Following the unexpected suicide of her mother, Angela finds comfort in her new friendship with Brian. One day she receives a terrifying package containing a voyeuristic tape. The tape chronicles her mother's final days and reveal...

A young American woman moves with her husband to Bucharest, and begins to suspect that a stranger who watches her from the apartment building across the street may be a local serial killer decapitating women.

David Allen Griffin is a cool killer- time and time again, he chooses a female victim, studies her for weeks till he knows her routine to the smallest detail, makes meticulous preparations using his forensic knowledge to gain entry when she's quite alone, subdues her and administers a long, torturous death. Joel Campbell got so frustrated by his failure to capture Griffin in Los Angeles, that he quit the FBI, moved to Chicago, and remains in psychiatric therapy, unable to function normally. Then he realizes, when opening his mail very late, that a new murder victim is Griffin's, and the killer sent him pictures of her. Campbell reports this to the police, but is unwilling to join them in the search, suggesting Griffin is too slick and clever; yet he won't get out of it that easily.

The Watcher Self is an unsettling psychosexual chiller written and directed by Matt Cruse about one woman's descent into hell. Cora (Karen French) begins her day facing the consequences of a nightmare. Struggling to maintain a normal routine, she engages in a series of emotionally detached encounters and experiences a confusing psychological connection with the strange and elusive Van (Julian Shaw). Then echoes from the past threaten to derail her tenuous state of mind, and Cora becomes increasingly dislocated from her surroundings. Is she going insane, or is it something else? The Watcher Self is about what remains when the layers of sanity are gradually stripped away... and what may or may not be real.

Unaware of its terrible history, a young couple purchases their dream home. But it soon becomes clear that they may not be alone in the house... and that someone -- or something -- is determined to drive them out.