Two thirtysomethings, unemployed former alcoholic Joe and community health worker Sarah, start a romantic relationship in the one of the toughest Glasgow neighbourhoods.

New York City. Forty year old Lee Simon, a critically panned two time novelist who works as a travel writer (a job he hates) to earn a steady living, tells his shocked wife of sixteen years, English teacher Robin Simon, that he wants a divorce. Although he had not been happy with Robin for some time, she who he feels is a bundle of Catholic repressions and neuroses especially when it comes to sex, Lee finally came to the conclusion about wanting a divorce upon attending his high school reunion and seeing a roomful of losers, he believing he turning into one of them if he didn't make a drastic change. He gets a job working as a journalist for an entertainment magazine, while he writes screenplays on the side, he believing the latter a good stepping stone to finishing his third novel if the screenplays works out. The journalist job includes conducting interviews with celebrities, not only to who he can pedal his completed screenplay, but also what he quickly learns to who he has easy access to an abundance of sex with the "beautiful people". Regardless, Lee enters into a relationship with Bonnie, a publishing house story editor who encourages him to complete that novel, which she truly believes will be better than the first two if only due to maturity. Meanwhile, Robin, who is not taking the divorce well, is convalescing at a Catholic retreat before she, with the support of her friends Jan and Cheryl, decides what next to do with her life, she believing that returning to teaching not the answer. During her search, Robin unexpectedly stumbles onto her own connection with celebrity when she meets television producer Tony Gardella, who hires her to be a production assistant with his company. Lee and Robin's resulting stories take them in two different directions, one toward and the other away from the true happiness that was absent from their marriage.

With a little trickery, Mike and Sulley help their social outcast friends at Monsters University have the best frat party ever.frat partyfrat boysorority girlsocial outcastswoken up by noises43 morePlot summaryAdd synopsis

Will Plunkett (Robert Carlyle) and Captain James Macleane (Jonny Lee Miller), two men from different ends of the social spectrum in eighteenth century England, enter a gentlemen's agreement: They decide to rid the aristocrats of their belongings. With Plunkett's criminal know-how and Macleane's social connections, they team up to be soon known as "The Gentlemen Highwaymen". But when one day these gentlemen hold up Lord Chief Justice Gibson's (Sir Michael Gambon's) coach, Macleane instantly falls in love with his beautiful and cunning niece, Lady Rebecca Gibson (Liv Tyler). Unfortunately, Thief Taker General Chance (Ken Stott), who also is quite fond of Rebecca, is getting closer and closer to getting both: The Gentlemen Highwaymen and Rebecca, who, needless to say, don't want to get any closer to him. But Plunkett still has a thing to sort out with Chance, and his impulsiveness gets all of them in a little trouble.

An abused wife heads to California to become a movie star while her nephew back in Alabama has to deal with a racially-motivated murder involving a corrupt sheriff.

When Mira's April Fool's Day tricks materialize, she finds herself promoted to the perfect job, dating the perfect man and living in the perfect home. Mira's newly upgraded life even involves working with her CEO and her good friend, on a coveted work project. When these seemingly positive changes result in big challenges, Mira realizes that the pursuit of perfection is a fool's errand. In order to achieve a life that's perfect for her, Mira must let go of perfection and chase what brings her true happiness.

Supernova chronicles the search and rescue patrol of a medical ship in deep space in the early 22nd century and its six-member crew which includes a captain and pilot, a co-pilot, a medical officer, a medical technician, a search and rescue.space travel22nd centuryscansocial nudityrescue120 morePlot summaryPlot synopsisTaglines

Young Trevor McKinney, troubled by his mother's alcoholism and fears of his abusive but absent father, is caught up by an intriguing assignment from his new social studies teacher, Mr. Simonet. The assignment: think of something to change the world and put it into action. Trevor conjures the notion of paying a favor not back, but forward--repaying good deeds not with payback, but with new good deeds done to three new people. Trevor's efforts to make good on his idea bring a revolution not only in the lives of himself, his mother and his physically and emotionally scarred teacher, but in those of an ever-widening circle of people completely unknown to him.

Winter 1988. Harrisburg, Pennsylvania is Russ Richard's oyster, there where he is the popular weatherman for WTPA Channel 6 News. That popularity allows him many perks in the city, especially at his local Denny's. Things start to go off the rails for him as this winter is unseasonably warm and not white, meaning that no one is buying from his snowmobile dealership, and none of his usual sources are willing to advance him any money to tide him over this rough business patch. In turning to Gig, a slightly shady acquaintance who operates a strip club and bar, Russ decides to turn to illegal activities to get the money he needs. After one failed attempt at that criminal life which has its own negative consequences, Russ instead decides on a lottery scam, his partners in crime being Gig, and Crystal Latroy, Russ' colleague at WTPA as the Pennsylvania Lucky Six Lottery girl - the lottery numbers which are drawn live on air during WTPA's supper hour news - and his sometime lover. Crystal is also sleeping with her and Russ' married boss, WTPA manager Dick Simmons, in an effort to get ahead in the world. Russ, Gig and Crystal are able to devise a plan to win the next jackpot, worth $6.4 million. As they enact the plan, which requires the assistance from a few others, the plan also potentially starts to go off the rails as those in the know and those who think that they know something about the fraud want what they believe is their fair share which, if Russ would agree, would get him further in the hole than he was before going into the venture. But as things get more and more dangerous and potentially lethal, Russ, Crystal and Gig begin to have diverging views on how to get out from the increasing mess based on their own tolerance of the risk for the potential reward.

The Bowery: for centuries it has been one of New York City's major arteries, in every sense of the word: a gritty and vital counterpoint to the theaters of Broadway and the mansions of Fifth Avenue. Traditionally a rowdy avenue of nickel museums and burlesque shows, by the beginning of the 20th century it had become America's most famous 'skid row', lined with flop houses, missions, and bars. Only a few decades ago, these flophouses served as a nightly refuge for 25, 000 men on the fringes of society: the poor, the wretched, the overwhelmed; some scoundrels, but more of them decent men whose luck had simply failed them. Today only a handful of the old flophouses remain, the rest having been swept away in an implacably rising tide of affluence. These flophouses are the last vestiges of a different time and a different city, and the Sunshine is one of them. At the Sunshine Hotel, nothing has changed in seventy or eighty years. The men still sleep in a warren of 4' x 6' cubicles called pigeon coops, which stand only 7' high beneath 12' ceilings, covered over with chicken wire. The narrow gray hallways are lined with flimsy wooden doors. Behind every door you'll find a man, and a story. Nathan Smith is the manager and a resident of the Sunshine Hotel. He has lived on the Bowery for some twenty years. Nate spends his days at the Sunshine in the "cage", as the front desk is called, or in his room, chain smoking, writing, trading stories, and dreaming of getting off the Bowery. An engaging and articulate man, he is the central character of Sunshine Hotel. We also meet several of the other residents of the Sunshine: army veterans, recluses, drinkers, transvestites, philosophers. We see the toll that life has taken on these men, but we also see how the hardship of life at the Sunshine does breed a particular wisdom, humor, and resilience. This is real life. Not every resident of the Sunshine is a paragon of virtue or a fount of homespun wisdom. But in a society which feels increasingly less responsible for its less fortunate, in which they have become dehumanized to the point of being invisible, a day at the Sunshine Hotel is a pointed reminder that every strand in the fabric of the City is a part of the whole; and that every time one of those strands is removed in the name of civic improvement, something essential is lost.

A black man is opposed to his sister's falling in love with a white man.timeframe 1960ssocial issuespolitical unrestinterracial romancefather son relationship6 morePlot summaryAdd synopsis

Follow the owners of the infamous "Maison de la petite mort" during their daily work. After the shocking events in part one, you'll never guess what the new owner Monsieur Matheo Maximè is up to. Torturing for money at it's very - worst.girltransgendercelebritysplatterlesbian6 morePlot summaryAdd synopsis

When dwindling membership and increasing overheads makes a local bowling club and prime candidate for a takeover, it's all hands on deck to save the club, in what turns into an epic battle where young meets old, greed meets good and people rise to the occasion in extraordinary circumstances.

The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star--the first totally believable synthetic actress. The "actress" becomes an overnight sensation, with a major singing career as well, and everyone thinks she's a real person. However, as Simone's fame skyrockets, he cannot bear to admit his fraud to himself or the world.

Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented Broadway name, Mike Shiner, for that role, Mike who ends up being difficult to work with and who may end up overshadowing Riggan in the play; having to deal potentially with a lawsuit based on one of his actions to ensure success; needing to be there for his daughter, Sam, who he has hired to be his production assistant and who has just come out of drug rehab; and pleasing the New York Times critic, Tabitha Dickinson, who wants to use any excuse to give the play a scathing review which in turn would close the show after the opening night performance. But Riggan's biggest problem may be his own insecurities, which are manifested by him constantly hearing what he believes to be the truth from the voice of his Birdman character, who he often battles both internally and externally.

Sex, joy and modern science converge in this eye-opening series that celebrates the complex world of women's pleasure - and puts old-fashioned myths to rest.

Inspired by Julia Child's extraordinary life and her show The French Chef, which essentially invented food television.

A self-absorbed celebrity gamer, who speaks to millions of fans every day, has to figure out how to talk to the people in his life before he loses them.celebrityPlot summaryAdd synopsis

For the most part it's a tale of an adolescent, Trevor, who gets picked on a lot at school. Not as much as he used to, because the year before he called in a phony bomb threat, complete with a working bomb (minus anything that would actually explode). Because of this, parents and teachers are afraid of him, and his fellow students generally avoid him, except for a group of outcasts called the "Trogs". As violence by the Jocks against the Trogs escalates, Trevor is the suspect for anything gone wrong, even though he didn't necessarily do anything. One teacher is willing to give Trevor the benefit of the doubt, and casts him in a highly controversial play about (what else?) school shootings. It all comes to a head as some other students create a plan to bring guns to school and kill everyone in the cafeteria.

Tomas is too much for his lone mother so she sends him to live with his older brother Federico, aka Sombra, in Mexico City.lost musicianstudent strikequestsocial unrestbrother brother relationship2 morePlot summaryAdd synopsis

Rosalee Futch is a grocery clerk living in rural West Virginia. But even a small-town girl can have big dreams, and Rosalee's is to someday--somehow--meet her big-screen idol Tad Hamilton. The somehow arrives in the form of a contest--the grand prize: a date with Tad Hamilton--and the someday is now. Rosalee wins, much to the chagrin of her best friend and co-worker Pete, who is deeply, hopelessly--and secretly--in love with Rosalee. The Win a Date contest was cooked up by Tad's agent, Richard Levy, and his manager, also named Richard Levy, to clean up Tad's bad-boy image. Someone should have told them to be careful what you wish for. When Tad meets Rosalee and gets a taste of what he's been missing in the real world, he decides he wants seconds and moves to West Virginia, turning Rosalee's dream come true into a nightmare for Richard Levy, Richard Levy and, most of all, Pete.

"La La Wood" follows the legacy of Jiminy Glick, first introduced on "The Martin Short Show," who went on to get (non)-critical acclaim for his talk show "Primetime Glick," where Mr. Glick interviewed countless celebrities (which usually ended in verbally--sometimes physically--insulting/assaulting them). Now comes "La La Wood"--Jiminy Glick's home. This is his story (sort of).

Ruben Guthrie is the story of one man not only battling the bottle, but the city that won't let him put it down.

Years after having her newborn child stolen from her, Sam searches a world infested with infected users from the Social Redroom website. After befriending a young girl named Bean, Sam is captured and locked in a facility dedicated...

Over a thirty-six hour period in Los Angeles, a handful of disparate people's lives intertwine as they deal with the tense race relations that belie life in the city. Among the players are: the Caucasian district attorney, who uses race as a political card; his Caucasian wife, who, having recently been carjacked by two black men, believes that her stereotypical views of non-whites is justified and cannot be considered racism; the two black carjackers who use their race both to their advantage and as an excuse; partnered Caucasian police constables, one who is a racist and uses his authority to harass non-whites, and the other who hates his partner because of those racist views, but who may have the same underlying values in his subconscious; a black film director and his black wife, who believes her husband doesn't support their black background enough, especially in light of an incident with the racist white cop; partnered police detectives and sometimes lovers, one Hispanic female and the other black male, the latter who is dealing with a drugged out mother that feels he isn't concerned enough about taking care of family; an East Asian man who is run over but who is hiding some valuable cargo in the back of his van; a Persian store owner, who feels he isn't getting satisfaction from American society when his store is robbed time and time again; and a Hispanic locksmith, who just wants to keep his family, especially his young daughter, safe in a seemingly unsafe world.

When his parents are killed, billionaire playboy Bruce Wayne relocates to Asia, where he is mentored by Henri Ducard and Ra's Al Ghul in how to fight evil. When learning about the plan to wipe out evil in Gotham City by Ducard, Bruce prevents this plan from getting any further and heads back to his home. Back in his original surroundings, Bruce adopts the image of a bat to strike fear into the criminals and the corrupt as the icon known as "Batman". But it doesn't stay quiet for long.

A feisty foster kid's outrageous scheme to be reunited with her birth mother has unintended consequences in The Great Gilly Hopkins, an entertaining film for the entire family. Gilly Hopkins (Sophie Nélisse) has seen more than her share of foster homes and has outwitted every family she has lived with. In an effort to escape her new foster mother Maime Trotter's (Kathy Bates) endless loving care, Gilly concocts a plan that she believes will bring her mother running to her rescue. But when the ploy blows up in Gilly's face it threatens to ruin the only chance she's ever had to be part of a real family. Based on the award-winning young-adult novel by Katherine Paterson (Bridge to Terabithia), The Great Gilly Hopkins stars Sophie Nélisse, Kathy Bates, Julia Stiles, Bill Cobbs, Billy Magnussen, with Octavia Spencer and Glenn Close.

HENRY GAMBLE'S BIRTHDAY PARTY takes place over the course of 24 hours, at the 17th birthday pool party of preacher's kid Henry Gamble. As Henry treads through various sexual possibilities, seeking to come into his own, so too do the adults and teenagers of the party, all struggling to navigate the public and private, and their longing, despite themselves and their faith, for earthly love.

Popular college student Laura (Alycia Debnam-Carey) has tons of friends, both on Facebook and IRL. She graciously accepts social outcast Marina's (Liesl Ahlers) online friend request, until Marina crosses the line and Laura unfriends her. To everyone's shock, Marina takes her own life in a ritual meant to torment Laura, which appears in a video posted on Laura's profile. Even though it wasn't Laura who posted the video, or other creepy content that begins appearing on her page, her Facebook friend count begins to dwindle as a result. When her real-life friends start dying mysterious, cruel deaths, Laura must figure out how to break the deadly curse before it's too late.

In 1938, two aspiring comic strip talents, Jerry Siegal and Joe Shuster, published a character that would create a new genre of fantasy, Superman, the first superhero. This film explores the creation of the character and his subsequent evolution over the decades through various media. With various interviews of noted creative luminaries, the film shows how the character has adapted to the times and bounced back from times when he felt irrelevant to always regain his prominence as one of the great heroes of popular culture.

A senior cheerleader is at the peak of her high school career being the captain of the cheer squad and dating the star quarterback of the football team when unexpectedly her family is forced to endure the struggles of being relocated to a somewhat ghetto area. Not being able to fit in, Brittany will have to make a choice, whether to hold on to her old life or give in to her new one?

Trying to move on with their lives, and keep their family together after the untimely demise of their parents, the four Hamilton siblings are left all alone to fend for themselves. At first glance, the Hamiltons seem like an ordinary family, and they will do everything in their power to adjust to their new neighbourhood; however, troubled Francis' video camera reveals that there is more to the grieving newcomers than meets the eye. After all, is it normal to keep people captive in your basement?