A young woman takes a trip to romantic Verona, Italy, after a breakup, only to find that the villa she reserved was double-booked, and she'll have to share her vacation with a cynical British man.

In German-occupied Poland during World War II, industrialist Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis.

At a Lake Como resort, Miss Bentley, an attractive older guest, meets a handsome, well-to-do bachelor. But when he's more interested in a beautiful young flirt, the mischievous Miss Bentley goes to outrageous lengths to reel in he...

Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience? Luisa prepares for her concert.

Mexican revolutionary Pancho Villa (Antonio Banderas) finds himself without adequate funding to finance his war against the military-run government. He also finds himself at odds with the Americans because of the Hearst media empire's press campaign against him. To counter both of these, he sends emissaries to movie producers to convince them to pay to film his progress and the actual battles. Producer D.W. Griffith (Colm Feore) becomes interested and sends Frank Thayer (Eion Bailey) with a film crew to develop film reels. Thayer becomes horrified and fascinated by the bandit. He finds an enigmatic individual that is both ghoulishly brutal and charmingly captivating. The resulting film became the first feature length movie, introducing scores of Americans to the true horrors of war that they had never personally seen. Thayer sold the studios on making the film despite their concerns that no one would sit through a movie longer than 1 hour by convincing them that they could raise the price of movies to ten cents, doubling the going price at that time.

Frances Mayes is a San Francisco-based literature professor, literary reviewer and author, who is struggling in writing her latest book. Her outwardly perfect and stable life takes an unexpected turn when her husband files for divorce. He wants to marry the woman with whom he is having an affair. Frances supported her husband financially as he was writing his own book, and he sues her for alimony despite her financial difficulties. And he wants to keep the house. Frances eventually accepts her best friend Patti's offer of a vacation, a gay tour of Tuscany which Patti and her lesbian partner Grace originally purchased for themselves before Patti found out that she is pregnant. The gift is a means to escape dealing with the divorce, from which Patti feels Frances may never recover emotionally without some intervention. Feeling that Patti's assessment may be correct in that she has too much emotional baggage ever to return to San Francisco, Frances, while in Tuscany, impulsively ditches the tour to purchase an aged villa, which ends up being a fixer-upper. Frances has many obstacles in eking out a productive and happy life in her new surroundings, that happy life which she hopes will eventually include rediscovering romantic love. In a discussion with sympathetic real estate agent Signor Martini, Frances outlines what emotionally she wants to accomplish with the villa, despite none of those items in a substantive material sense currently being in her life. In response, Martini tells her the story of a set of railroad tracks that were laid between Vienna and Venice before an engine that could make the trek being built, a train which now regularly travels the route. The question becomes whether Frances, in going through the process, will be laying another Vienna to Venice track, and if so whether that end product emotionally will be exactly as she envisions.

Sixty-year-old Angèle Barberini, an actress, returns to her father's villa, situated in a beautiful creek near Marseille. She left the place twenty years before following a terrible trauma she experienced there, swearing never to come back. But now Maurice, her genitor, who has just been the victim of a stroke is persistent vegetative, with no hope of recovery and her presence is needed. Her two brothers, Joseph, an embittered retired worker, and Armand, the manager of the local restaurant, welcome her. They must look to the future and decide what measures to take concerning the villa and the restaurant. But the past, on the other hand, has its say.