Welcome to Easter Cove, a remote and insular fishing village on Maine's rocky coast. In this small town, bonds run as deep as the ocean and secrets are as thick as the morning fog. Each day, droves of men take to sea for the daily catch while a handful of women serve as the community's powerful, albeit discrete, operators. Though the self-interested code of the town's old guard has governed for years, our tale takes place as the tides are turning in Easter Cove. Mary Margaret Connolly, a beloved and integral town matriarch, has just passed away. In the wake of her death, her daughters, Mary Beth and Priscilla, face an uncertain future, haunted by bills and unpaid loans left behind. Priscilla tries to fill her mother's shoes by taking over the family fish shop while her younger sister Mary Beth refuses to accept the new responsibilities. The sisters find themselves at odds and Mary Beth stubbornly defends her dream of leaving town - even if it means abandoning Priscilla altogether. Meanwhile, across town, at a bed and breakfast-turned-brothel, established town elder and madame Enid Nora Devlin is up to business as usual, except for two huge problems: someone stole $50K in cash and one of her girls, Dee, has gone missing. With little else to do, she sends her muscle, an outsider named Gorski, in pursuit of the cash and Dee. After a series of chance wrong turns sets Gorski on a collision course with Mary Beth, she accidentally kills him and must turn to the only person she has left: her sister. Together, the Connolly sisters must cover up Mary Beth's mistake and figure out what to do with the mysterious bag of cash they found in his shack. When Dee's body washes up on shore, the town's remaining matriarchs - Doreen, Gail and Susie - snap into action. These three, along with Enid and Mary Margaret, have quietly maintained the code of conduct for decades, navigating the murky water of the town's dubious past. The matriarchs intervene and make it their business to decide Enid's fate - as well as the fate of the Connolly sisters.

A boy named George Jung grows up in a struggling family in the 1950's. His mother nags at her husband as he is trying to make a living for the family. It is finally revealed that George's father cannot make a living and the family goes bankrupt. George does not want the same thing to happen to him, and his friend Tuna, in the 1960's, suggests that he deal marijuana. He is a big hit in California in the 1960's, yet he goes to jail, where he finds out about the wonders of cocaine. As a result, when released, he gets rich by bringing cocaine to America. However, he soon pays the price.

The annual British Hairdressing Championship comes to Keighley, a town where Phil and son Brian run a barbershop, and where Phil's ex-wife Shelly and her lover Sandra run a beauty salon, yet Phil and Shelly haven't talked in the ten years since she bolted. Shelley's just found out her cancer is terminal, and Ray Roberts, the reigning underhanded hairdressing champion, blows into town taunting Phil for retreating from competitive styling into barbering. Roberts also brings his daughter, Christina, who remembers Brian from when she was a little kid (as does he her). Everything's set: Brian decides to enter the competition with his mom and Sandra. Will Phil join in? Ray wants to win at any costs. Will Christina go along?

A crew of young environmental activists execute a daring mission to sabotage an oil pipeline.

Paul Kersey is back at working vigilante justice when his fiancée, Olivia, has her business threatened by mobsters.

In the age of social media, teenagers tell the story that they want people to see, with each video more daring than the next. But in this small town, a series of staged "murder" videos are turning very real.

In DEATH BY A THOUSAND CUTS, the brutal murder of a Dominican park ranger becomes the metaphor for increasing tension between Haiti and the Dominican Republic over illicit charcoal exploitation and mass deforestation.

Mercenaries with nothing to lose are hired to rescue a bioengineer imprisoned in a cold war bunker. Upon entering the ominous facility, they find themselves in a fight for their lives when they come under attack from an unknown and deadly creature.

After the death of his brother, Mick travels to America to seek Justice. Wrongly convicted of extortion and attempted murder, Mick is sent to Pleasant Hill Penitentiary's notorious death block 13. Seething with revenge after discovering the truth behind his brother's death, Mick's rage ignites an explosive riot as he makes a daring escape from death block 13.

An apartment dweller goes on a search-and-destroy mission to kill the ruthless landlords who murdered his father.

A young psychiatrist tries to help a young woman in an asylum who has been accused of having killed a teenage girl. But when she escapes and he goes after her, he finds himself involved in a mystery far greater than simply a woman thought to be insane. And the more he finds out about her, and her relationship to a mother who no longer will have anything to do with her, the more he finds that he is dealing with something terribly unnatural... which leads to a final resolution and revelation that makes the film not only unpredictable, but haunting as well.

Clad all in black, the mysterious "Death Rider" travels thru the desert on horseback. His destination...Vampire Sanctuary. The entrance fee...one Female Virgin. Once inside he encounters Count Holliday, Vampire Lord of Sanctuary who warns him against any transgressions. Blood and Guns action follow as Death Rider tangles with some of the Vampires of Sanctuary like the smouldering Carmilla Joe with her sidekick Mina Belle. And Vampire Gunslingers Drac Cassidy, Bad Bathory, Kid Vlad and Duke VonWayne. Writer/Director Glenn Danzig delivers his Second Feature Film, a Vampire Spaghetti-Western Homage "Death Rider in the House of Vampires."