The Boy is a 2015 American horror film directed by Craig Macneill, written by Macneill and Clay McLeod Chapman, and starring Jared Breeze, David Morse, and Rainn Wilson. It is based on a short film by Macneill and Chapman, Henley, which was in turn loosely inspired by a novel written by Chapman, Miss Corpus. Breeze plays the titular boy, a budding serial killer.

When the daughter of veteran 911 call center operator Pamela (Mischa Barton), and her estranged husband Jeremy (Luke Goss), a Senior Police Officer, is kidnapped and held hostage, they are left desperate, with no choice but to follow the kidnapper's rules: send messages through dispatch for all police and fire units to scatter to remote locations throughout the city where they are met with chaos. Not knowing who or why, the one thing they do know is if they fail to discreetly collaborate with one another - they will be solely responsible for facilitating the biggest crime in the city's history. Now they must race against the clock to make the choice of their lives - save the city - or save their daughter.

An adventurous young koala embarks on a journey across the wild and dangerous Australian outback in the hope of finding his missing father, but he soon discovers that there is more to being a hero than meets the eye.

Young L.A. artist, Chloe, hires prostitutes to pose nude and talk openly about their lives while she films them for her new art project. She falls for one of them, the elegant 40-something Kat. The two begin a tragic passionate af...

Set in present day Los Angeles and told entirely from the perspective of the Monster. After he is artificially created, then left for dead by a husband-and-wife team of eccentric scientists, Adam is confronted with nothing but aggression and violence from the world around him. This perfect creation-turned disfigured monster must come to grips with the horrific nature of humanity.

Two schoolboy delinquents learn a lesson that they will never forget when a teacher at the end of his tether decides to abduct them.

Follows the journey of a young boy, Agu, who is forced to join a group of soldiers in a fictional West African country. While Agu fears his commander and many of the men around him, his fledgling childhood has been brutally shattered by the war raging through his country, and he is at first torn between conflicting revulsion and fascination Depicts the mechanics of war and does not shy away from explicit, visceral detail, and paints a complex, difficult picture of Agu as a child soldier.

Before he became king of the jungle in Tarzan (1999), Tarzan was a clumsy kid trying to be part of his adoptive mother Kala's community of apes. While trying to prove himself, an accident puts his family in harm's way, and convinced that he will never fit in, Tarzan decides that everyone would be better off without him and runs away. But, as young Tarzan embarks on a dangerous quest of self-discovery, he finds himself stranded in a rocky place known as the Dark Mountain. There, an unexpected ally is willing to help the wide-eyed boy and show him the way around the green forest. Will Tarzan find his true calling in life?

Successful Carolinian George Johnsten meets Chicago art gallery owner Madeleine at an electoral benefit art auction- love at first sight. Madeleine decides to meet a Southern original artist, so George seizes the opportunity to come along and present her to his North Carolina parents Eugene and Peg, drop-out brother Johny and his high-pregnant wife Ashley. Confronting the outsider soon opens a can of worms as emotions revive or emerge, like admiration and jealousy.

Living in Oakland, California, the Naumanns are outwardly a loving, supportive family. Husband and father Saul Naumann is a Religious Studies professor, and looks to his religious training in Judaism as tenets for his family to live. He has high expectations for all members of his family. His mid-teen son, Aaron Naumann, idolizes his father, and does whatever he can to please him. His pre-teen daughter, Eliza Naumann, often feels the neglected child. So when Saul eventually learns that Eliza is participating and excelling in spelling bees, she becomes the focus of his life as he believes that letters in the form of words will lead to answers to the universe. That change in focus to Eliza makes Aaron now feel the neglected one, he who strikes out quietly in his own way with the help of Chali, a young woman he meets. But the person who has felt the most pressure within Saul's way of life is his wife, Miriam Naumann, a microbiologist. She converted from Catholicism to Judaism when she and Saul married. But as Saul espouses the concept of tikkun olam, bringing together the shards of the world to make it whole, it affects Miriam negatively in trying to cope with an incident from her childhood. Through it all, Eliza may understand her father's way of life the best, and use it in a way unexpected to bring the family back together.

After seven years in solitary, Jake Green is released from prison. In the next two years, he amasses a lot of money by gambling. He's ready to seek his revenge on Dorothy (Mr. D) Macha, a violence-prone casino owner who sent Jake to prison. He humiliates Macha in front of Macha's lieutenants, leaves, and keels over. Doctors tell him he has a rare disease and will die in three days; Macha also puts a hit out on him. Loan sharks, Zack and Avi, demand Jake's cash and complete fealty in return for protection. Jake complies, and through narration and flashbacks, we watch him through at least three days of schemes, danger, and redemption. Who is his greatest enemy?

Two New Orleans detectives become embroiled in a centuries-long feud between two secretive factions of vampires while investigating a runaway child's case. Torn between their everyday lives and the dangerous lure of immortality, the detectives must race to destroy the evil Moldero clan.

A never-before-seen woodsman mysteriously appears aboard a submarine that's been trapped deep under water for months with an unstable cargo. As the terrified crew make their way through the corridors of the doomed vessel, they find themselves on a voyage into the origins of their darkest fears.

The husband of aviation engineer Kyle Pratt has just died in Berlin, and now she is flying back to New York with his coffin and their six-year-old daughter Julia. Three hours into the flight Kyle awakens to find that Julia is gone. It's a big double-decker plane, so the very concerned mother has a lot of territory to cover in order to find her daughter. She takes matters into her own hands as she fights to discern the truth.

An American nurse takes a temporary position on the night shift at a closing children's hospital on the Isle of Wight. When every shift is plagued by spooky occurrances and things that go bump in the night, she begins to believe the stories of one of the child pateints, who insists the hospital is haunted by a dangerous presence emanating from the long abandoned second floor.

Two disparate young women working for a company that conducts euthanasia are dispatched to a remote estate to perform a custom assisted-suicide ritual, but unwittingly summon the wraiths of a Death Cult that once inhabited the property.

Zoe is a strange little girl with a not so imaginary friend, Krampus, who is the dark companion of kindly old St. Nicholas. Krampus has been unleashed upon a small town, and the legendary demon will seek out all the naughty people to punish them at Christmas time. No one is safe as Krampus hunts them down, tortures them and then drags their helpless souls to the depths of hell.

The minions are in trouble to find everybody gone for a day

Life has its downs for James, living with his mom in Chicago at 39, an aging performer at Second City, eating and weighing too much. A woman he's been dating drops him, as does his agent, her brother. James turns down roles in local TV, roles that make him sad. Someone's remaking his favorite movie, "Marty," a role he'd love, but he doesn't even get an audition. He has a minor meltdown when talking at a grade school career day. Things look up when he meets the quirky Beth at an ice cream shop. Can James make a career for himself, move out from mom's, and find someone to eat cheese with? Or is he destined to watch Jackie Gleason and be Marty for the rest of his life?

In an adaptation of Patricia Highsmith's seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light.

As a bid to pay off his family's ransom a security specialist named Jack Stanfield is forced into robbing a bank that he is protecting! His family gets kidnapped and taken to the middle of nowhere and it's up to Jack Stanfield to rescue his family and get the money back!

Late one evening, Brenda Martin, a thirty-seven year old Caucasian woman from the proverbial wrong side of the tracks, enters Dempsy Medical Center in Dempsy, New Jersey with minor injuries, but she is also emotionally distraught. One of the people to who she tells her story is Dempsy Police Detective Lorenzo Council, a black man. That story is that she was just carjacked by another unknown black man when she took a shortcut that she had never traveled between the Armstrong housing projects, where she works at the Rainbow Club, a children's center, and her home in Gannon, New Jersey. Her emotional distress is because her four year old son, Cody, was asleep in the back seat of the car and is thus now in the hands of the carjacker. Brenda's brother, Danny Martin, a police detective in Gannon, cannot help but get directly involved in the investigation despite he operating outside his jurisdiction. His actions do not sit well with Council, who he insinuates is not only not doing his job, but is protecting his own "people", i.e. the primarily black populace in the Armstrong housing projects. In addition, the residents of the projects feel that Brenda is getting special treatment as a white woman, as several children have gone missing from the projects without such a frenzied police intervention, which is unnecessarily and unfairly disrupting their lives. Karen Collucci with Friends of Kent, a volunteer organization that conducts searches for missing children, also offers their services, which Council eventually accepts with the caveat that they work under his directive. "Kent" was Collucci's own son never found, his disappearance which destroyed her personal life. Through the process, Council can't help but think that Brenda isn't telling them the entire story...

A group of orphans goes on a journey to restore the lost magic and save Christmas.

Right under everyone's noses, Kelly--the sixteen-year-old daughter of the devoted father and aspiring country singer, Alain--vanishes into thin air, during a mid-1990s cowboy fair. Convinced that his girl is kidnapped and that her incomprehensible disappearance is somehow connected to her newly discovered Muslim boyfriend, a furious and desperate Alain sets out on a long journey into the unknown to find missing Kelly, following a menacing trail of breadcrumbs from Antwerp to Yemen and Pakistan. Against the backdrop of the devastating September 11 attacks, Alain and his son, Georges, find themselves always one step behind, as fierce hatred turns into destructive obsession. A father and a brother want their Kelly back; however, is the young woman they seek, the woman they lost?

For Burgess "Buzz" Zwink (Bradford Jackson), wasting life is a way of life. At thirty-two years old, and still living with his parents, Buzz's adult life seems to be nothing more than a continuous haze of debauchery. That is until his carefree recklessness lands his lifelong friend in the hospital after another of his drunken mishaps. Faced with the reality of his choices as he reluctantly forces himself into sobriety, Buzz begins to realize just how much pain he has caused to those around him. With the help of a young Inupiaq boy (D'Artagnon Moonin), and an elderly, life-long alcoholic (Thomas G. Jacobs), Buzz must face his past, present, and possible future in order to take his life back from the bottle, and above all else, seek forgiveness not only from those he has wronged, but from himself.

A day in the life of a group of troubled 15-year-olds growing up in west London.

At 35, Tripp has an interesting job, a hip car, a passion for sailing, and a great house - trouble is, he lives with his parents. They want him out, so they hire Paula, an "interventionist," who has a formula in these cases: chance encounter, get him to ask her out, involve him in a trauma, meet his friends and get their nod, delay sex, have him teach her something, then launch him. It's worked up to now, but this gets complicated when Tripp thinks she's getting too serious and one of his pals is attracted to Paula's deadpan, semi-alcoholic roommate, who's plagued by a mockingbird. Too many secrets may scrub the launch, and what if Paula really likes him? Who can intervene then?

Raimunda, her daughter Paula and her sister Sole travel from Madrid to the windy and superstitious village of Alcanfor de las Infantas to visit the grave of their mother Irene, who died years ago in a fire with her husband. Then they visit Irene's sister Paula, an old senile aunt that raised Raimunda after the death of her parents that insists to tell them that Irene is alive and living with her; later, they go to the house of her neighbor and friend Agustina, who gives a support to Paula. They return to Madrid, and after a hard day of work, Raimunda meets her daughter completely distraught at the bus stop waiting for her. When they arrive home, Paula tells her mother that she killed her unemployed father Paco, who was completely drunk and tried to rape her. While Raimunda hides his body, Sole calls her to tell that their beloved aunt Paula has died. The next morning, Sole travels alone to the funeral, and when she returns to Madrid, she finds her mother hidden in the trunk of her car. She brings Irene to her apartment, where secrets from the past are disclosed.

Born under the Christmas Star, Noelle believes she has the gift to perform miracles, so when conniving developer McKerrod threatens her peaceful life she and her friends determine to use this gift to thwart his plans and save their village.

It's the fall of 1985. The intertwining tales of three 5th grade friends, Chris, Joe and Ted, unfold in the suburban paradise of Palo Alto, as the threat of a mountain lion looms over the community.

Tanya Sullivan (alias Sexykitten), mother of teenager Molly, with a crummy cosmetics sales job in Pittsburgh, meets over Internet a great gay, casino employee Joe Donnely (alias Jerseydude), an ex cop -made to resign after testifying truthfully against the PD- and divorced tender father of teenage son Teddy, who chose to live with him but preferred Rhode Island where his mother still lives. After months of hot mail, Tanya flies a first time to Atlantic City and they start to have hot sex. Once she's pregnant, she tells Joe she was abused by her wife-beating father, and is again by her husband Mark, a gangster. He realizes paternity is uncertain, but stands by her, and after threats and insults from Mark flies to Pittsburgh, with his gun; from then on everything goes horribly wrong...

A NGO is planning to exfiltrate 300 orphans victims of Chadian civil war and bring them to French adoption applicants. Immersed in the brutal reality of a country at war, the NGO members are faced with the limits of humanitarian intervention.