In 1966. Helen Reddy arrives in New York with her three-year-old daughter, a suitcase, and $230 in her pocket. She had been told she'd won a recording contract, but the record company promptly dashes her hopes by telling her it has enough female stars and suggests that she have fun in New York before returning home to Australia. Helen, without a visa, decides to stay in New York anyway and pursue a singing career, struggling to make ends meet and provide for her daughter. She befriends legendary rock journalist Lillian Roxon, who becomes her closest confidante. Lillian inspires her to write and sing the iconic song "I Am Woman" which becomes the anthem for the second-wave feminist movement and galvanizes a generation of women to fight for change. She also meets Jeff Wald, a young aspiring talent manager who becomes her agent and husband. Jeff helps her get to the top, but he also suffers from a drug addiction that gradually turns their relationship toxic. Caught in the treadmill of fame and dependent on Jeff to manage her professional life, Helen finds the strength to take control of her own career and keep pursuing her dreams.

"I wanted to be one of the wild ones, the ones who broke free." These words begin the semi-autobiographical tale of Catherine's (Elizabeth Rice) journey in 1968 into the heart of the sexual revolution in San Francisco. She dances naked in the Paradise Club. The soul singer works the audience "Brothers and sisters, these are good times! America's doin' fine!" Catherine begins an affair with Earl, the club's owner. She meets her soul mate, Ben (Evan Williams), but love eludes her. She quickly descends into the club's dark underworld where she lives by night while America burns with the war in Vietnam, political assassinations, and anti war protests. By the end of '69, peace and love are dead and Catherine must find her way back into the light."

Twenty-four hours in the tentative relationship of two young San Franciscans also dealing with the conundrum of being a minority in a rapidly gentrifying city.

Thorvald's a typical high school kid finding his way, and he's pretty impressed with his classmate, Ida, who seems to have already found her's. Taking a cue from Ida's energetic campaign to ban a competing school's football team, the Redskins, until they change their oppressive name - Thorvald initiates an effort to change their own school's mascot, the Viking, to something less offensive to Scandinavians. And he enlists the assistance of an elusive community organizer, a mischievously alert neighborhood kid and, of course, Ida - against the resistance of his parents, his classmates, and pretty much everyone else in town, including Ida's giant boyfriend, T-Bone, the Captain of the Vikings football team. It's a bit of a bumpy path along the way, and Thorvald and Ida grow close trying to sort it all out.

Hostage in his own home, an incompetent Englishman is forced to team up with his captor to fight off the survivors of a fatal flu epidemic.

Recently divorced Thad Sitter (Clayne Crawford) works part-time at a weight loss clinic in southwest Missouri, but the real money comes from moonlighting as a go-between for his boss, weight loss guru Gayle Benson (Heather Roop), and her illegal diet pill suppliers. It's all working out until the suppliers raise their rates, and Gayle murders them, forcing Thad to dispose of the evidence. Meanwhile, Thad's ex-wife, Julie (M.J. Brackin), is fresh off a messy breakup with Sheriff Crane (Robert Leeshock) after realizing she's still in love with Thad. When the jealous Sheriff gets wind of the murders, he decides to implicate Thad in an attempt to have Julie all to himself. Now a threat to exposing Gayle's operation, Thad has no choice but to go into hiding as he is pursued by his former boss and the law. Julie enlists the help of private investigator Jake Liebig (Ken Hudson Campbell), who begins unraveling the mystery behind the murders and Thad's sudden disappearance. But the closer Julie gets to the truth, the more she puts both of their lives in peril.

After a shallow womanizer refuses a mysterious homeless woman's request for a kiss, he wakes up the next morning to discover he's been changed into a woman.

Precisely thirteen years before young Blade Runner K's discovery in Blade Runner 2049 (2017), Niander Wallace, the founder of the replicant manufacturing company, Wallace Corporation, expressed his desire to create a new line of synthetics. With Earth's ecosystem rapidly deteriorating, Niander stresses the importance of cheap labour, making sure to illustrate the fact that the superior Nexus-9 replicants pose no threat to society, created only to serve. Will Wallace's ambitious project get the green light?

When a demon escapes from the orb that's been imprisoning him, he takes possession of Malcolm's body and heads for Vegas, leaving Mal's spirit trapped in his longtime friend Henry's house. With the help of a spirit guide, Henry performs a spell that allows him-but only him-to see what he thinks is Mal's ghost. Since it's well-known that spirits who linger must complete some "unfinished business," Mal believes his task is to help Henry fall in love. Even though Mal himself has been in love with Henry for years, he valiantly tries to hook up his friend with his hot new neighbor in a hilarious series of misadventures. Finally, Henry and Mal give in to their long-hidden passion and battle the demon to get Mal's body back and win their happily-ever-after.

When a drifter (Sestero) is taken in by a peculiar mortician (Wiseau), the two hatch an underground enterprise off the back of the mortician's old habits. But greed, hatred, and jealousy soon come in turn, and their efforts unravel, causing the drifter to run off with the spoils and leaving the mortician adrift.

Lil (Naomi Watts) and Roz (Robin Wright) are two lifelong friends, having grown up together as neighbors in an idyllic beach town. As adults, their sons have developed a friendship as strong as that which binds their mothers. One summer, all four are confronted by simmering emotions that have been mounting between them, and each find unexpected happiness in relationships that cross the bounds of convention.

A young "dying" woman's visits to late night confessionals challenge the faith of young Father Daniel. Will her appeal prove to be enough to turn Father Daniel from his calling? Father Victor, aware that something is afoot, wonders and waits, and it all comes to a head over dinner.

While travelling on their first American tour, Ms. 45, an all-girl punk band, is drugged and kidnapped. They awaken to find their limbs removed and replaced with crude weaponry, and are forced to fight as Gladiators for a sadistic town.

In the near future, the sun has become so toxic people can no longer leave their houses in daytime, and normal life is conducted mostly inside the virtual realm. Against this dystopian backdrop, a dying man seeks to ensure the future well-being of his family, while coping with what it means to be human in this new reality.

Amidst a wild flat meadow encircled by an Edenic lush forest, a couple have cocooned themselves in a secluded mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus; however, he seems unable to break out of the persistent creative rut that haunts him. Then, unexpectedly, a knock at the door, the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination. Little by little, much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish, irreparably, the couple's inviolable sanctuary?

During a power outage, two strangers tell scary stories. The more Fred and Fanny commit to their tales, the more the stories come to life in their Catskills cabin. The horrors of reality manifest when Fred confronts his ultimate fear.

After the disappearance of her husband, a struggling farmer in an isolated Appalachian community fights to save her son when the cold-hearted matriarch of the oldest family on the mountain demands payment of a debt that could destroy a decade's old truce.

Alice (Kristanna Loken) is a ghostwriter for a famous bestselling author. She is half through the work of the his new book, but cannot write anymore. A year before she has had a terrible accident in Malta where she was staying with her husband Max (Antonio Cupo) in his family villa and she was in a coma for two weeks. On waking up she had lost part of her memory and has no recollection of the accident and her stay in Malta. Since then, she has been suffering from depression and has recurrent and cryptic nightmares. Max who is her agent as well persuades her to go back to Malta hoping that something will unblock her mind so she can start working again and meet the last delivery deadline the publisher has given her. In the beautiful Maltese villa surrounded by lemon trees, they are welcomed by a stunning Mediterranean girl Sara (Sarai Givaty) Max has hired to help around the house. the girl immediately establishes a friendship and trust with Alice. Two different women, one sensual and self-assured, the other mysterious and insecure... In the meantime, another stranger Castellano (Giulio Berruti) is snooping around the villa, spying Sara, talking to Alice and exchanging items with a local policeman. Are ours characters really who we think they are? Is there a different version of the truth ?All is about to be seen ...

When a successful married businessman has a sexual appetite larger than what's on his plate, chaos erupts.

A group of eccentric assassins are fed up with Gunther, the world's greatest hitman, and decide to kill him, but their plan turns into a series of bungled encounters as Gunther seems to always be one step ahead.

Radha is a down-on-her-luck NY playwright, who is desperate for a breakthrough before 40. Reinventing herself as rapper RadhaMUSPrime, she vacillates between the worlds of Hip Hop and theater in order to find her true voice.

Jessica is about to get married and enjoy the best day of her life but one of her five bridesmaids is trying to sabotage her wedding day.

In Holt, a small Colorado town, Addie Moore (Jane Fonda) pays an unexpected visit to a neighbor, Louis Waters (Robert Redford). Her husband died years ago, as did his wife, and in such a small town they'd been neighbors for decades, but had little contact. Their children (Matthias Schoenaerts and Judy Greer) live far away and they are all alone in their big houses. Addie seeks to establish a connection, and make the most of the rest of the time they have.

Live Broadway cast production of Heidi Schreck's play presenting multiple facets, historical perspectives and personal experiences with the U.S. Constitution.

1920, rural Ireland. Anglo Irish twins Rachel and Edward share a strange existence in their crumbling family estate. Each night, the property becomes the domain of a sinister presence (The Lodgers) which enforces three rules upon the twins: they must be in bed by midnight; they may not permit an outsider past the threshold; if one attempts to escape, the life of the other is placed in jeopardy. When troubled war veteran Sean returns to the nearby village, he is immediately drawn to the mysterious Rachel, who in turn begins to break the rules set out by The Lodgers. The consequences pull Rachel into a deadly confrontation with her brother - and with the curse that haunts them.

A young woman struggles with an anxiety disorder after dropping out of school.

A girl who lives secluded in a house in the woods with the only company of her father and a wolfhound finds among the trees a mysterious cubic device.

Troubled by bouts of sleepwalking and disturbing nightmares, graduate student Sarah Foster goes to her university sleep research center for help. But when she wakes up after her first night of being monitored, the world she lives in seems to have changed in subtle, Twilight-Zone-esque ways.

An extended family is spending a holiday together in a remote location when a mysterious dwarf visits them and informs them that he is god. Then he tells them that all humans are going to die the next morning, with the exception of only two survivors. And that the family must choose which two people will live.

Details the unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941. Marston was in a polyamorous relationship with his wife Elizabeth, a psychologist and inventor in her own right, and Olive Byrne, a former student who became an academic. This relationship was key to the creation of Wonder Woman, as Elizabeth and Olive's feminist ideals were ingrained in the character from her creation. Marston died of skin cancer in 1947, but Elizabeth and Olive remained a couple and raised their and Marston's children together. The film is said to focus on how Marston dealt with the controversy surrounding Wonder Woman's creation.

Sixteen-year-old Georgia Nolan dreams of being the world's first-ever female firefighter. When a mysterious arsonist starts burning down Broadway, New York's firemen begin vanishing. Georgia's father, Shawn, is called out of retirement by the Mayor of New York to lead the investigation into the disappearances. Desperate to help her father and save her city, Georgia disguises herself as a young man called "Joe" and joins a small group of misfit firefighters trying to stop the arsonist.

Cynical reporter Charity (Amber Stevens West) gets the opportunity of a lifetime when her boss, Janet (Cheryl Ladd) assigns her to profile Erik Gallagher (Marco Grazzini), a handsome bachelor who organizes millions of dollars to help the less fortunate every Christmas. Erik claims his charity is all funded by Santa Claus, so Charity's assignment is to discover where the money really comes from-something other reporters have failed to find out. Knowing this assignment could make or break her career, Charity is initially frustrated that Erik and his associates reveal hardly any information about his mysterious source of funding. But as Charity spends more time with Erik, she begins to appreciate his unwavering conviction that anything is possible if you just believe. With her article's deadline approaching, Charity discovers the real source of Erik's funding and must decide whether or not exposing the truth is worth ruining her newfound belief in the magic of Christmas and love for Erik.