Charlyne Yi embarks on a quest across America to make a documentary about the one subject she doesn't fully understand: Love.

An in-depth look at the Canadian rock band Rush, chronicling the band's musical evolution from their progressive rock sound of the '70s to their current heavy rock style.

Wallace, who is burned out from a string of failed relationships, forms an instant bond with Chantry, who lives with her longtime boyfriend. Together, they puzzle out what it means if your best friend is also the love of your life.

This film tells the story of Rubin "Hurricane" Carter, an African-American man who rose above his troubled youth to become a top contender for the middle-weight boxing title. However, his dreams are shattered when he is accused of a triple murder, and is convicted to three natural-life terms. Despite becoming a cause celebre and his dogged efforts to prove his innocence through his autobiography, the years of fruitless efforts have left him discouraged. This changes when an African-American boy and his Canadian mentors read his book and are convinced of his innocence enough to work for his exoneration. However, what Hurricane and his friends learn is that this fight puts them against a racist establishment that profited from this travesty and have no intention of seeing it reversed.

David Gold, a former child actor with a modicum of fame from that time, is now a thirty-something burnt out shell of a human being. An overgrown adolescent with a warped sense of reality and of his life (including not being sexually active, he probably a repressed homosexual, being gay which most people just assume about him upon meeting), he's broke, can't keep any job due largely to his excessive drinking, has long severed ties with his parents and has just done so with his older sister Ginny in her pleas for him to get professional help for his psychological issues, and is on the brink of being homeless unless he immediately comes up with back rent. On top of everything, he is in denial about a potentially life threatening medical diagnosis. To get rent money and as he feels his purpose in life is to help teenagers being one emotionally himself, he, "borrowing" the identity of a real life counselor he finds online, applies for an immediately need to be filled high school counselor job as bespectacled, corduroy suit-wearing "Roland Brown", and gets hired on a temporary basis spewing Brown's mantras he was able to memorize. As Brown mantra spewing in combination with David's inherent self results in both the faculty and students thinking he a bit weird, David instead turns to being his booze guzzling adolescent self in connecting with the students. In the process of making the first real human connections in a long time, David may come to some realizations about his life. His made up life as a guidance counselor takes a darker turn when he discovers some information about the home life of one of the students, Jabrielle Crain, whose problems cannot be fixed with a relaxing shot of vodka followed by being herself.

"La La Wood" follows the legacy of Jiminy Glick, first introduced on "The Martin Short Show," who went on to get (non)-critical acclaim for his talk show "Primetime Glick," where Mr. Glick interviewed countless celebrities (which usually ended in verbally--sometimes physically--insulting/assaulting them). Now comes "La La Wood"--Jiminy Glick's home. This is his story (sort of).

The once clean and healthy city of Toronto becomes the pariah of the western world when a deadly chain of infection lands in the city. Panic spreads as the number of SARS cases increases as there are no effective treatments. In HD.

Let Her Out follows Helen, a bike courier who suffers a traumatic accident. As she recovers, she begins to experience strange episodic-black outs, hallucinations, and night terrors-that lead her to discover that she has a tumor, a benign growth that is the remnants of a "vanishing twin" absorbed in utero. Over time, the tumor manifests itself as the dark and demented version of a stranger. As Helen's emotional and psychological state begins to deteriorate further and further, she begins to act out in psychotic episodes that are influenced by her evil twin - making her a danger to herself and her best friend, Molly.

When his family hits financial trouble, Alex Danyliuk turns to a life of crime and identity theft, with the help of Sye, a street-wise hustler who introduces him to the world of black market trading, Kira, a young female hacker, and contacts on the dark web. After finding success in causing financial market chaos, they gain the attention of Z, a mysterious masked figure, who's the head of an organization known as Anonymous, and a number one target by the FBI,

A poignant examination of the obstacles and heartbreaks facing recent refugees, Sanja Zivkovic's debut feature Easy Land follows Nina (Nina Kiri) and her mother Jasna (Mirjana Jokovic) as they struggle to build a life for themselves in a new country. Jasna has been traumatized by what she witnessed in Serbia, and the after-effects are exacerbated by the menial jobs she must take to pay the rent despite being a trained architect. Meanwhile, Nina must deal with the regular tensions of high-school life, which are complicated by poverty and her mother's volatile psychological state. Worse, one of Nina's teachers insists she intern at a local theatre company to make up for past transgressions. Plagued by the past, the two women are unable to find common ground and both veer towards the breaking point.

A young and ambitious team of chefs face the life-changing challenges of competing in the world's most prestigious culinary competition.

Anne at 13,000 ft centers on a precarious period in the life of its eponymous, Anne (Deragh Campbell), with her best friend Sarah (Dorothea Paas), 27-year-old Anne works at a Toronto daycare, where she needlessly bickers with colleagues and is often more interested in fantasizing with the children than in supervising them. For Sarah's baccalaureate party, they go skydiving, and Anne seems completely in her element, floating above it all, a true departure from her strained, awkward professional and social interactions (such as the one with new boyfriend Matt, played by filmmaker Matt Johnson). Radwanski's signature hand-held style matches the way Anne fumbles through life. Tight close-ups offer further evidence of Campbell's remarkable, spiky performance, with her character's tremulous shifts in mood and sentiment efficiently portrayed by subtle swings in tone and body language.

Follows 29-year-old immigrant sex worker Debra, and her self-aware 10-year-old daughter Mona, as they embark on a journey of emancipation. Debra attempts to escape cycles of abuse and poverty while learning to become a more nurturing mother and discovering her own self-worth.

A downtrodden man experiences an ethical crisis and travels back to his hometown in rural Italy to recalibrate his moral compass. There he finds new purpose in reviving his grandfather's old vineyard, offering the small town of Acerenza a sustainable future, and reconnecting with his estranged family in the process.

On the 29th of every month, when the welfare runs out, Catherine talks her alcoholic mother off of the same bridge. Literally. Catherine, a connoisseur of bad decisions, dreams of being successful. At anything. Tammy, her mother, has been so poor for so long all she can do is party about it. When Tammy is diagnosed with terminal cancer Catherine is forced to move in and care for her. Enter Ilana, a glamorous purveyor of talk-show tragedy porn who wants to help Catherine publish her life story. Caught between sacrifice and selling out, Catherine must decide if life without Tammy is really a better life.

After the untimely death of his mother, a teenager befriends his charismatic but troubled next-door neighbor and becomes embroiled in a world of addiction and violence just as the opioid epidemic takes hold of their small town.

Lily (Haley Walker), an insomniac filmmaker who is facing a crippling creative block, begins to hear a sinister scream outside her window every night. Convinced that she must find a way to help the person that is screaming, Lily heads into the darkness of her neighborhood and meets Hannah (Creedance Wright), a veteran scream hunter, obsessed with putting a stop to the nightly occurrence. The women join forces to solve the bloodcurdling mystery and quickly discover that its true source may be an otherworldly threat that is driving its victims into madness - and Lily and Hannah are next.