A woven tale of three stories that explore love, commitment, and loyalty between couples and friends.

Early December, New York City, and everyone is talking about something. Their lives. But, no, something more. Love. They are in the hunt for love. Why? Because they haven't found it and because they haven't found it, they imagine it. They make it into a myth and chase the myth instead. And that is not love. Meet Frank. Frank's not young. Meet Reyna. Reyna is young. They become lovers, but Frank winds up back at the fragile altar of his 30-year marriage to Paula. Who'd he pick? Two Irish Construction Workers dig for the answer in the myth of Tristan and Isolde. Do we make our own choices or does Fate do it for us? And in the meantime, all we have is the Chase in this ever-clash between the erotic and the domestic, between myth and mortality, between you and the one you're still looking for. Chase on.

Following the death of their father, two sons deal with the trials of their own lives while watching their mother explore new beginnings of her own.

Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia's fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.

Prep school student Daisy and her European-born grandmother Nana share the sad stories of their lives: Daisy tells Nana of her romance with young Ethan and problems in school because she's Jewish; and Nana tells of her young years under Nazis when she was sent to ghetto and then to concentration camp.

A 'boy meets girl' romance that quickly turns into a twisted thriller. Dori, a sexy siren, traps Norman, a slick New York businessman, and forces him to live through a year of holidays to prove they're a perfect couple. But with D...

A daughter traveling with her widowed mother and a son traveling with his widower father meet on a cruise and decide that their musical parents would make the perfect couple try to engineer a romance only to falling in love themse...

The extraordinary story of disco queen Donna Summer through a rich archive of unpublished film excerpts, home video, photographs, artwork, writings, personal audio and other recordings that span the life of one of the most iconic performers ever to shake a room to its timbers. From her early career with Giorgio Moroder in Germany, to later years more focused on spirituality and family life as a shelter from troubles associated with both notoriety and intimate wounds, her story is all the more special for being told in the first person – both singular and plural.

A couple struggling to make ends meet are given a new chance by the arrival of a mysterious letter that grants them one special wish during the holiday season.

In Boise, Idaho, Pat Godfrey and Margie Southworth were young sweethearts, which was particularly special to Margie because Pat's family was more like a real family than her own emotionally-distant one was. Margie's first job working for retailer Connor and Co. at their Oak Street store also felt like family, especially under her manager Willa. But when Pat moved to Hawaii immediately following high school for his dream of working in the outdoor-adventure business, Margie decided to stay in Boise. He asked her to go with him, but she thought he would only be there until he discovered his true life and career. Now 20 years later, right before Christmas, Margie is still working at Connor and Co., still in Boise but in their regional office as the VP of Marketing and Promotions; Willa is still her boss. Margie met her current boyfriend of six months, Scott, in the company; he worked in the field office 90 minutes away, so they've been doing the long-distance relationship thing. When Scott is brought into the regional office for training under Margie, they will get an opportunity to deepen their relationship in the probability that he is training for a job in the Boise office. Meanwhile, Pat, now divorced and the primary parent to adolescent sons PJ and John, has just sold his outdoor-adventure company in Hawaii for a job in Boise to be closer to his ex-wife Casey in San Francisco for the boys' sake, and to be closer to his now-widowed mother Lois, with whom they'll be living until they find something more permanent. Pat's job falls through so he scrambles to find another. He had planned to contact Margie in the New Year just as old friends, but fate seems to usurp Pat and they accidentally run into each other...again and again and again. While Lois believes their encounters are "Godwinks" at work telling them that they are meant to be together, which is the case if they listen to their hearts, their brains might be telling them something else. Pat feels his first priority is to find that job regardless of what that actually means in practical terms, and Margie feels the need to explore what a more-dedicated relationship with Scott entails, while both begin to believe that Scott being brought in for training at the Boise office means work changes for both of them, and not necessarily in a good way for Margie.

Having had one Broadway success in a musical she wrote herself, Katherine Clark is now happier in her current life teaching, she leading a youth choir, an offshoot of which is preparing for its annual Christmas Eve fundraiser. The fundraiser ensures the continuation of the choir for another year. She hits two eleventh hour snags with the show. First, her friend commissioned to write the title song for the fundraiser has to bow out due to other commitments, leaving no title song, the recording of which arguably would be the source of much of their money. That forces Katherine herself to write the song, something she thought she had put long behind her. And second, her star tenor comes down with a bug, he unable to perform in the show. Katherine believes she's found a replacement, the young man, Danny, who just happened to be interning for one day doing odd jobs as extra credit in his application to business school. She discovers that he has untapped natural musical talent. A further snag with Danny is that he generally not only sings for himself and has never done so in public, but that his widowed architect father, Greg Scanlon, may not want Danny to take his focus away from the college application, singing a choir which was not part of their plan. Greg has tried to be all things to Danny since his wife, Danny's mother, passed, it especially important for him to maintain those Christmas traditions. What is already a complicated situation may become more so with the interrelationships that develop between Katherine and both Greg and Danny, the latter who had an ulterior motive not related to music in coming into Katherine's choir room that first day.

A man realizes that his best friend since childhood is the woman that he loves.