True story of Mary Griffith, gay rights crusader, whose teenage son committed suicide due to her religious intolerance. Based on the book of the same title by Leroy Aarons.

After what is supposed to be a no-strings hook up, two men discuss their dreams, what ideal happiness might be like, and maybe a future together.

A comedy about a New York City couple (Schreiber and Hunt) in romantic and family crisis.

As Allen Ginsberg talks about his life and art, his most famous poem is illustrated in animation while the obscenity trial of the work is dramatized.

A Brooklyn teenager juggles conflicting identities and risks friendship, heartbreak and family in a desperate search for sexual expression.

In Uganda, a new bill threatens to make homosexuality punishable by death. David Kato - Uganda's first openly gay man - and his fellow activists work against the clock to defeat the legislation while combating vicious persecution ...

1957. Long having retired, James Whale, arguably most famous for directing Frankenstein (1931) and Bride of Frankenstein (1935) among some other 1930s horror classics, has burned his bridges with the Hollywood community in that they have abandoned him, the possible exception being his continuing friendship with former lover David Lewis. James had been openly gay even during his working period and is in declining health. Having been recently released from a hospital where he was recuperating from a stroke, he left with some permanent health issues, the aftermath of the stroke. Much against the disapproval of his loyal longtime housekeeper Hanna, his health does not prevent him from toying with the handsome young men who may wander into his midst in his continuing homosexual desires, although Hanna is as much, if not more concerned about any of those young men taking advantage of him in his elderly and fragile state. The young man who catches his eye among the most recent is Clayton Boone, who Hanna had hired to do garden work around the property. Clay, an ex-marine from the proverbial "wrong side of the tracks", has no idea who James was or is before he starts this job. James and Clay soon begin a friendship of sorts. Clay is also unaware of James' homosexual orientation before such is confirmed by Hanna, an issue which threatens his masculinity, especially in light of the cracks showing in his casual sexual relationship with a slightly older and wiser diner waitress named Betty. Clay has to reconcile that threat against being in the company of someone whom he considers an interesting and once famous man. The friendship and his state of health related to the stroke lead James to reflect in a bittersweet vein on key points of his life, most notably serving in WWI, and as a result reveals his ulterior motives through the actions he takes toward Clay.

In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.

Nathan and Maggie are in the throes of a passionate affair. They're young, good-looking, and both have boyfriends. When Nathan is assigned to write a travel article on romantic hot-spots in Napa Valley, these unconventional lovers test the limits of the sensuality and fantasy that bond them.

Their acquaintance began on the warm summer of 1963, when cowboys, Ennis Del Mar and Jack Twist, ended up on the sheep farm of Joe Aguirre in Brokeback Mountain, Wyoming while looking for work. Under unexpected circumstances, little by little, the two men developed an intimate relationship that turned into a profound but secret bond, right under the nose of their families. However, love, and its many faces, is eternal. Who can stop love, life's ultimate truth?

In this handsome period piece perfectly suited for cinephiles of all stripes, director Michael Engler (Downton Abbey, 30 Rock, Six Feet Under) and screenwriter Julian Fellowes (Downton Abbey, Gosford Park) bring a fascinating slice of pre-Hollywood history to light in a coming-of-age story centering on the relationship between the young, free-spirited and soon-to-be international screen starlet Louise Brooks (a riveting, high-intensity Haley Lu Richardson) and her tee-totalling chaperone (a wonderfully nuanced Elizabeth McGovern). On their journey from the conservative confines of Wichita Kansas to the flash and sizzle of New York City, both women are driven by a kindred desire for self-discovery and liberation from the past. Based on the book by Laura Moriarty and anchored by a superb supporting cast (Miranda Otto, Géza Röhrig, and Blythe Danner in a key cameo), The Chaperone is a sensitive, resonant, and illuminating tale of women's lives in the early 20th century.

Nova Scotia. 1976. It's the weekend of the American Bicentennial and 15-year-old Kit is running away from home. Enlisting the help of his girlfriend Alice, Kit hitchhikes through the stunning maritime landscape towards a new home with his glamorous, artistic mother Laura. However, as Kit and Alice near their final destination they find their relationship tested as Kit approaches a realization that will change his life forever.

1. Uneven - the adventures of a lonely sock (yes, sock) 2. Wolves - a young man alienated from his father meets a feral boy in the woods; it's an encounter that changes his life 3. Johnny - a tale of first love, with an impulsive titular character 4. Debut - the thin line between fashion and exploitation is explored in this story of an aspiring model at a photo shoot 5. Guardian - a coming of age tale featuring a homophobic father and a mother who communicates from beyond the grave.

New friends Erin and Alex discover a mutual attraction that neither of them have ever felt before. While Alex tries to navigate her feelings, Erin refuses to acknowledge that she might be gay and heads down a path of self-destruction. Faced with Erin's denial, Alex must decide whether to follow her own path, or fight for the first person she's ever loved.

Two's company, three's allowed? From family disputes and unexpected babysitting duties to uncomfortable high school memories, manga drawing and friendships pushed to the next level - the Male Gaze series lifts the lid on six very different gay relationships and encounters. When two become three and outsiders enter the fray, what are the group dynamics at play?

The plot revolves around the 1969 Stonewall Riots, the violent clash that kicked off the gay rights movement in New York City. The drama centers on Danny Winters, who flees to New York, leaving behind his sister. He finds his way to the Stonewall Inn, where he meets Trevor before catching the eye of Ed Murphy, manager of the Stonewall. He colludes with corrupt police and exploits homeless youth.

Severe, pale-eyed, handsome, Phil Burbank is brutally beguiling. All of Phil's romance, power and fragility is trapped in the past and in the land: He can castrate a bull calf with two swift slashes of his knife; he swims naked in the river, smearing his body with mud. He is a cowboy as raw as his hides. The year is 1925. The Burbank brothers are wealthy ranchers in Montana. At the Red Mill restaurant on their way to market, the brothers meet Rose, the widowed proprietress, and her impressionable son Peter. Phil behaves so cruelly he drives them both to tears, revelling in their hurt and rousing his fellow cowhands to laughter - all except his brother George, who comforts Rose then returns to marry her. As Phil swings between fury and cunning, his taunting of Rose takes an eerie form - he hovers at the edges of her vision, whistling a tune she can no longer play. His mockery of her son is more overt, amplified by the cheering of Phil's cowhand disciples. Then Phil appears to take the boy under his wing. Is this latest gesture a softening that leaves Phil exposed, or a plot twisting further into menace?