When Do We Eat? is the story of the "world's fastest Passover Seder" gone horribly awry. It's about an old school dad who's as tough on his sons as his father is on him. On this night, however, one of the boys slips Dad a dose of special, hallucinogenic Ecstasy in order "to give him a new perspective." Meanwhile, Mom brings a handsome stranger to dinner and the kids take sides. By the end of the night, however, Dad's visions turn him into a modern day Moses intent on leading this hungry group to the promised land of family forgiveness. Of course they're all so stubborn, it would be easier to part the Red Sea.

The executive Bob Munro is stressed, feeling threatened of losing his job and his lifestyle, since his abusive boss Todd Mallory hired the Stanford's geek Laird to work in their soda's company. Bob has promised his wife Jamie Munro, his teenage daughter Cassie Munro and his young son Carl Munro to spend vacations in Hawaii, but Todd demands him to prepare a presentation and attend a business meeting with the owners of a family company in a merging operation scheduled in the same period. Bob hides the truth to his family, rents a recreational vehicle and tries to convince his dysfunctional family that a road trip to the Colorado Rocky Mountains would be good to bring old values back to their family. After many incidents and while in the trailers parking area, the rookie Bob is helped by the bizarre but friendly Gornicke family. They escape from the Gornickes and initiate a journey of difficulties and leaning, retrieving their forgotten family bonds.

Two brothers, who meet once a year at a cabin in Big Bear to hunt white-tailed deer for a week, uncover hidden family secrets and lies when their stepbrother drops by for an evening, changing their lives forever.

Maggie is an uptight, single mother and college writing teacher from New York City. In an effort to reconnect with her troubled teen daughter Summer, she decides to embark on a journey to a Tuscan village that she frequented in her younger days. Upon arrival, Maggie runs into Luca, a handsome former lover who is still a bachelor and lives with his eighty-year-old mother, Carmen. Summer (missing her "bad boy" boyfriend in NYC) and Carmen (secretly planning a wedding against Luca's wishes to Marcelino, her one true love in Rome) impulsively steal Luca's car and race off to Rome. Maggie and Luca quickly pursue allowing the two mismatched couples to spend some time together and develop a new understanding of each other.

In toney Brentwood, Benjamin Fiedler prepares for his bar mitzvah; trouble is, he understands neither its meaning nor the Hebrew, and his parents (particularly his successful-agent father) are planning the most lavish party possible. Benjamin wants his dad to give him some space, so he gets an idea: to invite his grandfather, who left the family years ago and for whom Benjamin's dad has an intense dislike, to come two weeks early. Thanks in part to grandpa - and to the immediate family's love - Benjamin may have a shot at figuring out what it means to be a man.

Linda arrives at the seemingly idyllic Spahn Ranch hippie commune where she is embraced with open arms. Seduced by the group's free-love lifestyle, Linda revels in the sisterhood and acceptance. Taken with Manson, he soon draws her into criminal activities.

While celebrating their 30th wedding anniversary, a couple are traveling through the desert with their 3 children, son in law and their baby granddaughter. While the rest of the family agrees there are plenty of better and more appropriate things to do to celebrate an anniversary, they make do with what they have, but things take a turn after a sketchy gas station attendant informs them about a "short cut" that will take them in between a series of hills in the desert. It doesn't take too long before they realize they're not alone and the hills indeed do have eyes.

A teacher's world is torn apart when his wife and children are brutally murdered at the hands of a ruthless gang. Left for dead and with no one to turn to, he takes matters into his own hands and hits the streets in search of justice.

A couple's replacement babysitter comes highly recommended. After the parents leave, the children begin to suspect that she is not the person she claims to be when she subjects them to a series of twisted activities.

Sanity and relationships are put to the test when mysterious circumstances force a family to survive the annual American Thanksgiving holiday without their cell phones.

On November 16, 1959, Truman Capote reads about the murder of a the Clutter family. There's no suspects. With Harper Lee, he visits the town: he wants to write about their response. First he must get locals to talk, then, he must gain access to the prisoners. One talks constantly; the other, Perry Smith, says little. Capote's implacable, believing this book will establish a new form of reportage: he must figure out what Perry wants. Their relationship becomes something more than writer and character: Perry killed in cold blood, the state will execute him in cold blood; does Capote get his story through cold calculation, or is there a price for him to pay?

In London, solicitor Arthur Kipps still grieves over the death of his beloved wife Stella on the delivery of their son Joseph four years before. His employer gives him a last chance to keep his job, and he is assigned to travel to the remote village of Crythin Gifford to examine the documentation of the Eel Marsh House that belonged to the recently deceased Mrs. Drablow. Arthur befriends Daily on the train and the man offers a ride to him to the Gifford Arms inn. Arthur has a cold reception and the owner of the inn tells that he did not receive the request of reservation and there is no available room. The next morning, Arthur meets solicitor Jerome who advises him to return to London. However, Arthur goes to the isolated manor and soon he finds that Eel Marsh House is haunted by the vengeful ghost of a woman dressed in black. He also learns that the woman lost her son, drowned in the marsh, and she seeks revenge, taking the children of the terrified locals.

After a near-death experience, Jonathan Wright (Bradley Snedeker), embarks on a spiritual journey for truth.

Based on the multi-award winning short film Illness (2013), No Letting Go (2015) follows the story of the Spencer family whose middle son, Timothy, struggles with anxiety, depression and mood disorder. As his symptoms become more and more debilitating, his parents are faced with painfully difficult choices that will change their lives forever.

A troubled young man details several murders at an open mic comedy night to a shocked audience. The crimes a result of a deadly web formed between his older sister, just released from prison after a 20-year stint, and the loving bond he now shares with a beautiful new co-worker. He must make the ultimate choice between them. Will the pull of blood ties drag him further down or will he be able to sever them and start his life anew?

The Black family is getting out of Chicago in hopes of a better life. After Carl Black (Mike Epps) comes into some unexpected funds, he takes his family and leaves the hustling lifestyle behind for something better. Carl, his new wife Lorena (Zulay Henao), son Carl Jr., daughter Allie Black (Bresha Webb) and cousin Cronut (Lil Duval) pack up and move to Beverly Hills. Turns out, Carl couldn't have picked a worse time to move. They arrive right around the time of the annual purge, when all crime is legal for twelve hours.

An ordinary working family man dares reach beyond his grasp. Even if it means risking death at the hands of the drug underworld.

A lovable dog named Bandit starts stealing cash to help his adopted family, he unwittingly sets them on a collision course with his dangerous ex-partner.

Rodrigo, a piano-tuner and former composer fallen on hard times, begins a love affair with Susana. She is soon-to-be-married to his friend, Isaias. When a bomb in the city of Medellín nearly kills them, they surrender to their attraction and fall into each other's arms. Cocooned in her apartment above the vibrant city, she opens up to him every night and tells him a story of each of the different men from her past. Her stories inspire him to compose again, but his obsession makes him jealous and paranoid. When she finally leaves her fiancé to be with Rodrigo, he becomes obsessed with her fidelity.

Natalie, an ultrasound tech with a history of not finishing things, is inspired by a cancer patient to sign up for a Triathlon. Natalie is introduced to the strange (and aerodynamic) world of triathletes and meets a colorful cast of characters as she trains for the Nation's Triathlon. With the support of her new teammates, she digs deep to discover just how far she can push her mind and body.

A modern retelling of Louisa May Alcott's classic novel, we follow the lives of four sisters - Meg, Jo, Beth, and Amy March - detailing their passage from childhood to womanhood. Despite harsh times, they cling to optimism, and as they mature, they face blossoming ambitions and relationships, as well as tragedy, while maintaining their unbreakable bond as sisters.

Alejandra is a young mother who works her in-laws' candy factory and raises her two children, along with her husband Ángel, in a small city in Mexico. She has an unhappy marriage. Her brother Fabián is a nurse at a local hospital and lover of her husband. Their provincial lives are altered with the arrival of Veronica who becomes Fabian's girlfriend. Sex and love are fragile in certain regions where family values exist, and where hypocrisy, homophobia, and machismo are strong. Veronica convinces them that in the nearby forest, in an isolated hut, there is something mysterious that is the answer to all their problems. It is something which they can not resist its power.

A family moves into an abandoned orphanage and they soon learn that their charming orphanage has a disturbing history and are convinced they aren't alone.

Full of wry wit, Chronically Metropolitan, is a cynical family drama about a young writer, Fenton, who is forced home to help the family cope when his larger than life father, Christopher, gets into a car accident with a truck full of crabs.

A family on the brink of collapse find themselves trapped in each other's bodies. "Freaky Friday" goes to church, in this heart-felt family comedy.

Mathias Gold (Kevin Kline), a penniless fifty-odd-year-old New Yorker, lands in Paris. Cynical, and at the end of his tether, he looks forward to selling the mansion house his late father owned in the Marais district. But what he finds out there just appalls him: his secretive dad had never told him he had acquired the property as a life lease, a typically French custom of which he never heard. As a consequence, not only will poor Mathias be unable to sell the house into cash (at least as long as Mathilde Girard (Dame Maggie Smith) stays alive), but he will have to pay the old lady a pension as part of the bargain.

Bean (Rowan Atkinson) works as a caretaker at Britain's formidable Royal National Gallery, and his bosses want to fire him because he sleeps at work all the time, but can't because the chairman of the gallery's board defends him. They send him to the U.S., to the small Los Angeles art gallery instead, where he'll have to officiate at the opening of the greatest U.S. picture ever (called "Whistler's Mother").

As the SUN burns out, an American family gathers at the end of the world, their hopes for rescue slowly crumbling as they also confront long lasting divides amongst each other.

Bea is a successful architect who lives in Barcelona (Catalonia, northeast of Spain) with her boyfriend and boss Víctor, CEO of an important company. During a night celebration of an important contract signed to make a skyscraper designed by Bea, in the bar appears the famous TV reporter and anchorwoman Rebecca Ramos, Victor's personal erotic fantasy. Not measuring the consequences of her actions under the influence of alcohol, Bea introduces Rebecca to Victor. The next day Victor proposes and Bea accepts, but at work she learns that a video of Victor and Rebecca having sex in a car is all over the TV channels. In front of all of the CEOs during a meeting, Bea slaps Víctor, destroys her design, and is fired. She flees to her coastal hometown, Santa Clara, where she discovers that her eccentric, free-spirited, and eternal smiling mother Ángela has gathered the whole family to celebrate Bea's visit. Bea reunites with her eldest sister Irene, the town mayor who has a depressive son Fin and is trying to create an ecological power plant; older sister Débora, a first-time mother in full distress with her newborn baby Lucas; and León, youngest and openly-gay brother who dates Manel, a cop in the town. But when Bea thinks that things can't worsen after knowing that Víctor and Rebecca are an official couple, life surprises her much more: Débora confesses that Lucas has been diagnosed with dwarfism and reveals that he isn't her husband Juan's son but the result of a one-night stand with Teodoro, a dwarf hired for her stag-party; Bea's project to make a treehouse with the family ends when Diego, owner of the town's sawmill, claims that her family lands were sold to him by her long-dead father; and finally Ángela reveals in a family lunch that she has a terminal disease and will die in one year, shocking everybody, especially Irene. Frustrated and desperate, Bea finds a second chance when Diego asks to create another tree-house for his little daughter Diana, who has been mute since her mother's death in a car crash two years before. Reluctant because she and Diego had been in a failed relationship in the past, she finally accepts the job. She feels attracted to him again--and then Víctor and Rebecca Ramos appear in Santa Clara to solve some problems and create others.

After being involuntarily discharged from the U.S. Special Forces, James Harper (Pine) decides to support his family by joining a private contracting organization alongside his best friend (Foster) and under the command of a fellow veteran (Sutherland). Overseas on a covert mission, Harper must evade those trying to kill him while making his way back home.

After 12 years of absence, Louis (Gaspard Ulliel), a writer, goes back to his hometown, planning on announcing his upcoming death to his family. As resentment soon rewrites the course of the afternoon, fits and feuds unfold, fuelled by loneliness and doubt, while all attempts of empathy are sabotaged by people's incapacity to listen and love.

A family calls in an intervention for Benjamin, a kid who is doing drugs. Soon, it becomes clear that those who are confronting Benjamin's problem also have many problems of their own.