A day in Hollywood, 1972, with young people looking for the 24 hours that will change their lives. Zach will open that night for a British rocker at Whisky a Go-Go; he lives in a canyon and plays impromptu duets with a mysterious guitarist he doesn't see. Tammy is a costume designer, open to quick sex with the various rockers she works with and loved from afar by Michael, a photographer recovering from a case of the clap. His good friend is Felix, a morose, alcoholic songwriter. On hand for comic relief is Marty Shapiro, a fast-talking record producer. Getting ready for the gig at the club, Zach's performance, and the early-morning aftermath comprise the film.

Derien McCall, a nightmare-plagued ex-cop turned private investigator, takes an odd assignment from Anthea, the wife of a wealthy real-estate magnate, Michael Ferrow-Smith: to flirt with him and see if he expresses interest. Her emotions quickly take over and the flirting becomes more than that. Derien conducts an affair with Michael and breaks off the client relationship with Anthea, but a desperate call from Anthea brings Derien to Michael's house late one night. What's going on, Derien wonders, has she been set up? If so, by whom? Can she solve the crime, avoid imprisonment, and rid herself of the demons of her past?

One stormy Glasgow night Dorothy and Petula's lives are inextricably thrown together, bonded by a common flaw. Dorothy's on the run from her boyfriend and Petula should be doing the same. Evasion, blackmail, murder, betrayal, revenge and a suitcase loaded with a million quid... it's all there... and then some.

This sexy, teen-comedy is about a freshman, Matthew, at college who meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl amongst a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.

Marie, a professor of English literature in a Paris university, has been happily married to Jean for 25 years, although they have no children. During their summer vacations in the southwest of France, Jean leaves Marie sunbathing on the beach and goes to swim in the sea. When Marie turns back, she cannot find Jean. Has he left her? commited suicide? drowned? With no clue and no body to mourn over, Marie acts as her husband was still alive.

Wishes come true in this movie, and love makes its way into the hearts of those young, old, and overseas. Chuckie's dad, Chaz (Michael Bell), starts dating again, and it's Chuckie's wish to find a new mom. When Stu Pickles (Jack Riley) is summoned to Reptarland, an amazing new amusement park in Paris, to work on his Reptar invention, Tommy (Elizabeth Daily), Chuckie (Christine Cavanaugh), Angelica (Cheryl Chase), Phil (Kath Soucie), Lil (Kath Soucie), Dil (Tara Strong), Didi (Melanie Chartoff), and the whole gang tag along to the city of romance. But the Rugrats' big adventure turns out to be more than glamor, fashion, and smelly cheese. Chuckie learns that when it comes to Princesses and potential mommies, things are not always what they seem, and for Chaz, finding the right woman can be difficult in any language. As the Rugrats' travels take them from the Eiffel Tower to Notre Dame and everywhere in-between, the world's favorite babies learn new lessons about courage, loyalty, trust, and above all, true love.older actors younger rolesfrencheuropemother daughter relationshipchild protagonist57 morePlot summaryAdd synopsisTaglines

Centered around a salsa club, three men pursue three women across London. Fergus is trying to find his ex-girlfriend, the elderly charmer Frankie the beautiful Eleanor and the robber Eddie is trying to find one of his victims, cemetery worker Jocelyn.

In New York, Alvin Sanders is a small-time thief who's just been hauled in for stealing a bunch of prawns (shrimp) from a local restaurant. He ends up in a cell with John Jaster, one half of a high-tech criminal team that's just stolen $42,000,000 worth of gold from the Federal Reserve. Realizing that he could die at any moment from his worsening heart condition, Jaster tells Alvin to relay a cryptic message to his wife about the whereabouts of the hidden gold. Alvin doesn't know exactly what the message means, and Edgar Clenteen, the U.S. Treasury investigator working the case, hopes it will lead to the gold or Jaster's partner Bristol, but it does neither. Eighteen months later, Jaster is dead, and both Clenteen and Bristol are still looking for that gold. Clenteen decides to secretly plant a tracking device in Alvin's jaw, release him from prison, and then let the word out that he knows where the gold is hidden. Knowing that Bristol is probably watching their every move, Clenteen hopes Alvin will act as the bait that'll lure Bristol in. To the dismay of Clenteen and his colleagues, agents Wooly, Blum, Boyle, and Walsh, who are tracking Alvin's every word and move, Alvin immediately gets into trouble, although he decides to go straight once he learns that while he was in prison, his girlfriend Lisa Hill gave birth to their son. Even so, run-ins with his criminal brother, Stevie Sanders and Stevie's two partners, Ramundo and Julio, puts Alvin in danger of being locked up again, which threatens to mess up Clenteen's plan. What will happen when Alvin realizes that he's being used as bait to nail Bristol?

A lawyer is asked to come to the police station to clear up a few loose ends in his witness report of a foul murder. This will only take ten minutes, they say, but it turns out to be one loose end after another, and the ten minutes he is away from his speech become longer and longer...

Three couples head to the desert to help their friend heal after the death of his mother. They would do anything for him - except for the one thing he wants.motherPlot summaryAdd synopsis

Laurie and Hugh are a successful young couple who have just closed on a weekend home away from the city. Unbeknownst to them, the neighboring property contains the crumbling remains of a boarding school that was shuttered in the wake of an unspeakable massacre. The sole survivor of that massacre still resides in the ruins of the school, hiding from the world and wanting only to be left alone. When Laurie and Hugh's friends explore the property, they have no idea that they disturbed an emotionally-broken killing machine: The Blood Widow.

When an eclectic group of terrorists plot to attack the United States from within, it's up to a quasi-military special investigative unit to identify, infiltrate and neutralize the threat.female nudityfemale rear nudityfemale back nuditysex in bedPlot summaryAdd synopsis

Set in a small town in North Carolina, George Washington is the story of a tight-knit multi-racial group of working-class kids caught in a tragic lie. After a twelve-year-old girl breaks up with her boyfriend for a sensitive, deeply introspective thirteen-year-old boy named George, a bizarre series of events and an innocent cover-up launches their insular group on individual quests for redemption.

The Little Death is a truly original comedy about sex, love, relationships and taboo. In a multi story narrative, we peer behind the closed doors of a seemingly normal suburban street. A woman with a dangerous fantasy and her partners struggle to please her. A man who begins an affair with his own wife without her knowing anything about it. A couple struggling to keep things together after a sexual experiment spins out of control. A woman who can only find pleasure in her husband's pain. A call centre operator caught in the middle of a dirty and chaotic phone call. And the distractingly charming new neighbour who connects them all. The little Death explores why do we want what we want? How far will we go to get it? What are the consequences of that fleeting moment of sexual ecstasy?

At a party for their 50th anniversary, Michael and Betty share that the secret to their happy marriage is that they have no secrets, but nothing could be further from the truth. After Michael finds a provocative doll amongst flea market-bound trash, their world is turned upside down. Through the heartbreaking and hopeful, Betty and Michael are forced to face difficult questions about themselves, their relationship, and their future.

When plans for a weekend vacation hit a dead end, a group of close-knit friends find themselves stranded in unfamiliar territory, pursued by a menacing, blood thirsty predator. Holed up in an isolated cabin, tensions mount as long-buried secrets are revealed. As the body count rises, the group must put their differences aside and fight for survival.

Malcom's done with his life. Only the noise of Crystal Meth gives him a reason to keep going - everything else it has long regardless. Equipped with a bag full of weapons and self-made bombs, he makes his way to the nearby mall to really stir things up. On his personal war campaign, he not only changes his life radically, but also the fate of other people who are in the wrong place at the same time: a teenager whose favorite pastime is smoking pot in his dreary existence, a housewife, where their best days have been left behind, a greedy businessman whose only desire is to increase his wealth and a depressed pervert.

Sara Goldfarb (Ellen Burstyn) is a retired widow, living in a small apartment. She spends most of her time watching TV, especially a particular self-help show. She has delusions of rising above her current dull existence by being a guest on that show. Her son, Harry (Jared Leto) is a junkie but along with his friend Tyrone (Marlon Wayans) has visions of making it big by becoming a drug dealer. Harry's girlfriend Marion (Jennifer Connelly) could be fashion designer or artist but is swept along in Harry's drug-centric world. Meanwhile Sara has developed an addiction of her own. She desperately wants to lose weight and so goes on a crash course involving popping pills, pills which turn out to be very addictive and harmful to her mental state.

Michael Logan is a police detective in London. His area is drugs and this brings him into contact with European drug syndicates. Logan is happy to turn a blind eye to their dealings, for a cut, or confiscate suppliers' merchandise for their own profit. So far he and his equally-crooked police colleagues have done quite well out of this. Then a deal he was planning with a member of a Turkish drug cartel goes sour and the balance of power swings to an Albanian gang, run by two brothers, the Kabashis. Logan quickly aims to provide the Albanians with the same service he provided the Turks, but they aren't easily lead. Meanwhile, he an his colleagues are being investigated by Internal Affairs. Just to make his life more complicated, he has been seconded to a vice task force, run by a former colleague whom he does not get along with.

Because of his salacious language, late-night radio advice-show host Leon Phelps, along with his sweet and loyal producer Julie, is fired from his Chicago gig. They can't find another job. About that time, two things happen: he gets a letter from a wealthy former lover who offers to take care of him (but she doesn't sign her real name, so Leon, an inveterate Casanova, has no idea who she is), and a group of angry cuckolds, all of whom have surprised their wives in flagrante delicto with Leon (who has a distinctive tattoo on his booty), are closing in, armed and dangerous. Can he find the sugar mommy and escape the wrath of the mob of husbands? What about Julie?

To cash in on all of the "real world" hype of the events in the first film, a man from Burkitsville, Maryland opens a "Blair Witch Hunt" tour, which shows patrons various locations from the original film. A bunch of college students decide to take the tour, and wind up in Rustin Parr's house. There, they decide to camp for the evening, but in the morning, they realize they didn't sleep and they don't remember anything that happened the previous night. From there, they go back to town, and discover that something...or someone has come with them.

Adult siblings Sammy Prescott and Terry Prescott have had a special bond with each other since they were kids when their parents were tragically killed in a car accident. That bond is why single mom Sammy, who still lives in the family home in Scottsville, upstate New York with her eight year old son Rudy, is excited to hear that Terry, who she has not seen or heard from in a while, is coming home for a visit. That excitement is dampened slightly upon Terry's arrival, when she learns that he, broke, is only there to borrow money. As adults, Sammy, who works as a lending officer in the local bank, is seen as the responsible sibling, while unfocused Terry is seen as the irresponsible drifter. Regardless, Sammy welcomes what ends up being Terry's longer than planned visit if only so that he can help take care of Rudy, who has no adult male figure in his life. Rudy has never known his deadbeat biological father, with whom Sammy wants nothing to do. As Terry - acting as the supposed adult male role model figure - gets to know Rudy, and as Sammy deals with the issues in her life which includes figuring out what her relationship to longtime friend/lover Bob Steegerson means, and how to deal with her straight-laced micro-managing new boss Brian Everett, the maturity level between Sammy and Terry is not as far apart as it appears on the surface.

Irish lads send an ad to the Miami Herald inviting fit and enticing women, between the ages of 20 and 21, to live in their isolated Donegal village. The whole town knows about the ad, and it sharpens everyone's sense of the opportunities for happiness already at hand. Kate, a publican with a young daughter, is separating from her husband and catches the eye of a bachelor sheep farmer. Kieran the butcher realizes that his assistant Siobhan is comely, and then he discovers she's fiery as well. Ollie sends off for Dutch skin magazines that the village postmistress won't release to him. The men, and women, find counsel in their movie-loving priest. Will anyone answer the ad?

Atticus goes to Mexico to unravel the reason behind his his son's suicide. As he tries to overcome his own feelings over his son's death, Atticus discovers it might not be a suicide at all and tries to uncover the mystery.suicidemexicoloss of motherloss of wifechristmas4 morePlot summaryAdd synopsisTaglines

Two young misfits head for New York City to celebrate their idol and muse, Stevie Nicks, at The Night of 1,000 Stevies. Along the road, in order for them to escape their painful pasts, they must discover their strengths and learn self-acceptance.

Sara wants to be a ballerina, but her dreams are cut short by the sudden death of her mother. She moves in with her father, who she has not seen for a long time. He lives on the other side of town, in a predominantly Black neighborhood. She gets transferred to a new school where she is one of the few White students there. She becomes friends with Chenille, and later, falls in love with Chenille's brother, Derek.

Jay is a bartender who abandoned his family because his wife lost interest in him and their relationship. Now living alone in a decrepit house, he has casual weekly sex with an anonymous woman, whose name he does not know. At first, their relationship is purely physical, but he eventually falls in love with her. Wanting to know more about her, he follows her across the streets of London to the grey suburbs where she lives. He then follows her to a pub theatre where she works as an actress in the evenings. He learns that her name is Claire, and she is married to Andy has a son. Subsequently, it is made clear to him that she will not leave her family. They meet for a final time and have sex with an intimacy that has been missing during the illicit sex sessions of their previous encounters.

The annual British Hairdressing Championship comes to Keighley, a town where Phil and son Brian run a barbershop, and where Phil's ex-wife Shelly and her lover Sandra run a beauty salon, yet Phil and Shelly haven't talked in the ten years since she bolted. Shelley's just found out her cancer is terminal, and Ray Roberts, the reigning underhanded hairdressing champion, blows into town taunting Phil for retreating from competitive styling into barbering. Roberts also brings his daughter, Christina, who remembers Brian from when she was a little kid (as does he her). Everything's set: Brian decides to enter the competition with his mom and Sandra. Will Phil join in? Ray wants to win at any costs. Will Christina go along?

Joe McBeth is a hard-working but unambitious doofus who toils at a hamburger stand alongside his wife Pat, who has a significant edge in the brains department. Pat is convinced she could do a lot better with the place than their boss Norm Duncan is doing, so she works up a plan to usurp Norm, convincing Mac to rob the restaurant's safe and then murder Norm, using the robbery as a way of throwing the police off their trail. Though two stoners and a would-be fortune teller warn Mac that bad luck awaits him, he gathers his courage and goes through with his wife's scheme. At first, things seem to have gone just as Pat hoped, and after Norm's sons sell the restaurant to the McBeths (they pay for it with the money they stole from Norm), business takes off. But vegetarian police detective McDuff is convinced there's foul play at the new center of the fast food universe, and when the McBeths fear that fry cook Banco knows more than he's letting on, Mac takes charge in the plotting department and decides there may be more dead meat on the menu.

Max and Page are a mother and daughter con team. Max seduces wealthy men into marrying her, then Page seduces them into infidelity so Max can rake them over the divorce court coals. And then it's on to the next victim.

Chekhov in contemporary Argentina. Mecha and Gregorio are at their rundown country place near La Ciénaga with their teen children. It's hot. The adults drink constantly; Mecha cuts herself, engendering a trip to the hospital and a visit from her son José. A cousin, Tali, brings her children. The kids are on their own, sunbathing by the filthy pool, dancing in town, running in the hills with shotguns, driving cars without licenses. One of the teen girls loves Isabel, a family servant constantly accused of stealing. Mother and son, son and sisters, teen and Isabel are in each other's beds and bathrooms with a creepy intimacy. With no adults paying attention, who's at risk?

It is 1939, the end of three years of bloody civil war in Spain, and General Franco's right-wing Nationalists are poised to defeat the left-wing Republican forces. A ten-year-old boy named Carlos, the son of a fallen Republican war hero, is left by his tutor in an orphanage in the middle of nowhere. The orphanage is run by a curt but considerate headmistress named Carmen and a kindly Professor Casares, both of whom are sympathetic to the doomed Republican cause. Despite their concern for him, and his gradual triumph over the usual schoolhouse bully, Carlos never feels completely comfortable in his new environment. First of all, there was that initial encounter with the orphanage's nasty caretaker, Jacinto, who reacts even more violently when anyone is caught looking around a particular storage room the one with the deep well. Second, and more inexplicable, is the presence of a ghost, one of the former occupants of the orphanage named Santi. Not long after Carlos' arrival, Santi latches onto Carlos, badgering him incessantly at night and gloomily intoning, "Many of you will die." As if that wasn't enough to keep the orphanage's occupants in an unrelenting state of terror, there's the un-exploded bomb that dominates the orphanage's courtyard, still ticking away; With the orphanage left defenseless by its isolation, and the swift progression of Franco's troops, the ghost's prediction seems depressingly accurate. Nevertheless, with every step of the plot, it becomes apparent that the ghost's predictions as to who (or what) will die, the real source of danger and even the definition of death itself may be more ambiguous than first thought.