In the aftermath of the 2010 BP oil spill, an idealistic but flawed politician is forced to confront his dysfunctional life after his career is destroyed in a sex scandal.

Mob patriarch Louis Angelini--or, officially, his corpse--disappears from jail just before his gang is to handle a major arms deal in Panama, which may require his personal involvement. The CSA works out he escaped by faking his death and switching places, disguised, with ex-con Rocco Galletta. Angelini lawyer Armand Nordstrom was murdered and dumped in the woods. Suspects include Louis's gold-digger wife, the latest of many young floozies, his son and possibly discarded heir Joey Angelini, and ambitious lawyer-dealer Vincent Colabella. Meanwhile, Jack Davis discovers his wife kept secret for him many years, and the kids stress over a school talent contest.

In the middle of Nowheresville lives 16-year-old Mike who wants out of his crappy life - permanently! Spending his time devising ways to do himself in, he considers the fatal brain tumor in his head as a godsend. That changes when he meets a girl and falls in love for the first time - without even knowing what love is.

The Boy is a 2015 American horror film directed by Craig Macneill, written by Macneill and Clay McLeod Chapman, and starring Jared Breeze, David Morse, and Rainn Wilson. It is based on a short film by Macneill and Chapman, Henley, which was in turn loosely inspired by a novel written by Chapman, Miss Corpus. Breeze plays the titular boy, a budding serial killer.

James has served time for drowning a little boy when he was a child, although the body was never found in the river. A visit from his victim's mother upon parole sends him on a quest to find the truth. With little time and danger at every turn, James risks his freedom and his life to uncover the trail of sins that might give closure to the grieving mother.

After years of looking for Mr. Right, Charlotte 'Charlie' Cantilini finally finds the man of her dreams, Kevin Fields, only to discover that his mother, Viola, is the woman of her nightmares. A recently fired news anchor who is afraid she will lose her son the way she has just lost her career, Viola determines to scare off her son's new fiancé by becoming the world's worst mother-in-law. While Viola's long-time assistant Ruby does her best to help Viola execute her crazy schemes, Charlie decides to fight back and the gloves come off as the two women battle it out to see just who is the alpha-female.

Howard Spence (Sam Shepard) has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs, and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there. The very idea seems like a ray of hope that his life wasn't all in vain. So he sets out to find that young man or woman. He discovers an entire life that he has missed.

Charlie is a troublesome 18-year-old who breaks out of a youth drug treatment clinic, but when he returns home to Los Angeles, he's given an intervention by his parents and forced to go to an adult rehab. There, he meets a beautiful but troubled girl, Eva, and is forced to battle with drugs, elusive love and divided parents.

Before he became king of the jungle in Tarzan (1999), Tarzan was a clumsy kid trying to be part of his adoptive mother Kala's community of apes. While trying to prove himself, an accident puts his family in harm's way, and convinced that he will never fit in, Tarzan decides that everyone would be better off without him and runs away. But, as young Tarzan embarks on a dangerous quest of self-discovery, he finds himself stranded in a rocky place known as the Dark Mountain. There, an unexpected ally is willing to help the wide-eyed boy and show him the way around the green forest. Will Tarzan find his true calling in life?

'Me and You and Everyone We Know' is a poetic and penetrating observation of how people struggle to connect with one another in an isolating contemporary world. Christine Jesperson is a lonely artist and "Eldercab" driver who uses her fantastical artistic visions to draw her aspirations and objects of desire closer to her. Richard Swersey, a newly-single shoe salesman and father of two boys, is prepared for amazing things to happen, but when he meets the captivating Christine, he panics. Life is not so oblique for Richard's six-year-old Robby, who is having a risqué Internet romance with a stranger, or Robby's 14-year-old brother Peter, who becomes the guinea pig for neighborhood girls practicing for their future of romance and marriage.

Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.

Successful Carolinian George Johnsten meets Chicago art gallery owner Madeleine at an electoral benefit art auction- love at first sight. Madeleine decides to meet a Southern original artist, so George seizes the opportunity to come along and present her to his North Carolina parents Eugene and Peg, drop-out brother Johny and his high-pregnant wife Ashley. Confronting the outsider soon opens a can of worms as emotions revive or emerge, like admiration and jealousy.

The resolutely single Don Johnston has just been dumped by his latest lover, Sherry. Don resigns himself to being alone yet again and left to his own devices. Instead, he is compelled to reflect on his past when he receives by mail a mysterious pink letter. It is from an anonymous former lover and informs him that he has a 19-year-old son who may now be looking for his father. Don is urged to investigate this "mystery" by his closest friend and neighbor, Winston, an amateur sleuth and family man. Hesitant to travel at all, Don nonetheless embarks on a cross-country trek in search of clues from four former flames. Unannounced visits to each of these unique women hold new surprises for Don as he haphazardly confronts both his past and, consequently, his present.

Through exclusive access to O.J. extensive deposition testimony, and exclusive interviews with the key insiders, O.J. SPEAKS tells the story of what it took to finally bring O.J. down. When O.J. Simpson was found not guilty of murder in a Los Angeles criminal court in October 1995 - at the end of the notorious "Trial of the Century" - families of the victims thought all hope of getting justice was lost. For Fred Goldman, father of murder victim Ron Goldman, the verdict was especially tough. But from their grief, Fred and his daughter Kim, found another avenue to pursue Simpson. They would join the family of Nicole Brown Simpson in filing a civil lawsuit for the wrongful deaths of Ron and Nicole. Even though a verdict in the Goldman's favor would not put Simpson behind bars, it would be what the family wanted more than anything else - for a court of law to hold the former NFL star responsible for the slayings. Fred and Kim knew they were in over their heads in the legal morass of a civil suit, so they began their search for the right attorney to help them pursue justice. By luck, they stumbled across Dan Petrocelli, a terrific civil lawyer, but one who had never tried anything close to a wrongful death case. The Goldmans believed in Petrocelli's passion and decided he was the right person to go after Simpson. Petrocelli told Fred and Kim that there was one major difference between a criminal case and a civil case. In a criminal case, Simpson did not have to testify. In a civil lawsuit the rules were different. Simpson would, for the first time, have to answer questions under oath about his possible involvement in the double homicide. Under the harsh and unrelenting questioning of Daniel Petrocelli, Simpson's own words revealed an O.J. Simpson who had woven a web of lies and who clearly believed that he was above the law. Told through Simpson's own words in his deposition tapes, this is the story of how the Goldman family and their unlikely choice for an attorney took on one of the nation's biggest celebrities, forced him to talk about his possible involvement in the killings, and dragged him into a different kind of trial - one which Fred Goldman described as being about the law and not about theatrics. It was a trial in which celebrity had no currency - a trial in which O.J.'s own words ultimately proved his responsibility for the double murder finally bringing justice to Fred Goldman and the Brown family.

An upcoming exhibition celebrating photographer Isabelle Reed three years after her untimely death, brings her eldest son Jonah back to the family house - forcing him to spend more time with his father Gene and withdrawn younger brother Conrad than he has in years. With the three of them under the same roof, Gene tries desperately to connect with his two sons, but they struggle to reconcile their feelings about the woman they remember so differently.

An elderly curmudgeon lets out a room in his large apartment rent-free to a young student - on condition that she does everything in her power to ruin his son's marriage.

Michael and Rachel are devastated when their six-year-old son dies in a tragic accident. When a stranger offers to bring the boy back to life, they take the offer. However, the child who returns is not the child they once knew.

In colorful, bustling, modern-day Manhattan, Rafi Gardet, a beautiful 37-year-old photography producer reeling from a recent divorce, meets David Bloomberg, a handsome 23-year-old painter recently out of college. Rafi's therapist, Dr. Lisa Metzger, who is working to help Rafi overcome her fears of intimacy, finds out that Rafi's new lover is--unfortunately for Lisa--her only son, David. Both David and Rafi must contend with their 14-year age gap, vastly-different backgrounds, and the demands of David's traditional mother. Despite their intense attraction, the charmed couple soon realizes that vastly-different ages and backgrounds create much conflict. A Jewish hip-hop lover and closet painter who still lives with his grandparents, David has little in common with Rafi--a non-practicing Catholic from a wealthy, broken family who travels in the sophisticated world of high-end fashion.

Brandon Lang loves football: an injury keeps him from the pros, but his quarterback's anticipation makes him a brilliant predictor of games' outcomes. Needing money, he leaves Vegas for Manhattan to work for Walter Abrams advising gamblers. Walter has a doting wife, a young daughter, and a thriving business, but he has problems: a bum heart, a belief he's a master manipulator, and addictions barely kept in check. He remakes Brandon, and a father-son relationship grows. Then, things go awry. Walter may be running a con. The odds against Brandon mount.

Nick Smith, a talented architect employed by an unappreciative scrooge but contemplating a firm of his own with colleague Joe Yablonski, suffers pointless attempts by his mother to match him up. Yet after he tosses a coin with his kid cousin in a legendary magical love fountain, at the same time as Natalie Russo, the two touch and program them to dream of each-other as lovers seven times, longing to meet for real but doubting if the dream partner even exists. She runs her mother's ailing Italian restaurant, which recovers thanks to flirtatious Italian chef Mario, who has an unrequited crush on Nat. The last night, each finds the other's trail, but has a pressing professional priority while they seem only to cross while the magical time window runs out.

Missie's surprise pregnancy sets her on a new course that is both thrilling and terrifying. After all the planning and dreaming, she and her husband, Willie, have headed west in a covered wagon, leaving behind the prairie home of Missie's parents. Now, caught between the excitement of the new adventure and the pain of not knowing when she'll see her family again, Missie copes with the challenges, and cherishes the rewards, of her new homestead.

The story of John, a small-time crook, who finds an unlikely accomplice in Louis, a newly-orphaned teenage boy. As their open-road adventure progresses and John drags the kid on a string of robberies, the pair forge an unexpected and powerful bond.

Hannah, who wears a hearing aid, is forced to go on holiday. On holiday she manages to find a job: caring for Josef, a burn victim on an oil rig who temporarily lost his sight, until he's stable enough to be transferred. There is almost no one on the rig, except a cook, an oceanographer and a few others out at sea. Hannah tends to Josef and he slowly breaks her shell of silence.

Southern Californian Bree Osbourne, formerly Stanley Chupak, has finally received the news for which she has been waiting: she has been approved for male-to-female sexual reassignment surgery. But before Margaret, her therapist, will allow her to go through with the surgery scheduled in a week's time, Bree has to deal with an unresolved problem from her past. Bree gets a telephone call from a seventeen year old man named Toby Wilkins, who is looking for Stanley, his biological father. Toby is in a New York jail, having been supporting himself by petty crime and hustling. Stanley/Bree knew nothing about Toby before the telephone call. Toby apparently is all alone in the world, with his mother having committed suicide and being estranged from his stepfather in Tennessee. Masquerading as a Christian social worker, Bree, not telling him either of her true identity or her transgender status, bails Toby out of jail and tells him she will take him to Los Angeles, where Toby has aspirations of becoming a porn actor and reconnecting with his biological father. As Bree and Toby take their trans-American journey which includes some interesting encounters along the way, Bree has to decide what is best for Toby while having the foremost goal of making it back to Los Angeles for the scheduled surgery.

THE OPTIMIST is the story of Max, a Russian clarinetist living in Los Angeles, whose life changes when Bo, looking for a hideout after a botched car heist, passes himself off as Max's long-lost son. Complications ensue when Bo falls in love with his newfound "sister" Lolita.

Right under everyone's noses, Kelly--the sixteen-year-old daughter of the devoted father and aspiring country singer, Alain--vanishes into thin air, during a mid-1990s cowboy fair. Convinced that his girl is kidnapped and that her incomprehensible disappearance is somehow connected to her newly discovered Muslim boyfriend, a furious and desperate Alain sets out on a long journey into the unknown to find missing Kelly, following a menacing trail of breadcrumbs from Antwerp to Yemen and Pakistan. Against the backdrop of the devastating September 11 attacks, Alain and his son, Georges, find themselves always one step behind, as fierce hatred turns into destructive obsession. A father and a brother want their Kelly back; however, is the young woman they seek, the woman they lost?

At 35, Tripp has an interesting job, a hip car, a passion for sailing, and a great house - trouble is, he lives with his parents. They want him out, so they hire Paula, an "interventionist," who has a formula in these cases: chance encounter, get him to ask her out, involve him in a trauma, meet his friends and get their nod, delay sex, have him teach her something, then launch him. It's worked up to now, but this gets complicated when Tripp thinks she's getting too serious and one of his pals is attracted to Paula's deadpan, semi-alcoholic roommate, who's plagued by a mockingbird. Too many secrets may scrub the launch, and what if Paula really likes him? Who can intervene then?

A young, recently-released and unpredictable ex-con with bad luck, and a sexy, listless girl-next-door with a troubled family, become trapped in a downward spiral of crime and obsessive love, as they try to ditch their dead-end town for a better life.

Melvin, a reluctant Superhero, lives only for crime, women and drugs - until he realises that the only way he will ever get to see his estranged son is to go straight and fulfil his potential as a crime fighter.

When business executive Amelia returns home to help a family-run ornament company, the employees see her as their savior who is coming in to rescue the company. They are heart-broken and shocked to learn that her plan to get the company on track involves massive layoffs. As Amelia prepares for the holiday 'trimmings', she finds herself rekindling an old romance with her high school boyfriend Jesse, who is also the company's owner. She also soon begins to see the charm of the local business - but will she be able to save it in time?

After his own daughter was killed in Panama in 1994, former C.I.A. Agent Calvin Dexter became a private "specialist" in cases which wouldn't reach justice trough the regular legal channels. Two years later, he accepts to find Richard "Rickie" Edmonds for his pa, influential rich businessman Stephen Edmonds. Rickie left for a private Canadian war victims charity in Bosnia and went missing. Dexter discovers Rickie was beaten to a pulp and drowned for no other crime then helping street boys from the other side by Zoran Zilic and his Serbian paramilitary "order". He offers Stephen to "finish the job", as such war criminals don't go to trial. But Deputy C.I.A. Director Paul Devereaux cares only for a nuclear arms project, for which he wants to use Zilic. So C.I.A. troubleshooter Frank McBride is ordered to protect him and handle Dexter.

When the body of a fourteen-year-old teenager is found in the margin of a lake in Paradise, Massachusetts, the Chief of Police Jesse Stone and his officer Simpson seek clues in the spot. Through a class ring of a student that they find near the corpse, they identity the dead girl, the local slut Billy Bishop. Meanwhile, his department deals with a domestic violent situation with an aggressive and abusive husband who beats his wife. Along his investigation, Stone discloses that the famous writer Norman Shaw was too much close to the victim and intended to write the biography of the famous gangster Leo in his next book. Joining the pieces of evidences like a puzzle, Stone unravels the identity of the criminal.