Follows a struggling movie studio that's willing to do anything to make a mint - even if it means ruining their reputation, and running the movie industry into the ground.

A ragtag group of veterans in New York deal with the aftermath of war by creating unusual art.

A psychological thriller. Shelly Lawson and her family move into a beautiful southern estate only to discover that their new home is subject to unexplainable phenomena. After her daughter, Jess, is sent to the hospital due to a mysterious sickness, Shelly decides to post a video online pleading for help with her recently acquired haunted house. Dr. James Clay, a once acclaimed scientist, finds Shelly's online plea and contacts her immediately. He claims to be the only person in the world who can help her. After arriving at Shelly's home and assessing the situation Dr. Clay tells Shelly exactly what is in her home, whether she believes it or not is up to her.

The God's Not Dead franchise continues in God's Not Dead: We the People as Reverend Dave (White) is called to defend a group of Christian homeschooling families. He finds himself taken aback by the interference of the government, and believing that their right to educate their own children is a freedom worth fighting for, Reverend Dave is called to Washington DC to testify in a landmark congressional hearing that will determine the future of religious freedom in our country for years to come.

Robert and Paula, office co-workers, start a relationship full of ups and downs to forget their respective ex. Will they make it?

All of us have made certain efforts so our in-laws will like us, but Grace is going to have to give it her all if she wants to fit in with her brand new husband's wealthy dynasty, who require her to follow a brutal tradition: for the bride to try to survive her wedding night while the rest of them hunt her down. The class struggle stuff hits the proverbial fan in this extremely black satire starring a brilliant Samara Weaving and including an uncommonly perverse Andie MacDowell.

When a high school teacher is asked a question in class about Jesus, her response lands her in deep trouble.

When Jason finds out his marriage may be falling apart before it starts, he sets out on a journey to find out what kind of a boyfriend he's been from his ex's.Plot summaryAdd synopsis

A down and out, 50-year-old former high school teacher with a dark secret befriends three 12-year-old boys and helps one come to grips with his father's death. Problems arise when the police suspect the teacher of wrongdoing.

In 1979, James Baldwin wrote a letter to his literary agent describing his next project, "Remember This House." The book was to be a revolutionary, personal account of the lives and assassinations of three of his close friends: Medgar Evers, Malcolm X and Martin Luther King, Jr. At the time of Baldwin's death in 1987, he left behind only 30 completed pages of this manuscript. Filmmaker Raoul Peck envisions the book James Baldwin never finished.

Freshman university student Josh Wheaton attends a philosophy class, where Professor Radisson requires all students to submit a signed statement staying "God is dead" and never existed. When Josh refuses because of his own beliefs, the professor challenges him to defend his position, which leads to a series of confrontational presentations between himself and the professor, with the class as jury.

Early December, New York City, and everyone is talking about something. Their lives. But, no, something more. Love. They are in the hunt for love. Why? Because they haven't found it and because they haven't found it, they imagine it. They make it into a myth and chase the myth instead. And that is not love. Meet Frank. Frank's not young. Meet Reyna. Reyna is young. They become lovers, but Frank winds up back at the fragile altar of his 30-year marriage to Paula. Who'd he pick? Two Irish Construction Workers dig for the answer in the myth of Tristan and Isolde. Do we make our own choices or does Fate do it for us? And in the meantime, all we have is the Chase in this ever-clash between the erotic and the domestic, between myth and mortality, between you and the one you're still looking for. Chase on.