Max Simkin repairs shoes in the same New York shop that has been in his family for generations. Disenchanted with the grind of daily life, Max stumbles upon a magical heirloom that allows him to step into the lives of his customers and see the world in a new way. Sometimes walking in another man's shoes is the only way one can discover who they really are.

Two brothers, Leon and Bobby are members of the street gang in Brooklyn known as the deuces. Their brother was killed by a drug overdose a few years earlier and the gang is determined to keep drugs off their block. Another more vicous gang known as the vipers is a possible threat to Leon and Bobby's efforts. The deuces are determined to do whatever is necessary to keep drugs off their block even if that means dying.

Mike has a surprise for his pal Sullivan: Mike's gotten a new car, one with six-wheel drive. He invites Sullivan to hop in and they'll go for a spin. At that point, problems arise: first Sullivan's cramped, then Mike has a seat belt problem, gets locked out, and suffers indignities before Sullivan figures out how to unlock the car to let him back in. All sorts of gadgets misfire, until finally Mike has the car in gear, ready to roll. What was it again that was wrong with his old car?

Nineteen year old Andrew Niemann wants to be the greatest jazz drummer in the world, in a league with Buddy Rich. This goal is despite not coming from a pedigree of greatest, musical or otherwise, with Jim, his high school teacher father, being a failed writer. Andrew is starting his first year at Shaffer Conservatory of Music, the best music school in the United States. At Shaffer, being the best means being accepted to study under Terence Fletcher and being asked to play in his studio band, which represents the school at jazz competitions. Based on their less than positive first meeting, Andrew is surprised that Fletcher asks him to join the band, albeit in the alternate drummer position which he is more than happy to do initially. Andrew quickly learns that Fletcher operates on fear and intimidation, never settling for what he considers less than the best each and every time. Being the best in Fletcher's mind does not only entail playing well, but knowing that you're playing well and if not what you're doing wrong. His modus operandi creates an atmosphere of fear and of every man or woman for him/herself within the band. Regardless, Andrew works hard to be the best. He has to figure out his life priorities and what he is willing to sacrifice to be the best. The other question becomes how much emotional abuse he will endure by Fletcher to reach that greatness, which he may believe he can only achieve with the avenues opened up by Fletcher.

A woman and man seemingly so in love finds their marriage is shaken to the core when life throws them a devastating curve. Now this New York couple must try to understand each other as they cope with loss and attempt to reclaim the life and love they once had.

It's an hour before Lucy's wedding and her best friend wants to hear all about what led up to that moment. So, Lucy tells about the five men she had blind dates with over the past year (Doug, Gabriel, Bobby, Barry, and Luke) and her experiences with each one. As each date is told at the same time as the other four, the many ups and downs of new relationships are shown. So, while some dates start off terribly, but end well others are just the opposite. But which one of the five men is Lucy about to walk down the aisle with?

A divorced mother of one is thrown into turmoil when her young daughter becomes obsessed with an evil doll left behind by the previous occupants of their new home.killer dollnew homedollchild villainvillainess21 morePlot summaryAdd synopsis

Sam Roberts thinks he has all the answers: the purpose of life, the meaning of love, the plan for a perfect future. Until Charly walks into his life. As different as Salt Lake City and New York City, Sam and Charly are thrown together by circumstance and repelled by differences. He's scheduled and idealistic. She's spontaneous and cynical. He's guarded and practical. She's open and mischevious. He's a Mormon. She isn't. Differences spark interest, though, as Charly finds depth in Sam's idealism and Sam seeks the vibrance of Charly's joie de vivre. But all is not smooth in the Rockies, as their relationship accelerates - cultural differences, family issues, former loves and life-altering challenges threaten to shake things up.

Hell's Kitchen on Ash Wednesday, 1983. Rumors are flying that Francis Sullivan's younger brother Sean, dead for three years, has reappeared. If he wasn't killed by rivals, then old scores still need settling, putting Fran and Sean in danger. An upstart is pressuring the local mob boss, who's Fran's protector; Sean's wife, who thinks she's a widow, has gotten on with her life, but Sean has come back for her. The parish priest, part of the initial deception, is frightened. Bad guys with guns are closing in. Can Fran get Sean and his wife out of the city, avoid a war between rival factions, and hold onto new-found morality? Will the cross of ashes on his forehead protect him?

Eli Wurman is a decadent drug addicted New Yorker public relation, who is promoting a social event on behalf of Afro-Americans. Along two days of his crazy life, the day of the event and the day before, he makes contacts and favors, 'kissing asses', using drugs etc. Victoria Gray is his widow sister-in-law and passion in the past. Cary Launer is an Oscar winner actor and principal client of Eli. On the day before of the event, Eli finds out secrets that evolve powerful men of America.

Marisa Ventura is a single mother born and bred in the boroughs of New York City, who works as a maid in a first-class Manhattan hotel. By a twist of fate and mistaken identity, Marisa meets Christopher Marshall, a handsome heir to a political dynasty, who believes that she is a guest at the hotel. Fate steps in and throws the unlikely pair together for one night. When Marisa's true identity is revealed, the two find that they are worlds apart, even though the distance separating them is just a subway ride between Manhattan and the Bronx.

In the god-forsaken district of early-1860s Lower Manhattan known as the Five Points, the vicious Nativist, Bill "The Butcher" Cutting, is the supreme overlord of an area riddled with crime, prostitution, theft and murder, as the American Civil War still rages on. Sixteen whole years after the brutal murder of his father from Bill's blood-stained hands, an orphaned Irish-American, Amsterdam Vallon, returns to this melting pot of corruption to avenge his untimely death; however, a lot has changed since then. Who can remember the once-innocent boy and now a young man bent on revenge, who works his way up to the hierarchy of Five Points? Will Amsterdam ever taste the dangerous but sweet fruit of retribution?

Harvard educated lawyer Lucy Kelson, following in the footsteps of her lawyer parents, uses her career for social activism. She hides any sense of femininity behind her work. George Wade is the suave public face of the Manhattan-based Wade Corporation, a development firm that Lucy routinely opposes and whose true head is George's profit-oriented brother, Howard Wade. George, who has a reputation as a lady's man, has had as his legal counsel a series of beautiful female lawyers with questionable credentials, they who have more primarily acted as his casual sex partners. Needing a real lawyer, he offers Lucy the job of his legal counsel on a chance meeting. Despite warnings from her parents in working for the "enemy", Lucy, who has no intention of being the latest in his bed partners, accepts the job as she feels she can do more good from the inside, and as George, as part of the job offer, promises not to demolish a community center in a heritage building as part of a development project near her childhood Coney Island home where her parents still live. Although Lucy is able to effect the type of change she wanted from this position, she finds she cannot deal with George's expectations of her, namely being his primary confidante and advisor at all hours of the day and night, mostly about issues she considers frivolous. As such, she gives him two weeks notice, although she promises to help George find her replacement. As Lucy begins to review resumes, George himself unilaterally decides to hire June Carver, a fellow Harvardite, but who seems to have her sights set on George as both a boss and personal partner. As June begins to replace Lucy in seemingly all aspects of George's life, Lucy begins to realize that she herself has fallen for George. However, Lucy's feelings for George and her attempts to re-ingratiate herself into George's life are placed into jeopardy when she learns of a Wade Corporation decision against her basic sensibilities.

Jordan Donavan, a photographer in New York, is so disappointed when after five years of going steady Edward Morgan offers her not marriage but just to move in with him, that she accepts the match-making arranged via a magazine by her female friend with Tyler Ross, a horse rancher in the West, whose candidacy was actually also posted by his sister. After a bad start they soon grow closer, riding and talking, finding much in common, while she actually grew up in the country. However their past lives, which in his case is marked by a tragic accident, doesn't make it easy for them, and when Edward comes ask her hand, she travels back East...

When Neurotic, struggling songwriter, Catherine Brown's life in New York City falls apart, she is forced to confront her past when she spends the summer at her childhood home in Woodstock, New York, learning that becoming successful means becoming your true self first.

An alien arrives on earth with a mission: to learn to become human and find the one woman who can help save his species. Together they discover that in order to save his world, they must first save ours.

Loosely based on The Reluctant Debutante (1958) starring Sandra Dee, this family-friendly comedy features popular Nickelodeon teen star Amanda Bynes in her first feature-starring performance after her debut in Big Fat Liar (2002). She plays teenager Daphne Reynolds, who lives in New York City with her musician mother, Libby Reynolds (Kelly Preston). After she turns seventeen, Daphne is undecided about her future, so she takes off by herself to London in search of her father. She immediately meets cute musician Ian Wallace (Oliver James) before sneaking in to her father's estate to surprise him. He turns out to be Lord Henry Dashwood (Colin Firth), a fabulously wealthy aristocrat who doesn't even know that she exists. He had met her mother in Morocco and the two were married in a tribal ceremony. Upon their return to England, she left him and went back to the U.S. without ever revealing that she was pregnant. The uptight Henry is already flustered by his campaign for election, advised by doting aide Alistair Payne (Jonathan Pryce). His no-nonsense fiancée, Glynnis Payne (Anna Chancellor), and her bratty daughter, Clarissa Payne (Christina Cole), are threatened by Daphne's presence, thinking that she will hurt Henry's political aspirations by causing a scandal. However, family matriarch, Jocelyn Dashwood (Dame Eileen Atkins), takes a liking to her and she soon finds herself trying to liven things up at several stuffy aristocratic parties. Meanwhile, the evil Glynnis and Clarissa conspire against her by trying to sabotage her appearance, leading up to the conclusion at Daphne's coming-out party.queen elizabeth ii charactertitle directed by femalegender in titlegirl in jeansnew york city105 morePlot summaryAdd synopsis

The successful and handsome wolf executive of the cosmetic industry Thomas Fuentes has three sexy Latin girlfriends: in Miami, the waitress Cici; in Chicago, the intellectual lawyer Lorena; and in New York, the "daddy's girl" Patricia. When the three women decide to visit him in Los Angeles, Thomas is in a big trouble.

Dan Mahowny (Philip Seymour Hoffman) was a rising star at the Canadian Imperial Bank of Commerce. At twenty-four, he was Assistant Manager of a major branch in the heart of Toronto's financial district. To his colleagues, he was a workaholic. To his customers, he was astute, decisive, and helpful. To his friends, he was a quiet, but humorous man who enjoyed watching sports on television. To his girlfriend, he was shy but engaging. None of them knew the other side of Dan Mahowny, the side that executed the largest single-handed bank fraud in Canadian history, grossing over ten million dollars in eighteen months to feed his gambling obsession.

Mia (Duff), the loyal and hard-working manager of her small town's Christmas hat shop, is blindsided when her boss of over ten years asks her to train his son, Nick (Cupo), for a vacant upper-management position that Mia had been coveting. Although Nick is a handsome, successful New York City business consultant, Mia finds training him frustrating until Nick takes an interest in Mia's son Scotty (Sean Michael Kyer, "Girl in Progress," "The Color of Rain"), helping Scotty with a pumpkin carving contest. However, Mia's faith in Nick quickly diminishes when Nick fails to show up at the contest. To protect her son from further disappointment, Mia tries to keep Nick out of her and Scotty's fragile life, and Nick must decide if staying in the small town of Wilsonville is worth giving up the big-city perks he once had in New York. As Mia struggles to find a way to convince Scotty to return to physical therapy so he can walk again, she soon realizes that Nick may be the Christmas miracle she has been waiting for.

In the late 1980's, the Friedmans - father and respected computer and music teacher Arnold Friedman, mother and housewife Elaine Friedman, and their three grown sons, David Friedman, Seth Friedman and Jesse Friedman - of Great Neck, Long Island, are seemingly your typical middle class American family. They all admit that the marriage was by no means close to being harmonious - Arnold and Elaine eventually got divorced - but the sons talk of their father, while also not being always there for them, as being a good man. This façade of respectability masks the fact that Arnold was buying and distributing child pornography. Following a sting operation to confirm this fact, the authorities began to investigate Arnold for sexual abuse of the minor-aged male students of his computer classes, which he held in the basement of the family home. Based on interviews with the students, not only was Arnold charged with and ultimately convicted of multiple counts of sodomy and sexual abuse of these boys but so was eighteen year old Jesse, who was mentioned by many as the aggressor of the two in the acts. Arnold admitted that he is a pedophile, but that he did not abuse the boys in his class as charged and convicted. The trial process brought out the dysfunction that previously existed within the family. But the issue of Arnold and Jesse's guilt of these acts is hotly debated among the family, among the authorities, among the media and among the students of the computer classes.

A single girl living in New York tries to impress her high school nemesis by inventing the perfect boyfriend as her date to an impending wedding, then embarks on a string of blind dates to fill the bill.

Jerry Falk learns a lesson the hard way when he falls in love with the beautiful but flighty Amanda.

New England, 1630: William and Katherine try to lead a devout Christian life, homesteading on the edge of an impassible wilderness, with five children. When their newborn son mysteriously vanishes and their crops fail, the family begins to turn on one another. 'The Witch' is a chilling portrait of a family unraveling within their own sins, leaving them prey for an inconceivable evil.witchgoatblack magicisolationnew england230 morePlot summaryPlot synopsisTaglines

A young couple has a chance to move into a gorgeous duplex in the perfect New York neighborhood. All they have to do is bump off the current tenant, a cute little old lady.

After narrowly escaping an ancient burial ground, long forgotten and buried underneath the marshes of Cape Cod, a group of friends emerge from the thick, marshy darkness, tattered and bloody, lucky to be alive. They have already lost two of their friends in the marsh, presumably dead. They stumble upon an empty Cape Cod vacation house alongside the foggy marsh and break in to take shelter. Whatever was in the marsh is still after them and soon after one of them goes for help, the rest of the group learns that the evil in the marsh is not the only thing that wants them dead. Something worse, something more savage, was lying in wait just outside the marsh, in the house. What happens next is unspeakable, horror that cannot be unseen. These unlucky travelers spend their St. Patrick's Day trapped between two evils forcing them to fight, die, or go back the way they came.

Following the tragic death of their five-year-old son Frankie, Irish couple Johnny and Sarah Sullivan and their remaining two offspring, 10 year old Christy Sullivan and 5 year old Ariel Sullivan, emigrate illegally to the United States via Canada with little in their pockets. Their final destination is Manhattan where Johnny hopes to work as a stage actor. They move into a unit in a run town tenement housed primarily with drug addicts, transvestites and one tenant coined "the man who screams". They do whatever they can to eke out a supportive family environment in this difficult situation, the support which ultimately extends to those around them, most specifically "the screamer" who turns out to be an African-American artist named Mateo with AIDS. But the memory of Frankie hangs over the family in good and bad ways, especially as Sarah learns she's pregnant. Christy, who records their life's goings-on with her beloved camcorder, believes that the angel of Frankie has granted her three wishes, which she guards until absolutely needed.

The Bianco and Rossi families of Yonkers have been feuding for years - over pizza! Those who prefer a tangy sauce go to Rossi's; those who like their crust thin and crispy go to Bianco's. When young Angela Rossi, armed with a newly minted associates degree in marketing from FIT, tries to help her father put the Bianco's out of business, pizza détente goes out the window. And when young doodle artist Tony Bianco agrees to help his father steal the secret of the Rossi's sauce to win the neighborhood pizza contest, pizza war - and a little star-crossed loving - follow.

A naive young boy unknowingly becomes the pawn of a serial killer.

Josh Srebnick is 44. He is married to Cornelia, 43, the daughter of Leslie Breitbart, a respected documentary filmmaker. The couple lives comfortably in New York Village and gives the image of happiness. But things are not so rosy as they look: on a personal level, their relationships have been cooling down while they suffer from not having children. On a professional plane, things have deteriorated as well. Josh, who is also a documentary filmmaker like his father-in-law, has lost inspiration: he has been grappling with his last movie for eight years now without being able to complete it. To be true, Josh goes nowhere and his marriage is on the rocks. Things start changing when Josh and Cornelia meet another married pair: Jamie and Darby, a generation younger, express their admiration for Josh (Jamie wishing to become a documentary filmmaker himself). Plus, they are much cooler, smarter and more uninhibited than the two forty-odds. Could they help Josh and Cornelia to revive their couple? Could they give Josh an extra boost of energy to make a fresh start in his art?

Beginning with a stirring African folk song (Zélié performed by Angélique Kidjo) the roots are established and rapidly swell into a trunk thickened by the hardships of the Great Depression (Gamblin' Man performed by David 'Honeyboy' Edwards) and the oppression of segregation (Jim Crow Blues performed by Odetta). Finally, this Blues family tree shows off vibrant new growth as it reveals the Blues' influence on our modern wealth of talented musicians (Midnight Special performed by John Fogerty and Hound Dog done by Macy Gray). Ruth Brown gives Blll Cosby a full-throttle serenade (and a playful smoldering gaze), along with Mavis Staples and Natalie Cole. Angélique Kidjo persuades Buddy Guy to an unforgettable rendition of 'Voodoo Child,' shortly before Bonnie Raitt and Robert Cray accompany B.B. King and Lucille for the final number, 'Paying the Cost to be the Boss.' This documentary presents to the audience, with authority and candor, an authentic history of this musical form. The highly esteemed elders of this musical family are exemplary in their humbleness toward one another, rich with decades of shared memories; and their performances are of a quality rarely seen in modern times. These men and women are true artisans, yet they continue to generously pass their legacy down to select members of each musical generation. Those who grew up on this music find themselves performing on the stage with the very heroes who served as their earliest inspiration. Legends, such as Ruth Brown, Honeyboy Edwards, Clarence 'Gatemouth' Brown, B.B. King, Howling Wolf, and Buddy Guy, gave the world a double helping of their genius-first with song and secondly as the spirit which supplies the continuation of their art: in such artists as Natalie Cole, Jimmie Vaughan, John Fogerty, Macy Gray, Alison Krause, and Bonnie Raitt.

When the teenager Mary Elizabeth Steppe, a.k.a. Lola, moves with her mother and two younger twin sisters from New York to the suburb of Dellwood, New Jersey, she has the feeling that her cultural and entertaining world ended. While in school, the displaced Lola becomes close friend of the unpopular Ella, who is also a great fan of the her favorite rock band Sidarthur. However, the most popular girl in the school, Carla Santini, disputes the lead role in an adaptation of Pygmalion with Lola and also the leadership of their mates. When the last concert of Sidarthur is sold-out, Lola plans with Ella to travel to New York and buy the tickets from scalpers. However, the girls get into trouble while helping the lead singer and Lola's idol Stu Wolf, changing their lives forever.