Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with Electra. Unaware of the effect it will have on their relationship, they invite their pretty neighbor into their bed.

A young Amish woman, who isn't satisfied with her path at home, visits a cousin for the summer. Over the summer, she is exposed to another world, finds friendship and more. Soon she must choose and come to terms with the life she ...

High school students investigate a mysterious homicide that occurred the prior holiday season, a couple notices their young son is acting strangely after a snowy forest trip to cut down a traditional tree and one family are stalked through a winter wonderland by Krampus, the Xmas demon. Meanwhile at the North Pole, Santa is fending off zombie elves.

With help from a young girl and a widower, a 30-something woman finally grows up and takes on the real world.

A look behind the scenes at the long-running family-friendly sitcom.

In the well-to-do suburbs of a small town, a group of pretty average, well-adjusted sixteen and seventeen year olds are ordinary adolescents who take a singular path.

On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to ... lovers?

A tale of obsession and deception, and the struggle for love and faith in a world where both seem impossible. The film charts the emotional and physical hothouse effects that bloom one summer for two young women: Mona, behind a spiky exterior, hides an untapped intelligence and a yearning for something beyond the emptiness of her daily life; Tamsin is well-educated, spoiled and cynical. Complete opposites, each is wary of the other's differences when they first meet, but this coolness soon melts into mutual fascination, amusement and attraction. Adding volatility is Mona's older brother Phil, who has renounced his criminal past for religious fervor - which he tries to impose upon his sister. Mona, however, is experiencing her own rapture. "We must never be parted," Tamsin intones to Mona but can Mona completely trust her?

Venus is a gorgeous exotic dancer--who, like a true Goddess of Love--leaves men powerless before her, and their wallets empty. However, when Venus falls for a handsome Australian photographer with the power to have her craving for a fresh start, minute and insignificant changes in his attitude will gradually give way to indifference, exhaustion--and, ultimately--stagnation in their relationship. In the end--betrayed, vulnerable, and torn from the ever-growing hallucinations--Venus will turn to the only person loyal to her: her true inner self; an obscure imitation of an outer shell that demands to be loved. Who shall stand in the way of a goddess?

The story takes place after a Christmas holiday with the regular toys finding themselves trapped in unusual territory with a group of new and delusional action figures. Together they must find their way back to their child's bedroom and to safety.

The toys go on a road trip, when an unexpected event leads them to a roadside motel, after one of the toys goes missing, the others find themselves caught up in a mysterious, monstrous, and terrifying sequence of events that must be solved before they all suffer the same fate

Based on a true story: This is a journey through the psyche of a Southern Captain in the waning days of the American Civil War. In an emotionally charged performance, Julian Adams portrays his great-great grandfather Robert Adams, a strong willed southern Captain, who used his guns and his heart of fire to rally his men to fight for their lands. Filled with passion, blood and tragedy, this movie is the tumultuous true story of a man divided by love for country and for Eveline McCord, his beloved girl from the north. Produced and written by the descendents of Robert and Eveline, this is an explosive, richly detailed saga of fierce combat, honor, and the will to risk all that's precious for love or country.

Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.

Preschool teacher Sarah Nolan (Diane Lane), divorced for eight months, is still grieving the end of her marriage. Although she didn't see it as being perfect, she probably would have stuck it out as what she saw as the "for better or worse" obligation of the wedding vows, that is if her ex-husband, Kevin, didn't end it for what ended up being leaving her for a younger woman. She is urged by her over-supportive family, comprised of her many siblings, their partners, and her widowed father, to get back into the dating scene, something she has been reluctant to do in not feeling ready. As such, her most proactive sister in the matter, Carol (Elizabeth Perkins), sets her up on an Internet dating site. Within her less than prepared state, Sarah does go along with meeting men by the means offered to her. Beyond especially her female siblings, Sarah is given unique perspectives on the whole issue of dating and commitment by her father, Bill (Christopher Plummer), who is exploring dating after losing who was the love of his life in Sarah's mother, thrice divorced Dolly (Stockard Channing), one of Bill's conquests, who he meets on-line, and Sarah's gay teaching colleague, Leo (Brad William Henke), who she sees as being in the most committed loving relationship with his partner Eric (Victor Webster) of anyone she knows. Of the men she meets, Sarah makes what she believes is a connection with two, albeit awkward in both cases. One is Bob Connor (Dermot Mulroney), the divorced father of one of her students, her hesitance in dating him only because of crossing the professional/personal line. The other is custom wooden boat builder Jake Anderson (John Cusack), who too was pushed into trying on-line dating by his best friend/divorce lawyer Charlie (Ben Shenkman), who wants Jake solely to get some action despite Jake wanting his love life to be more like Lara and Yuri in Doctor Zhivago (1965). Much of what happens between Sarah and the two men is based on what stage they are in post-divorce dating life, but is also dependent on how much Sarah is willing to take a chance on each, which may also include her and the respective man just not meshing at a given point in time, and her making a wrong decision in the process based on what she sees as the prospects.

Near the Texas-Mexico border, Wendell Baker has a few things going for him: his genial nature and optimism and the love of Doreen. His troubles? He dances around telling her that he loves her, and his idea of work is illegal. He's arrested, imprisoned, and she puts him behind her when she realizes that even prison is just a good excuse for him to play football with the guys. When he is paroled, it's to a job in the "hotel industry" at a board and care home for seniors, where the head nurse is running a scam. Three of the residents respond to Wendell's good heart. Can they expose the scam and help Wendell win back Doreen?

"Man cave" guy and "women's studies" feminist fight like cats and dogs on the air at WCV-Chicago during morning drive time. Their show is a hit because people love to hear them argue.Plot summaryAdd synopsis

Based on a true story, former parole officer Marilyn Gambrell and a colleague set up a pioneer trial-based program in one of America's toughest high schools to help the children of incarcerated parents regain control of their own lives and not expect the same thing to happen as it did to their parents. To the surprise of everyone, the program works, but the administration warns the duo that it will not last unless every senior student is able to pass his or her final exams and graduate with the class. As the end of the school year approaches, Gambrell faces a crisis to save everything she believes in or lose it all.

Ben Crane believes that a severely injured racehorse deserves another chance. He and his daughter Cale adopt the horse (in fact is a mare)and save it of being sacrificed by the owner. The arrival of the mare to Crane's farm, will be the perfect opportunity for both father and daughter to reconstruct their lost familiar bond. "Soñador" (Dreamer in English), the renamed mare, despite its broken leg, maybe could have another chance to return to the racecourse, with the help of Cale, Ben, and his father, Pop.

Launched in 1992 as a companion for "Beverly Hills, 90210," "Melrose Place" quickly became a giant television hit in its own right. Originally designed to be an authentic, grounded look at 20-something life in Los Angeles, the program soon became "90210"'s soapier, yet equally popular counterpart. The 'Unauthorized Melrose Place Story' highlights the remarkable behind-the-scenes moments that shaped the series including cast drama, Heather Locklear arriving to "save" the show, and the actors begging their writers for even wilder story lines to make them fan favorites.

Love me Do is a twisted love story which follows the relationship between a female investment banker and an out-of-work actor. As the couple learn to bridge their differences and fall in love, a romantic bond develops, which drives them to commit a terrible crime.

A modern-day Cinderella story which sees disaster-prone Rebecca embark on a journey in search of true love. Betrayed by her boyfriend Richard and following a palm-reader's psychic prophecy, Rebecca goes in pursuit of her one true soul mate.

In London in the 1990s, a balding alcoholic with an unsteady American accent introduces himself in pubs and other social settings as Stanley Kubrick. Drinks and meals are suddenly on the house or paid for by an admiring person, usually a man, whose costumes, band, acting abilities or what have you, Stanley finds fascinating. He's actually Alan Conway (1934-1998): we watch him parlay a self-confident manner and a small amount of movie knowledge into a persona whom others immediately hang their dreams on. In exchange, Stanley asks only that they pay the bill. Will he be exposed? Do prosecution and prison await? Or has the National Health something else in mind?

On a Caribbean cruise, Jenny is marooned on a beach with her rock and roll idol. Deliriously in love with the idea of time alone with him, she manages to hide the fact that they're a stone's throw away from their resort.

Beth Baker is an out-of-work actress stuck in New York City without her friends at Christmastime. She decides to return home to the quaint small town she escaped 10 years before and finds a place far different than the hamlet she left. She suddenly finds performing possibilities and even romance.

Missie's surprise pregnancy sets her on a new course that is both thrilling and terrifying. After all the planning and dreaming, she and her husband, Willie, have headed west in a covered wagon, leaving behind the prairie home of Missie's parents. Now, caught between the excitement of the new adventure and the pain of not knowing when she'll see her family again, Missie copes with the challenges, and cherishes the rewards, of her new homestead.

When four generations of the Cooper clan come together for their annual Christmas Eve celebration, a series of unexpected visitors and unlikely events turn the night upside down, leading them all toward a surprising rediscovery of family bonds and the spirit of the holiday.

Despondent over his breakup with Desiree, Zia slashes his wrists and goes to an afterlife peopled by suicides, a high-desert landscape dotted by old tires, burned-out cars, and abandoned sofas. He gets a job in a pizza joint. By chance, Zia learns that Desiree offed herself a few months after he did, and she's looking for him. He sets off with Eugene (an electrocuted Russian rocker) to find her, and they pick up a hitchhiker, Mikal, who's looking for the People in Charge, believing she's there by mistake. They're soon at the camp of Kneller, where casual miracles proliferate. They hear rumors of a miraculous king. Can Zia find Desiree? Then what? Where there's death there's hope.

The Connollys and the Lucases have long lived next door to each other on Catalina Island. Bridget Connolly and Betsy Lucas have hated each other for as long in both being A-type personalities, while their respective husbands, James Connolly and Frank Lucas, have been golf buddies behind their wives' backs and have done nothing to help resolve their wives' dispute in fearing that if that anger is lost, it will just get redirected to them. Things get more complicated when their respective early thirty-something offspring, schoolteacher Theresa Connolly who has just moved back to Los Angeles after a break-up with her boyfriend of five years in Seattle, and Los Angeles based pilot Mark Lucas, reconnect. While they were not friends when they were growing up next door to each other partly because of their mothers' feud and partly because of the few year age gap between them, they are immediately attracted to each other this second time around. That attraction moves into dating - they each navigating their feelings with the help (or hindrance) of their best friends, Angela and Roger respectively, including what to do about their mothers, who they ultimately decide not to tell about their dating status until it becomes serious. When that time does come, and it does, their mothers' reactions and actions may threaten Theresa and James' relationship in its entirety despite what they have being true love.

Set in the rainy environs of Oregon and Washington, Punk Love is the story of two forlorn lovers, searching for that elusive Hollywood Ending to the story of their dreams. Sarah is a lost 15-year-old, trapped in an unloving home, in a dreary small paper mill town. When she meets Spike, she envisions a new life for herself. Falling in love, Sarah and Spike go on a crime spree of small-time con jobs, both to support themselves and their drug habit. Spike has dreams of his own, and when he successfully auditions for a band, he can't help but feel that he and Sarah are starting on the road to escaping their ill-fated existence. But just as things are looking up, everything goes uncontrollably wrong, and Spike and Sarah have only their undying love for each other as a means of survival against all odds. Director/writer Nick Lyon's Punk Love is a modern-day fairy tale about two fallen angels searching for meaning in a world without pity. As Spike, Chad Lindberg gives an outstanding performance as a man-child whose love knows no bounds, even when such bounds are called for. Emma Bing, as Sarah, is achingly vulnerable as a teenager desperate to keep a glimmer of hope alive of the better life she dreams of. In the end, all Spike and Sarah have are each other, and their love for one another, a love that can't be torn apart. Unconditional love.

Father and daughter Casey and Heather Twain own and operate Paradise Ranch, a combination working/5-star dude ranch outside of Big Sky, Montana, the dude part of the ranch which is just about to open for the season. They decide to hire actor Avery Ford for a promotional event to mark the opening, Avery the star of the "Aim to Please" series of westerns, which Casey, a once famous cowboy in his own right, loves. What the Twains have failed to tell Avery or his agent Candace is that the ranch, whose 5 stars are based solely on authenticity and not luxuries, has been losing more and more business each year, where another failing year will mean the loss of the ranch, which has been in the family for generations. The PR event is a last ditch effort to have a good enough season to pay off their creditors. An amoral developer named Guthrie is just waiting for the ranch to fail so that he can buy it for a song and turn it into condos, despite he coming from a ranching background himself. In addition, Heather has never watched any of the "Aim to Please" movies and has no desire to do so. And what Avery and Candace fail to mention to the Twains is that he is a yoga practicing, electronic device addicted, vegetarian New York City slicker, who is scared of farm animals, even horses, and who doesn't even own a pair of jeans, let alone cowboy boots or cowboy hat. Avery too needs the work as the "Aim to Please" franchise has most likely ended due to lack of interest, with the fifth and latest movie now released three years ago. The reality of all the lies quickly come to light shortly after Avery's arrival at the ranch. However, Avery assures the Twains he can muster his way through the event, as he does get paid to make believe in his day to day life. Out of circumstance, Avery is forced to stay at the ranch for what is anticipated to be a week longer than planned, which irks both him and Heather. But the longer he stays, the more he falls in love with the rural life and Heather, who the feeling for Avery is mutual. The question becomes whether Avery's feelings are just a passing phase, especially if it is a choice between Heather and what looks to be the revival of his acting career.

Laurel Welk is an out of work aspiring fashion designer who lands a job as a personal assistant to superstar quarterback Danny Holland. Holland's been sidelined with an injury and the last thing he wants is a female assistant, particularly one who knows nothing about football. But the two opposites strike a bargain and agree to work together on a trial basis. While Laurel struggles to master her job, knowing she's in way over her head, Danny struggles to maintain his star image even though he's concerned his injury might impact his career. Things get even more complicated when employer and employee start to notice there's more to the other than meets the eye - and what they find is love on the sidelines.

In 1938, two aspiring comic strip talents, Jerry Siegal and Joe Shuster, published a character that would create a new genre of fantasy, Superman, the first superhero. This film explores the creation of the character and his subsequent evolution over the decades through various media. With various interviews of noted creative luminaries, the film shows how the character has adapted to the times and bounced back from times when he felt irrelevant to always regain his prominence as one of the great heroes of popular culture.