Saint Maybe
A lonely teen troubled by a past family tragedy is suspicious of his sister-in-law, believing she is being unfaithful. His confrontation with his brother sets off a series of tragic events.
Released: 1998
Country: United States
Director: Michael Pressman
Producer: Hallmark Hall of Fame Productions
Cast
Maybe Baby
HDFor a happily married man, life changes completely and he finds himself in distress when his wife decides to have a baby after several years of marriage.
Maybe Shower
HDAsh, Shannon, and Wendy are all late. You know... LATE. As their collective anxiety grows, they band together to face their fears, confront the potential fathers, and egg a car or two. All part of the world's first MAYBE SHOWER.
Tomorrow, Maybe
HDDetermined to redeem himself upon his most recent release from prison, a father reconnects with his daughter, who might not be so willing if her life wasn't suddenly falling apart.
Always Be My Maybe
HDChildhood friends Sasha and Marcus have a falling-out and don't speak for 15 years. But when Sasha, now a celebrity chef in Los Angeles, returns to her hometown of San Francisco to open a new restaurant, she runs into her old pal--a happily-complacent musician still living at home and working for his dad. Though the two are reluctant to reconnect, they soon find the old sparks--and maybe some new ones?
Definitely, Maybe
HDA political consultant tries to explain his impending divorce and past relationships to his 11-year-old daughter.
Maybe I Do
HDMichelle and Allen, who have reached the point in their relationship where they are considering next steps, decide to invite their parents to finally meet and to offer some understanding of why marriage works. Except the parents already know each other quite well, which leads to some very distinct opinions about the value of marriage.
Maybe It's You
HDBest friends Peter and Lexa decide to try the one thing they’ve never tried: dating each other.
Saint Judy
HDThe story of immigration attorney Judy Wood, and how she initiated the change in U.S. law of asylum to save women's lives.
The Last Saint
HDMinka is a teenage Polynesian boy living in the heart of the city. With his P-addicted mother well on the way to going completely off the rails, three people enter his life - each with a promise - each with the power to destroy.motherPlot summaryAdd synopsis
Saint Bernard
HDA classical musical conductor unravels into the abyss of insanity.
Saint-Narcisse
HDCanada, 1972. Dominic, 22 years-old, has a fetish - for himself. Nothing turns him on more than his reflection, with much of his time spent taking Polaroid selfies. When his loving grandmother dies, he discovers a deep family secret: his lesbian mother didn't die in childbirth and he has a twin brother, Daniel, raised in a remote monastery by a depraved priest, held captive against his will. The power of destiny bring back together the two beautiful, identical brothers, who, after being reunited with their mother Beatrice, are soon embroiled in a strange web of sex, revenge and redemption.
Saint Maud
HDThere, but for the grace of God, goes Maud, a reclusive young nurse whose impressionable demeanor causes her to pursue a pious path of Christian devotion after an obscure trauma. Now charged with the hospice care of Amanda, a retired dancer ravaged by cancer, Maud's fervent faith quickly inspires an obsessive conviction that she must save her ward's soul from eternal damnation - whatever the cost. Making her feature-film debut, writer/director Rose Glass cannily lures the audience into this disturbed psyche, steadily setting up her veritable diary of a country nurse for an unnerving and ultimately shocking trajectory. Morfydd Clark (also at the Festival in The Personal History of David Copperfield) portrays the sanctimonious Maud with an intense stoicism that belies a disquieting vulnerability, as Maud desperately vies for absolution and solidarity from her embittered patient (an enthralling Jennifer Ehle, also at the Festival in Beneath the Blue Suburban Skies). Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere - but it isn't long before Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's The Exorcist, further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure.