American college football coach Ted Lasso heads to London to manage AFC Richmond, a struggling English Premier League football team.

A down-on-his-luck music manager for the fictional rock band Kick finds his luck changing when he by mistake also starts managing a successful wrestling duo.

A store decides to start a contest to sell off 60,000 Xmas lights, ordered by accident. The competition soon causes unrest among the locals, but the Store's owner, Diane, wants to keep what has become a very profitable competition...

A hotel handyman's life changes when the lavish bedtime stories he tells his niece and nephew start to magically come true.

A traveling art saleswoman tries to shake off a flaky motel manager who falls for her and won't leave her alone.

Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.

A proficient group of thieves rob a bank and hold Claire, the assistant manager, hostage. Things begin to get complicated when one of the crew members falls in love with Claire.

Takes a closer look at what brought about the 2008 financial meltdown.

Sam Stuart (Mason) battles with depression and alcohol addiction. He is trying to hold down his job as a night-time radio presenter. He is also in love with Emily (Marshall) but is afraid to show his feelings in case of where this...

Secret Ops agent Marcus is sent to Detroit to take out an arms dealer and the head of the hedge fund that is financing him. His CIA backup has other plans and turns on him and it's a fight to survive in a hospital.

When a group of hard-working guys find out they've fallen victim to their wealthy employer's Ponzi scheme, they conspire to rob his high-rise residence.

After General Motors closes its factory in Flint, Michigan, eliminating 35,000 jobs, filmmaker Michael Moore undertakes a quixotic quest to interview General Motors' chairman, Roger B. Smith.

A series of mysterious crimes threatens the existence of a new radio network.

The Bowery: for centuries it has been one of New York City's major arteries, in every sense of the word: a gritty and vital counterpoint to the theaters of Broadway and the mansions of Fifth Avenue. Traditionally a rowdy avenue of nickel museums and burlesque shows, by the beginning of the 20th century it had become America's most famous 'skid row', lined with flop houses, missions, and bars. Only a few decades ago, these flophouses served as a nightly refuge for 25, 000 men on the fringes of society: the poor, the wretched, the overwhelmed; some scoundrels, but more of them decent men whose luck had simply failed them. Today only a handful of the old flophouses remain, the rest having been swept away in an implacably rising tide of affluence. These flophouses are the last vestiges of a different time and a different city, and the Sunshine is one of them. At the Sunshine Hotel, nothing has changed in seventy or eighty years. The men still sleep in a warren of 4' x 6' cubicles called pigeon coops, which stand only 7' high beneath 12' ceilings, covered over with chicken wire. The narrow gray hallways are lined with flimsy wooden doors. Behind every door you'll find a man, and a story. Nathan Smith is the manager and a resident of the Sunshine Hotel. He has lived on the Bowery for some twenty years. Nate spends his days at the Sunshine in the "cage", as the front desk is called, or in his room, chain smoking, writing, trading stories, and dreaming of getting off the Bowery. An engaging and articulate man, he is the central character of Sunshine Hotel. We also meet several of the other residents of the Sunshine: army veterans, recluses, drinkers, transvestites, philosophers. We see the toll that life has taken on these men, but we also see how the hardship of life at the Sunshine does breed a particular wisdom, humor, and resilience. This is real life. Not every resident of the Sunshine is a paragon of virtue or a fount of homespun wisdom. But in a society which feels increasingly less responsible for its less fortunate, in which they have become dehumanized to the point of being invisible, a day at the Sunshine Hotel is a pointed reminder that every strand in the fabric of the City is a part of the whole; and that every time one of those strands is removed in the name of civic improvement, something essential is lost.

A famous singer is rescued by a firefighter, which looks like it may be the start of a budding romance until thwarted by her publicity manager.los angeles californiafamous singertalent managerbodyguardfirefighter30 morePlot summaryPlot synopsis

The camera follows Justin Bieber (1994- ) during the ten days leading up to his August, 2010, sold-out show at Madison Square Garden. Footage of these ten days of concerts, rehearsals, and down time with boyhood friends, his mom, and his entourage is inter-cut with home movies, old photos, and interviews showing a musical prodigy who loves to perform, comes to the attention of an Atlanta agent via YouTube, impresses Usher, and rockets to international stardom soon after his 15th birthday. His manager emphasizes the importance of social media and of Justin's work ethic and personality in making him a star; the camera emphasizes Bieber's look. His mom and grandparents shine.

When Carly plans Snowden Peak's Snow Ball with Jesse, their attraction is undeniable. But when Carly's twin, Prince Gustav, arrives her royal identity is nearly exposed. As Jesse and Carly decide to hold the ball at Summit Lodge, they make the gala a fundraiser to turn the resort into a year-round destination. But without a celebrity draw, investors aren't interested, and Snowden Peak is put up for sale. Too bad no one knows any royalty who could entice affluent socialites to the gala, which could raise enough money to make Snowden Peak a four-season resort for royalty and commoners alike.

The star manager of a small-town clothing store is suddenly promoted to run a company's flagship store... in Manhattan. To make it in the big city, she must combine her newly acquired New York City street-smarts with a dash of homespun charm.

A pop star for approximately thirty years since she was fifteen, Debbie Taylor has led a superficial life without really knowing it. She begins to understand it when everything in her life falls apart. Her singing career already almost non-existent as a so-called has-been, the record label which was established on her name drops her, with no other ready to sign her. She is a jet setter who has gone into debt in the expectation that she could always release another record to make more money. On top of these professional problems, she and her actor boyfriend Liam break-up on the discovery that she didn't mean as much to him as he did to her. Not knowing what to do, Debbie heads to Youngstown, Ohio to live with her sister Denise, her husband Tim and their adolescent daughter Natalie, who eventually come to realize that her stay is not just a simple vacation as she had implied. Denise had already suspected something as Debbie and she never really understood each other's lives, Debbie who would never just drop by. While Debbie lounges around reassessing how to get her singing career back, Denise knows that she has to get a job, which Denise, a high school assistant principal, offers her: teaching the after school music program at her school, its purpose being for the group of eight students to prepare a song to perform at the upcoming prom. Debbie reluctantly accepts the job using her birth name Debbie Delvecchio both in the off chance that someone possibly would recognize her and/or not to be associated as family to Denise. Although slow to connect with the students initially treating them like an audience of her fans, Debbie finds that she becomes an integral part of their lives - each who has a different issue - as they are with her in finding satisfaction in being a mentor to them. Beyond some issues with the program which she has to overcome, Debbie has to decide where her priorities lie if she is given another opportunity closer to her old life, her new life which also includes a burgeoning relationship with the school's guidance counselor, Noah Burns.

Host of a New England web series, Abby is set to launch her own line of home products. All she needs is a few more authentically northeastern webisodes and the deal is done. But Abby's roots are actually in Texas, and now she must return to her dad's ranch to help him. Surprised to find her former boyfriend Ryan is the ranch manager, Abby is soon swept up in their old chemistry. Torn between her Texas roots and her New England aspirations, Abby must decide where she belongs - with work in the northeast, or deep in the heart of Texas.

A department store, McDougal's, is expanding and opening a store in Paris. The manager, Christina Masters, wants the job and tries to create the best holiday display. She turns to Kurt Stone for help and as they work together, she starts falling in love with him. Now she has to choose between the dream job in Paris or staying put with Kurt.

Lindsey Scott (Marla Sokoloff) and Wes Bailey (Rob Mayes) are reluctant partners in a New Orleans dueling-pianos/singing act, performing primarily in a Bourbon Street lounge on the approach to Christmas. Their reluctance is due to each being the antithesis of the other--Lindsey being hard working and classically trained and as such is always seeking perfection in her meticulous plans, while Wes is more relaxed and carefree. He has a greater ability to improvise being a jazz aficionado, and that general relaxed nature makes him outwardly more affable and approachable, which bothers Lindsey as he generally gets more attention than she. That's why Wes naturally has more connections in the business, like a friend of his currently being on tour with one of Lindsey's favorite singers, country star Cassie (Marie Osmond). And that's why Wes doesn't want to tell Lindsey that he has been offered a job on a nine-month tour with with a rock singer by the manager (Brian Robinson) Lindsey brought in to watch them perform in hoping to sign them or at least her as an act. When their last gig of the year just days before Christmas is canceled at the last minute, leaving Lindsey without sufficient funds for a flight to head to her hometown just outside of Akron for Christmas, more important this year with her sister Allie (Whitney Palmer) due with her first baby just on the other side of New Year's--Wes, just learning that he grew up in a neighboring town from her and too wants to head home for the holidays, suggests that they make what would be the 15-hour straight-through drive together. With the thought of not being home for Christmas the only thing worse than spending 15 hours with Wes, Lindsey, with no other option, reluctantly agrees. On the road trip, they hit one detour after another--some agreed upon, some bad circumstances--which in combination may threaten them making it to their respective homes for Christmas. But in the process, they have to spend extra time together, which allows them truly to get to know and fall for each other, one of the questions being if they can admit that to themselves and to each other. The situation is further complicated by Wes' upcoming new job on tour without her.

A day in the life of two best friends, a drug dealer, and a store manager collide at a hip-hop concert in the Inland Empire.

Although she loves her job as an event planner for successful Gail Lane in New York City, the company which Gail tells her directly will someday be hers in being the best of her staff, Rachel Davis, if being true to herself, would admit the job was a fallback in none of her children's books being accepted for publication. With an event canceled at the last minute, Gail gives Rachel an unexpected and unusual break over the Christmas holidays, allowing Rachel and her adolescent daughter Ava to return "home" to spend Christmas with Rachel's parents and sister Maggie in Pigeon Hole, Tennessee, Rachel and Maggie who grew up in the proverbial shadow of Dollywood where Maggie now works in administration. It is Maggie that arranges for Rachel, on behalf of Gail's company, to interview to handle the thirtieth anniversary Christmas event at Dollywood, it arguably the biggest event Rachel would have worked on if awarded it in having a national scope. It is when Rachel arrives at Dollywood that she meets Luke Hackman, who she initially believes is interviewing for the same job, but who is actually the Director of Operations at Dollywood, he who is interviewing for the open General Manager position. In meeting with the Board after their respective interviews, Rachel and Luke are both dismayed to learn that they have been appointed co-organizers of the thirtieth anniversary event, that dismay due to both having differing views and working styles. Eventually able to overcome their antagonism, Rachel and Luke begin to work harmoniously together in realizing that they are working toward not only the same goal of a successful event, but that success which would springboard them to their end goals of putting Gail's company on the national map and Luke getting the GM position, respectively. In the process, Rachel and Luke start to fall for each other. Their path to a happily-ever-after is hindered by their diverging life paths, Rachel's whose is in New York City working toward a higher position in Gail's company, and Luke who is struggling with accepting a sure thing in an offer as GM at Wild West Amusements in Atlanta, that struggle especially as he begins to suspect the GM position at Dollywood won't be his and despite his heart being at Dollywood.

Based on the groundbreaking best-selling book by Rhonda Byrne, The Secret: Dare to Dream follows Miranda (Katie Holmes), a young widow trying to make ends meet while raising her three children and dating her boyfriend (Jerry O'Connell). A devastating storm brings an enormous challenge and a mysterious man, Bray (Josh Lucas), into Miranda's life. Bray reignites the family's spirit but, unbeknownst to Miranda, also holds an important secret - one that will change everything. With its timeless messages of hope, compassion, and gratitude, The Secret: Dare to Dream is an inspiring and heartwarming film that shows how positive thoughts can transform our lives.

When a best-selling author decides to escape the media frenzy, her plan goes awry when a she's caught in a thunderstorm and crashes her car. Found wandering with no memory and no ID, the town doctor (and a single dad) offers up his guest house until her memory returns. But as she blends seamlessly into their family life, she must decide if the life she's been living is the life she wants.

Middle school principal Addison Tate wants this Christmas to be special for her kids especially since the School Board has decided that it will be the last as the school will be closing. She invites Hollywood star Dylan Davidson, a former alumni and old flame, to direct the school play in an effort to save the school.

Amber Verdon loves the global travel aspect of her job as Project Manager with Chicago-based Marsh Technologies, her work which has led to her putting her first love, painting, on the back-burner, perhaps permanently. Her original career thought was to do that travel while she led the bohemian life of the painter. While mulling over a very attractive offer for a promotion which would give her a more settled life in London, Amber is called back to her small hometown of Whitbrooke Harbor, Illinois by her mother, Barbara Verdon, as her father, Rick Verdon, is currently laid up, and she requires some help for a few days at the family café, despite the culinary arts not being among Amber's skill set. It is an especially busy time in Whitbrooke Harbor with planning for the imminent Founder Days celebrations, this the one-hundredth anniversary, Amber who plans to stay until Founder's Day. While back in Whitbrooke Harbor, Amber learns that the family is facing financial hardship with their rent for the café recently being raised by the new property owner, they unable to make any of their operational payments in the process. Amber also gets involved in the Founder's Day celebration organization herself, she working closely with Jason Taylor, a carpenter by trade, he and his younger sister, Molly Taylor, who works in the café, the last two descendants of the town founders. Jason, who had wanted too to lead the life of the world traveler, long ago returned to Whitbrooke Harbor upon his parents' passing to look after Molly. As Amber and Jason spend more time together, they start to fall for each other. With everything else happening in her life, will Jason be a factor in what Amber decides to do about the London job?

Halley lives with her six year old daughter Moonee in a budget motel along one of the commercial strips catering to the Walt Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel's policy is not to allow long term rentals, Bobby, the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee's friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby's existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her are just children acting like a children under whatever guidance they have, Moonee who has less guidance than most. Although there are some lines which he will not tolerate to be crossed, Bobby lets most of the disruptive things that they do go, largely as long as it does not affect the bread and butter of the motel, namely the tourist trade. The summer in this collective is presented, when Moonee and her friends, such as Scooty, are out of school and are left largely to their own devices while self-absorbed Halley does whatever she wants, often just staying in the room watching TV. Halley is supposed to look after Scooty, the son of Halley's friend Ashley, they who live in the unit immediately underneath Halley and Moonee's, while Ashley is at work at a local diner. In turn, Ashley pilfers cooked meals from the diner to feed Halley, Moonee and Scooty. Over the course of the summer, Halley systematically begins to alienate one by one the people who are her unofficial support by responding with that disrespect to anything she feels is against her. As such, Halley begins to take more and more extreme measures to maintain the life she leads with Moonee.

Once one of the biggest musical acts in the world, Bedford and Sullivan - comprised of childhood friends Steve Bedford and Mike Sullivan - broke up ten years ago, an on-stage incident which was the last straw in what was always a somewhat fragile professional relationship. The two have not spoken since in subsequent actions having fractured their relationship even more. While Steve has managed to eke out a solo career with whatever moderate success solely on the strength of goodwill toward the duo, Mike has retreated from the world in those issues that led to that on-stage incident, that is until now as he has agreed to a televised Christmas reunion show called "Bedford and Sullivan at Big Red", Big Red being the Sullivan family home in the small town of Pineville. Talent manager Dianne Carter, who represents neither Bedford or Sullivan but who has some stake in the show, is asked by the show's producer Troy for some assistance, especially in dealing with Mike who is largely missing-in-action regardless of he having agreed to do the show. Of the agents in Dianne's agency, who she assigns to the task is Quinn Allan, for a reason Quinn believed she had kept a secret: that Quinn is Mike Sullivan's daughter, albeit estranged. Quinn, who does not want to deal with her father, is able to negotiate a deal with Dianne in reluctantly accepting this assignment. In heading back to Pineville, Quinn learns that Steve is currently represented by Jason Bedford, Steve's son and Quinn's childhood friend who Quinn believes exacerbated the problems between their respective fathers in the intervening years. In reconnecting with her father, Quinn learns that both he and Steve need this show to happen for different reasons as Quinn, Jason, Steve and Mike negotiate and renegotiate, the latter especially around Bedford and Sullivan performing arguably their biggest hit for the show, One December Night, a very personal song for Mike and one that has some very painful memories. In the process, Quinn and Jason start to fall for each other, a road to a happily ever after for them threatened by what happens with the show.