Sam reunites with a childhood friend for an unforgettable week leading her to see her life for what it really is: her own.Plot summaryAdd synopsis

Fresh out of jail after one year imprisoned for narcotics possession, Rose-Lynn Harlan is a 23 years-old working-class girl from Glasgow, Scotland, who tries to rectify her chaotic life: foul-mouthed, streetwise, rebellious and free-spirited, Rose-Lynn reunites with her children, older Wynonna and younger Lyle, cared for during her imprisonment by their grandmother Marion, who openly despises her daughter's lifestyle. A worker in the bakery of a shopping center for twenty years, Marion struggles to understand her daughter, who becomes determined to travel Nashville, Tennesse (country music's cradle) to become a famous country singer. Due to a lack of resources and her poor academic studies, Rose-Lynn tries to return to her former job as a singer in the country bar Grand Ole Opry, having been fired by owners Jackie and Alan after they learn about her conviction. Thanks to Marion's good name, Rose-Lynn gets a job as a cleaning lady in the house of Susannah, an upper-class woman married to James, and mother of little children Rory and Nell. Blessed with talent, charisma, cheek, and a powerful voice, one day Rose-Lynn is discovered singing in her daily work by Susannah, who befriends Rose-Lynn and decides to help her to travel to Nashville by throwing a fund-raising party especially for her. Therefore, troubles are around the corner: Wynonna and Lyle are time and time again neglected by a mother unable to reconcile with them who hides their existence to Susannah, James mistrusts Rose-Lynn by the way that Susannah is interested in her, and Marion sends an ultimatum forcing her to make a choice between her dream to be singer, or her reality to be mother. Troubled, auto-destructive and badly influenced by her friend and occasional lover Elliot (a fan of alcohol, night and wild partying), Rose-Lynn finds herself trapped in a crossroads struggling against her worst enemy: herself.

An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order. There's Max, a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos. And Furiosa, a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland.

When teenage Max McGrath discovers his body can generate the universe's most powerful energy, he must bond with the only being able to contain it - a mysterious techno-organic extraterrestrial named Steel. United as the superhero Max Steel, the two friends must combat an alien menace and unlock the secrets of their past.

An out of work hitman finds employment as a janitor at the local elementary school.

Max and Léon's adventures, two childhood friends idle and party-goer, who are trying to escape the Second World War.

A father and daughter isolated on an island off the East Coast and living on a once-thriving commune grapple with the limits of family and sexuality.

It's during a term studying animal euthanasia that veterinary student Rose (Ann Skelly) decides to contact Ellen (Orla Brady), the birth mother who gave her up for adoption. But Ellen, who is now a successful London-based actress, doesn't want to know. Undeterred, Rose will not be ignored. And curiosity leads her to discoveries that shake the fragile identity she has built for herself. Directors Christine Molloy and Joe Lawlor, also known as Desperate Optimists, have spent years making formally rigorous, atmospheric cinema that often deals with the uncanny effects of impersonation and the slippery nature of truth. With Rose Plays Julie (2019) hey have crafted a slow-burn thriller that builds a sense of dread inside an exquisite world of immaculate architecture, rendered through an icy performance style and enveloped by a claustrophobic soundtrack. Ann Skelly and Orla Brady are both exacting and measured in their delivery, as the film takes us through longing and revenge to arrive at the dark places of power and its abuses. This is frank, immersive and decidedly feminist filmmaking.

After 11-year-old Tim Hart loses his parents, he balks at living with his immensely immature Uncle Max, a second-rate magician who must grow up to be a father figure and, perhaps, find love while he's at it.

A widowed ex-cop discovers that she may have a life threatening illness, and decides to go on a solo road trip in a motorized wheelchair to explore the beauty of the Southwest. On her journey, Rose discovers more than just the simple beauty of New Mexico when she meets -- and falls in love with -- Max, an old cowboy who comes to a crossroads of his own. Sometimes love takes the backroads.

A coming of age story about an awkward teenage boy who falls in love with the girl next door, who he soon discovers passed away the year before from Cystic Fibrosis, and he's in love...with a ghost.

After the breakup of his band, the world's greatest bassist becomes a drifting gun-for-hire. They call him VIKTOR (played by real life bassist Jim Schumacher). As fate conspires, he crosses paths with a teenage runaway with a split personality, one part lost kitty, one part Adolph Hitler. Her name is ROSE (played by fetish model MERCEDES THE MUSE). Viktor takes her under his wing, and together they form a twisted duo of justice. The film is an anthology of short adventures, chronicling the missions of these drug fueled bounty hunters. Someone giving you a problem, hire Rose and Viktor, they'll give them a problem.