Hardened by years in foster care, a teenage girl from Brooklyn's Brownsville neighborhood decides that joining the boys wrestling team is the only way back to her estranged father.Plot summaryAdd synopsis

When the Universe decides what it wants, it's pointless to resist. With his family's life at stake, Joseph Steadman finds himself the unwilling test subject of a maniacal scientist in a battle that could save the world, or destroy it.

If I Can't Have Love, I Want Power, an hour-long film experience set to the music of Halsey's upcoming album, introduces a young pregnant Queen, Lila, as she wrestles with the manipulative chokehold of love to ultimately discover that the ability to create life (and end it) unlocks the paranormal power within her.

After a one night affair, a young man is left with extra power and a cryptic message. He searches for the woman to find out the source of her power.

Hope Hayes is hired by couple and business partners Eric and Adriana to choreograph their wedding dance, including working with the less coordinated Eric, Manhattan's "Most Eligible Bachelor", one-on-one. Both bride-to-be and groom-to-be have reservations about the union, but they've caved to familial pressures for the good of their business partnership. Over time, Hope and Eric grow closer and encourage each other to follow their creative passions - hers in choreography and his in theater. They also share a romantic connection that neither has experienced in the past, but fight it due to Eric's engagement. As Eric's wedding approaches, Hope has the chance to go after her dream job in London. Both Hope and Eric must decide which professional and personal pursuits will bring them happiness.

High school outcasts stumble upon an old alien ship, where they acquire superpowers and are dubbed the Power Rangers. Learning that an old enemy of the previous generation has returned to exact vengeance, the group must harness their powers and use them to work together and save the world.

George and Harold are two imaginative pranksters who make the depressing Jerome Horwitz School a better place. They hypnotize their nemesis, the mean-spirited principal Mr. Krupp. He transforms into the incredibly clueless yet kind-hearted and enthusiastic superhero named Captain Underpants. Even without the mean principal, they discover that having Captain Underpants comes at a steep price. Meanwhile, Professor Poopypants tries to eliminate laughter with the school snitch Melvin, and George and Harold discover that there may be more to Mr. Krupp than they had originally thought.

This horror/action-adventure film from director Gerard McMurray serves as a prequel that recounts events that led up to the first Purge event. To push the crime rate below one percent for the rest of the year, the New Founding Fathers of America (NFFA) test a sociological theory that vents aggression for one night in one isolated community.

Forty-six year old Reverend Ernst Toller is the pastor at the historic First Reformed Church in upstate New York. It is seen as the "tourist" church or the "souvenir shop" (its historical significance partly it being a stop on the underground railroad before the slaves crossed into Canada) by Abundant Life, which owns the church and which operates a modern self-named five thousand seat church overseen by Reverend Joel Jeffers. First Reformed is celebrating its two hundred fiftieth anniversary this year, for which a major event is planned, modest in size only at First Reformed itself although the dignitaries like the governor and mayor will be at attendance there, while the event will be simulcast at Abundant Life. Most of the speech-making will be done by local industrialist Ed Balq, a major benefactor of Abundant Life and who is the major donor for the necessary upgrades at First Reformed to be able to hold the event there, and for the event itself, while Toller's participation will be minimal beyond the introductory sermon. First Reformed is generally a sparsely attended church meaning that Toller doesn't have to do much direct ministering, although he does have the stock answers when asked how God factors into this or that situation in one's life. Toller himself has long been divorced, his marriage which could not survive the death of their son, Joseph, in war. Because of that history, Toller believes he is incapable of human love, despite a brief relationship with Esther, the choir mistress at Abundant Life, she who is arguably still in love with him. Toller is neglecting the warning signs about his poor health, the symptoms pointing to a probable diagnosis of stomach cancer, which is only exacerbated by his largely liquid (i.e. alcohol) diet. Toller is already examining his life and work in writing a daily journal for a year, that journal which he intends no one ever to read, but these issues in Toller's life become more pointed when a new pregnant congregant, Mary, asks him to speak to her husband Michael, who Toller will learn is an environmentalist concerned about bringing another human life into what he already sees as a world doomed because of man's role in climate change.

A Biopic on the life of the legendary American Astronaut Neil Armstrong from 1961-1969, on his journey to becoming the first human to walk the moon. Exploring the sacrifices and costs on the Nation and Neil himself, during one of the most dangerous missions in the history of space travel.

John J. Rambo is a former United States Special Forces soldier who fought in Vietnam and won the Congressional Medal of Honor, but his time in Vietnam still haunts him. As he came to Hope, Washington to visit a friend, he was guided out of town by the Sheriff William Teasel who insults Rambo, but what Teasel does not know that his insult angered Rambo to the point where Rambo became violent and was arrested. As he was at the county jail being cleaned, he escapes and goes on a rampage through the forest to try to escape from the sheriffs who want to kill him. Then, as Rambo's commanding officer, Colonel Samuel Trautman tries to save both the Sheriff's department and Rambo before the situation gets out of hand.

Only a few years after the all-out guerrilla war in First Blood (1982), John Rambo's former commanding officer, Colonel Sam Trautman, pulls him out of jail, only to send him back to a place he swore never to return: the impenetrable jungles of Vietnam. Entrusted with the dangerous task of collecting evidence that American POWs are still being held captive, Rambo agrees to infiltrate the unknown zone, and before long, he finds himself double-crossed, marooned behind the enemy lines. Once, John fought for his country. Now, the government has left him for dead in a Soviet-infested land. Can Rambo fulfil his suicide mission? Will he deliver his lethal justice?

A loner and cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds connection with a Chinese immigrant (Orion Lee). The men collaborate on a business, although its longevity is reliant upon the participation of a wealthy landowner's prized milking cow.

On the streets of New Orleans, word begins to spread about a mysterious new pill that unlocks superpowers unique to each user. The catch: You don't know what will happen until you take it. While some develop bulletproof skin, invisibility, and super strength, others exhibit a deadlier reaction. But when the pill escalates crime within the city to dangerous levels, a local cop (Joseph Gordon-Levitt) teams with a teenage dealer (Dominique Fishback) and a former soldier fueled by a secret vendetta (Jamie Foxx) to fight power with power and risk taking the pill in order to track down and stop the group responsible for creating it.

Katherine Morales, a woman not married to the President, runs for First Lady, but she winds up getting a better proposal than she ever expected. First Lady is a classic romantic comedy with the backdrop of Presidential Politics and Royal Charm.

Severe, pale-eyed, handsome, Phil Burbank is brutally beguiling. All of Phil's romance, power and fragility is trapped in the past and in the land: He can castrate a bull calf with two swift slashes of his knife; he swims naked in the river, smearing his body with mud. He is a cowboy as raw as his hides. The year is 1925. The Burbank brothers are wealthy ranchers in Montana. At the Red Mill restaurant on their way to market, the brothers meet Rose, the widowed proprietress, and her impressionable son Peter. Phil behaves so cruelly he drives them both to tears, revelling in their hurt and rousing his fellow cowhands to laughter - all except his brother George, who comforts Rose then returns to marry her. As Phil swings between fury and cunning, his taunting of Rose takes an eerie form - he hovers at the edges of her vision, whistling a tune she can no longer play. His mockery of her son is more overt, amplified by the cheering of Phil's cowhand disciples. Then Phil appears to take the boy under his wing. Is this latest gesture a softening that leaves Phil exposed, or a plot twisting further into menace?

In Boise, Idaho, Pat Godfrey and Margie Southworth were young sweethearts, which was particularly special to Margie because Pat's family was more like a real family than her own emotionally-distant one was. Margie's first job working for retailer Connor and Co. at their Oak Street store also felt like family, especially under her manager Willa. But when Pat moved to Hawaii immediately following high school for his dream of working in the outdoor-adventure business, Margie decided to stay in Boise. He asked her to go with him, but she thought he would only be there until he discovered his true life and career. Now 20 years later, right before Christmas, Margie is still working at Connor and Co., still in Boise but in their regional office as the VP of Marketing and Promotions; Willa is still her boss. Margie met her current boyfriend of six months, Scott, in the company; he worked in the field office 90 minutes away, so they've been doing the long-distance relationship thing. When Scott is brought into the regional office for training under Margie, they will get an opportunity to deepen their relationship in the probability that he is training for a job in the Boise office. Meanwhile, Pat, now divorced and the primary parent to adolescent sons PJ and John, has just sold his outdoor-adventure company in Hawaii for a job in Boise to be closer to his ex-wife Casey in San Francisco for the boys' sake, and to be closer to his now-widowed mother Lois, with whom they'll be living until they find something more permanent. Pat's job falls through so he scrambles to find another. He had planned to contact Margie in the New Year just as old friends, but fate seems to usurp Pat and they accidentally run into each other...again and again and again. While Lois believes their encounters are "Godwinks" at work telling them that they are meant to be together, which is the case if they listen to their hearts, their brains might be telling them something else. Pat feels his first priority is to find that job regardless of what that actually means in practical terms, and Margie feels the need to explore what a more-dedicated relationship with Scott entails, while both begin to believe that Scott being brought in for training at the Boise office means work changes for both of them, and not necessarily in a good way for Margie.

Addie and Noelle are introduced doing something city dwellers know is truly horrifying: apartment hunting. Everything changes for both women when an unnamed stranger knocks on their door. The Girl tells Noelle that she believes they're living in a place that has seen untold horrors. One of the apartments in which Jeffrey Epstein used to traffic and abuse girls. Before you know it, they have tumbled down the rabbit hole into a world of conspiracy theories about Epstein and his apartments.