A sinister bet between two foes sends Dicky St. Jon into action to save failing Magnolia Greyhound Park. While his crew revives the track for a winner-take-all race, used car lot owner Mak Hoffstadt looks for a way to guarantee a victory, no matter the cost.

Approximately 24 hours, from morning to morning, in the life of New York City-based jazz singer Vivienne Carala (Sarah Jessica Parker) is presented. On this day, she has a rehearsal in preparation for a weekend gig starting tomorrow celebrating her 25th anniversary of performing at Birdland - the rehearsal where she knows she will see Jordan (Taylor Kinney), her drummer with whom she has a casual sexual relationship - followed by an interview largely to promote her latest album. Beyond these two items, she will try to fill her day without going home knowing that her overbearing French mother, Jeanne (Jacqueline Bisset), has made another of her unexpected visits. This day is upended in its front side by a medical appointment she has told no one about, let alone her exasperated manager Ben (Common) in she being late for the rehearsal because of it, at which she receives the news of a terminal brain tumor diagnosis - the head pain symptoms which she had long ignored in being too busy to deal with it - with the best case scenario being a 14-month survival, only with treatment. Beyond the commitments of the rehearsal and the interview which are affected by the news, Vivienne, who wants to keep the news to herself for the time being in wanting to live her life, knows she has two logistical issues--needing to tell her ex-husband Nick (Simon Baker), who has custody of their teen daughter Lucie (Gus Birney), they who will have to figure out how to break the news to Lucie; and needing to have one person accompany her to the hospital the following morning, whether that person be Nick or she needing to confide to one other person. Aside from how she will process this news in relation to the people close to her including Nick, Lucie, Jeanne, Ben and Jordan, her own process of dealing with the news internally is affected by, among other things, encounters with two unexpected people, Tessa (Renée Zellweger), an old friend she hasn't seen in a while and who is out celebrating her birthday, and a Lyft driver (Waleed Zuaiter) who also seems to be having a bad day.

When Apolo invites friends Jorge, Alexandra, and Magu to his house he breaks an age-old agreement between his family and the descendants of the black-slaves who worked the property. A curse is lifted and the spirit of a mad-man is released. Sebastio and Luciano, the two brothers responsible for upholding the ritual that keeps his evil contained are killed and it falls to Alexandra, a schizophrenic, to continue the legacy.

Gensan (David Dastmalchian) and Ruby (Karen Gillan) live on the fringes of society in Los Angeles, struggling to survive in the face of abject poverty. On a fateful night, they strike out to seize something that has always been denied them, which sets in motion a series of events with dire consequences. Their impulsively committed crime puts them on run from the police. They seek refuge in their hometown of Kansas City, a place filled with the dark secrets that have haunted them since they fled years ago.

In the deep, rude and fearful wilderness, Ann, a solitary woman, is foraging for food relying on her limited survival skills. At the same time, in the wake of an apocalyptic global catastrophe, an appalling and virulent epidemic has already decimated most of the population, severely infecting its remaining carriers with symptoms including delirium and unpredictable behaviour coupled with aggressive outbursts. Inevitably, now that Ann's husband and baby daughter have ultimately succumbed to the invisible and inescapable plague, her days are filled with memories of a not-so-distant life defined by order and security, forcing occasionally the wary woman to hazard raids to nearby farmhouses for supplies. During one of those desperate runs, Ann will discover teenage Olivia and her wounded stepfather Chris who intend to head north, nevertheless, the quiet but ominous stillness is always blemished by the certitude that danger is everywhere, in the shape of ravenous, half-human flesh-eating predators. Under those circumstances, who shall live and who shall die?

California, Mojave Desert, 1998. A strange glow appears in the sky. Sam, a forty-something door-to-door salesman, travels through the few inhabited zones of the Californian desert in search of clients, yet everything seems deserted. What's more, his wife won't answer his calls. It's as if everyone were avoiding him. When his car breaks down, Sam becomes a prisoner of the empty, hostile environment. Alone and without human contact for days on end, he listens continuously to a talk-show on the only local radio station. The host, a man named Eddy, takes calls from listeners who share their thoughts on a child killer at large in the area. At the same time, Sam starts getting psychologically harassed by strange threats he receives on his pager. Gradually, people begin to reappear and attempt to kill him. Sam has become a target and he must now defend himself. Little by little he loses it, caught up in a paranoid identity crisis. Is he truly the killer they're after, or is he being driven to become so?

Layla is ten years old, and about to meet her new family. She just doesn't know it yet. An act of kindness met with deception leads to Layla's abduction and descent into a life of sex slavery hidden in an ordinary neighborhood. It could even be yours. I AM STILL HERE takes us inside Layla's new world, showing what really happens to these children after the first 48 hours, and why it's so difficult to combat the fastest-growing illegal enterprise in the world: the child sex slave industry. Starring Johnny Rey Diaz (Hawaii Five-O), Erika Ringor (Love and Basketball), and Ciara Jiana (Sharknado), this movie is based on exhaustive research into real cases, and is dedicated to all the missing children who are still out there. From first-time writer/director Mischa Marcus and Emmy-nominated and award-winning producer Stephanie Bell.

Three acts of terror disrupt the lives of ordinary people. In Binghamton, an ESL teacher dealing with domestic abuse finds even greater violence at her school. In Orlando, two lovers drifting apart may be separated by the hate of another. In Paris, friends on an introspective night out are caught up in a brutal madness.

A 1930's dinner party descends into carnage, gore and demonic possession in Here Comes Hell, a genre-clashing horror comedy.

An aspiring Indian tech entrepreneur in the Silicon Valley finds himself unexpectedly battling the bizarre American immigration system to keep his dream alive or prepare to return home forever.

The film follows a young married couple, Grant and Sofia, living in Los Angeles and looking to start a family. When Sofia, an out-of-work engineer, lands a dream job in her home country of Romania, she convinces Grant to put their plans on hold temporarily. One year on however and Grant, a successful young novelist, struggles to finish his latest book and feels homesick in Bucharest. Sofia on the other hand has flowered into a confident young woman working long hours and struggling to balance her home life and career. When a family crisis forces the couple apart, the physical and emotional distance forces the couple to take a hard honest look at their choices and to confront a decision that could alter their future forever.

A matriarch of a dysfunctional family is pushed to her tipping point by the disappearance of her son.

A precocious 7-year-old who, over the course of Earth Day, learns about the wonders of the planet from his parents and from a mysterious exhibit at the aptly titled Museum of Everything.Plot summaryAdd synopsis

Terminally ill Anna returns to Oregon to reconnect with her estranged brother while simultaneously making the heart-wrenching choice to end her life putting to use the Death with Dignity Act.

Following the launch of her new novel, 35-year-old writer Kate is invited to speak at her alma matter by her former professor. After accepting the invitation, Kate finds herself deeply enmeshed in the lives of a group of college students.

Lines blur between real and imaginary, crime and art, the watcher and the watched in this eerie, genre-subverting exploration of identity. Installation artist Miranda Fall (Mireille Enos) follows and photographs strangers for her art until disturbing events lead her to suspect that someone out there is watching HER...

Steve is haunted by his past as every object in his home, every sound he hears reminds him of a specific event in his life. Steve connects the events of his life to discover how he ended up alone and broken. As he relives each significant memory, he understands the generational issues that have held him captive like his father before him. Can he move past the pain and forgive his trespassers, and more importantly, forgive himself?

When a new family moves in next door to Laura and her family, their young daughter, Megan, quickly captivates her, stirring up painful memories of her own daughter, Josie, who died several years previously. Before long, Laura's memories turn to obsession as Megan's unsettling behavior begins to convince her of something supernatural. As Laura's determination to get to the bottom of it becomes all consuming, her family begins to fracture and the line between the extraordinary and the real becomes ever more obscured in this haunting story about a mother's love.Plot summaryAdd synopsis

A millennial American girl befriends a Lebanese housewife and disrupts her ordered life; one night they become accidental partners-in-crime.

It's the Valentine's Day weekend. Mick Turner and Olivia Pershing of the Willow Lake Inn, which is doing booming business in their bread and butter of weddings, are taking a break if only to spend a romantic weekend together, beyond preparing for the Valentine's Day benefit concert at which Mick and his band will be performing, Mick who has a special surprise prepared for Olivia at the concert. Their romantic weekend is put on hold with the unexpected arrival of three couples. The first is Olivia's thrice divorced, hyper-critical mother Nora Winters, and her current boyfriend, Johnny. Nora, who disliked Mick when he and Olivia dated in college but who had changed her opinion of him when they recently reunited, may have changed her mind once again in believing that Olivia is "settling" in she and Mick not having gotten married, something Nora felt the need to tell Olivia in person. The second is Mick's daughter, Julia Turner, and her boyfriend, Wyatt. Julia's surprise visit home in the middle of the school year is to inform her father that she intends not to return to school after completion of this current semester, in favor of pursuing her dream of becoming a chef. She ultimately hopes to work at the inn, but if Mick won't let her in he not agreeing with her decision, she vows to get chef work elsewhere. In the ultimate disagreement on the issue between Julie and Mick, she may have forgotten one important person, Wyatt who believes their relationship cannot withstand the long distance as he still has two years until graduation. And third is Mick's younger sister, Bonnie Turner, a London-based couture retailer who says she is bringing someone with her. Bonnie doesn't say who that person is, her fiancé Sean, they who want to have a small ceremony on Valentine's at the inn. The reason for that secrecy until their arrival is that Mick and Sean have a history: Sean was once Mick's band mate, Sean who walked out on the band leaving them high and dry for a series of concerts. Mick has not forgiven Sean in the intervening twenty years. In seeing Sean now, Mick can't help but see something that gives him an aching suspicion that Sean is up to no good and will ultimately hurt Bonnie. Mick may or may not be looking for something that isn't there in it being Sean, but if he tells Bonnie his feelings, it may irreparably damage their relationship.

Dublin teenagers Matthew, nihilistic Rez, and the deranged Kearney, leave school to a social vacuum of drinking and drugs, falling into shocking acts of transgression.

Balancing between feverish dreamlike hallucinations of a tormented past and a grim disoriented reality, the grizzled Joe--a traumatised Gulf War veteran and now an unflinching hired gun who lives with his frail elderly mother--has just finished yet another successful job. With an infernal reputation of being a brutal man of results, the specialised in recovering missing teens enforcer will embark on a blood-drenched rescue mission, when Nina, the innocent 13-year-old daughter of an ambitious New York senator, never returns home. But amidst half-baked leads and a desperate desire to shake off his shoulders the heavy burden of a personal hell, Joe's frenzied plummet into the depths of Tartarus is inevitable, and every step Joe takes to flee the pain, brings him closer to the horrors of insanity. In the end, what is real, and what is a dream? Can there be a new chapter in Joe's life when he keeps running around in circles?

Discover Donna's (Meryl Streep, Lily James) young life, experiencing the fun she had with the three possible dads of Sophie (Amanda Seyfriend). As she reflects on her mom's journey, Sophie finds herself to be more like her mother than she ever even realized.

When veteran comedy writer Charlie Burnz meets New York street singer Emma Payge, they form an unlikely yet hilarious and touching friendship that kicks the generation gap aside and redefines the meaning of love and trust.

On her last night in town, a shy teenager sneaks out with her best friends to throw caution to the wind and confess her feelings to her longtime crush.

The spectacular, super-colossal true story of a down-on-his-luck Jewish television producer and his struggle to make the most beloved Christmas special of all time, despite faithless network executives, wildly mismatched collaborators and more good griefs than you can shake your blanket at.

When groom-to-be Ben's wild ex-girlfriend Jules bursts in to declare her love for him on the eve of his wedding to Lisa, Ben is suddenly faced with a decision he didn't realize he had to make, but that's the problem: he has to decide.