In Bellingham, Washington, Billie Davis is the one woman show at the non-profit Dream Day Donations, a wedding planning company whose core mission is to re-purpose for donation to worthy causes wedding event items beyond what are generally seen as their single use, items such as flowers. She gets some bad news when she receives notice from the landlord of the old warehouse where the business is housed that he is selling the property, it having sentimental value as previously been owned by her grandfather and father after him, her father, Saul Davis, who was an event planner himself. That sentimental value is even deeper now in she and her mother, Carol Davis, dealing with Saul being in the early stages of Alzheimer's, he who is slowly slipping away from them. In Billie casually responding about her own engagement heartbreak in answering the question "why aren't you married?", one of her client couples, Max Warren and Jess Bailey, call off their wedding one week before the event in focusing on their differences rather than what brought them together. Incensed, Max's older brother, Charlie Warren, who Billie sees is the arrogant man in her yoga class, blames her for Max and Jess' split, he knowing them as meant to be for each other. He convinces her to help them get back together on his offer, as a commercial real estate developer working for his Uncle Edward's firm, to buy the warehouse and offer her a long term lease, in addition to her counter offer that he help her with all that she has promised to help Max and Jess with over the next week to re-purpose their wedding items, the orders which are too late to cancel. As Billie and Charlie work to get Max and Jess back together, they hit one roadblock for every success in reaching the end goal. And as they spend more and more time together, Billie and Charlie start to fall for each other. Their burgeoning relationship may be at risk if Charlie can't fulfill his end of the deal concerning the warehouse, as Uncle Edward has his own ideas both of how Charlie is spending his time and for that property if they buy it at all.

It's Christmas Eve, and three cosplaying women come across the malevolent Christmas demon Krampus. The girls must team up with Santa Claus himself to battle the creature and save the world.

The story of 'CHRISTMAS SLAY' begins on a wintry Christmas Eve in the picturesque Kentish countryside, the horrific murder of a loving family, and the capture of a Santa Claus obsessed blood thirsty killer. A Christmas approaches the following year, a group of college girlfriends decide to get away from it all and relax and party over the Christmas holiday, they decide to escape to the idyllic Mistletoe Lodge nestled within the beautiful snowy mountains of the Scottish Highlands, what starts off as the perfect festive getaway of fun in the snow and a glass of eggnog or two, suddenly descends into a gruesome bloodbath of terror and a fight for survival.

Bill Goldberg plays the devil's son who lost a wager with an angel and was forced to spend 1000 years playing Santa, but now the wager of that time has run out, and good old Santa isn't so joyful anymore. He makes up for lost time and starts to kill people.

When a group of indie filmmakers are ripped off by a crooked distributor, they set out on a mission of revenge, but quickly find themselves facing off against literal bloodsuckers in what becomes the ultimate battle of good vs evil.

A woven tale of three stories that explore love, commitment, and loyalty between couples and friends.

Following the death of their father, two sons deal with the trials of their own lives while watching their mother explore new beginnings of her own.

Early December, New York City, and everyone is talking about something. Their lives. But, no, something more. Love. They are in the hunt for love. Why? Because they haven't found it and because they haven't found it, they imagine it. They make it into a myth and chase the myth instead. And that is not love. Meet Frank. Frank's not young. Meet Reyna. Reyna is young. They become lovers, but Frank winds up back at the fragile altar of his 30-year marriage to Paula. Who'd he pick? Two Irish Construction Workers dig for the answer in the myth of Tristan and Isolde. Do we make our own choices or does Fate do it for us? And in the meantime, all we have is the Chase in this ever-clash between the erotic and the domestic, between myth and mortality, between you and the one you're still looking for. Chase on.

Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia's fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.

Prep school student Daisy and her European-born grandmother Nana share the sad stories of their lives: Daisy tells Nana of her romance with young Ethan and problems in school because she's Jewish; and Nana tells of her young years under Nazis when she was sent to ghetto and then to concentration camp.

A 'boy meets girl' romance that quickly turns into a twisted thriller. Dori, a sexy siren, traps Norman, a slick New York businessman, and forces him to live through a year of holidays to prove they're a perfect couple. But with D...

The extraordinary story of disco queen Donna Summer through a rich archive of unpublished film excerpts, home video, photographs, artwork, writings, personal audio and other recordings that span the life of one of the most iconic performers ever to shake a room to its timbers. From her early career with Giorgio Moroder in Germany, to later years more focused on spirituality and family life as a shelter from troubles associated with both notoriety and intimate wounds, her story is all the more special for being told in the first person – both singular and plural.