions: his manuscript would be turned down as had invariably been the case. But, to his happy amazement, his novel, which was to become "Look Homeward, Angel," was accepted for publication. The only trouble was that it was overlong (by 300 pages) and had to be reduced. Although reluctant to see his poetic prose trimmed, Wolfe agreed and was helped by Perkins, who had become a true friend, with the result that it instantly became a favorite with the critics and a best seller. Success was even greater in 1935 when "Of Time and the River" appeared, but the fight for reducing Wolfe's logorrheic written expression had been even harder, with the novel originally at 5,000 pages. Perkins managed to cut 90,000 words from the book, and with bitterness ultimately taking its toll, the relationships between the two men gradually deteriorated. Wolfe did not feel grateful to Perkins any longer but had started resenting him for owing his success to him.

A mysterious stranger and a random act of violence drag a town of misfits and nitwits into the bloody crosshairs of revenge.

A man named Bagman wears a paper bag mask and kills people for not recycling plastic.

Inspired by teenage director Elliott Hasler's great-grandfather's experiences, 'WWII - The Long Road Home' depicts an escaped British POW's epic battle for survival whilst on the run in war-torn Italy, as his wife and young son anxiously await news in England. Created between the ages of 14 and 16 Hasler's first foray into filmmaking was lauded "a miracle achievement for a schoolboy director" (Culture Trip) .

Josh Duhamel (Transformers) stars in this wild and hilarious, no-holds-barred comedy. After six lifelong friends have a five year falling out, Bob (Duhamel), aka "The Bobfather", reunites his pals for the Buddy Games, an insane competition of absurd physical and mental challenges with the chance to win a $150,000 pot. Now all bets are off, as the determined dudes fight, claw, and party for the big bucks in this star-studded bro-fest featuring Dax Shepard (CHiPs), Olivia Munn (Office Christmas Party) and Kevin Dillon ("Entourage").

GROWING UP SMITH is the story of a ten-year-old boy from India growing up in Small Town, America in 1979. While the boy's family straddles the fine line between embracing the American Dream and preserving their Indian heritage, there are barbecues, Halloween and hunting. And as Smith falls for Amy, the girl-next-door, he finds in Amy's father Butch the cowboy he wishes his own father could be. But alas, when Smith's father Bhaaskar sees Smith is quickly losing any hope of remaining a respectable Indian boy, he banishes him back to India. Nineteen years later Smith will return to America, back to a place he once called home.

Once upon a time, Josh and Kate were in love. Together, they created a bestselling book. But they soon found themselves apart, with Kate focusing on her true crime novels and Josh on his children's books. Some time later, these exes are reluctantly forced back together by their mutual publisher for a sequel. As they try to get their groove back and navigate their collaboration, will they find love again? Or is this Happily Never After?

A young woman bound in the front seat of a parked car watches helplessly as her captor methodically digs a grave in the desert ground. The bloody lifeless body of her boyfriend lies framed in the rear-view mirror, a fate she will fight at all costs to avoid for herself. But this is only the beginning of a brutal struggle where survival could be worse than death.

Daniel and Christopher have to rely on their close friends and families to help them through drama on the eve of their wedding.

(Omits spoilers) The true story of a small town, working class father who embarks on a walk across the U.S. to crusade against bullying after his son is tormented in high school for being gay. Meanwhile he realizes he is instead missing out on his sons life back at home.

In 1843, the celebrated British novelist, Charles Dickens, is at a low point in his career with three flops behind him and his family expenses piling up at home. Determined to recover, Dickens decides to write a Christmas story and self-publish it in less than two months. As Dickens labors writing on such short notice, his estranged father and mother come to bunk with him. Still haunted by painful memories of his father ruining his childhood by his financial irresponsibility, Dickens develops a writer's block which seems to have no solution. As such, Dickens must face his personal demons epitomized through his characters, especially in his imagined conversations with Ebenezer Scrooge. Now with a looming deadline, Dickens struggles for inspiration against his frustrations and his characters' opinions in a literary challenge creating a classic tale that would define the essential soul of modern Christmas.