Carl Foster takes off on a well-deserved weekend break with his family knowing only too well that focus on work has impacted his relationship with his wife, young son, and teenage step-daughter. But after a short but restful break...

In 1971, twenty-four male students are selected to take on randomly assigned roles of prisoners and guards in a mock prison situated in the basement of the Stanford psychology building.

After four years of courting, Alyssa and Tucker are about to tie the knot. However, suddenly the usually easy going Tucker becomes obsessed with every minute detail of the wedding planning, confusing his friends and family with his high strung antics. Unbeknownst to Tucker, he has come down under the spell of his grandmother's very unique engagement ring

A child of a middle class home with solid moral values is lured into a world of crime and corruption.hoodblack independent filmcrack cocainedrug dealingfather son relationshipPlot summaryAdd synopsis

In March of 2011, three filmmakers disappeared in the Superstition Mountains of Arizona while documenting their search for the Lost Dutchman mine. Their bodies were never found... but their camera was.

A young man discovers a mechanical device that merges with his own body, turning him into a cyborg superhero. When strange creatures start appearing, trying to take the device back, he begins to uncover a secret plot to geneticall...

Astronomer Dr. Ellie Arroway has long been interested in contact to faraway lands, a love fostered in her childhood by her father, Ted Arroway (David Morse), who died when she was nine-years-old, leaving her orphaned. Her current work in monitoring for extraterrestrial life is based on that love and is in part an homage to her father. Ever since funding from the National Science Foundation (N.S.F.) was pulled on her work, which is referred to some, including her N.S.F. superior David Drumlin (Tom Skerritt), as more science fiction than science, Ellie, with a few of her rogue scientist colleagues, have looked for funding from where ever they could get it to continue their work. When Ellie and her colleagues hear chatter originating from the vicinity of the star Vega, Ellie feels vindicated. But that vindication is short lived when others, including politicians, the military, religious leaders, and other scientists, such as Drumlin, try to take over her work. When the messages received from space are decoded, the project takes on a whole new dimension, which strengthens for Ellie the quest for the truth. Thrown into the mix are the unknown person who has up until now funded most of Ellie's work and what his motivations are, and Palmer Joss (Matthew McConaughey), a renowned author and theologian, who despite their fundamental differences in outlook, is mutually attracted to Ellie, that attraction based in part on intellect and their common goal of wanting to know the truth.

For teenage Nola (Sabrina Carpenter), home is the open road. Her self-reliant father (Steven Ogg) is her anchor in a life of transience. The pair crisscross the United States in a lovingly refurbished RV, relishing their independence and making ends meet by doing odd jobs. A shocking rupture, though, casts Nola out on her own. She makes her way to Albuquerque, New Mexico, in search of a mother she never knew. When her motorhome unexpectedly breaks down, she forges a bond with an auto body shop owner (Danny Trejo), and senses the possibility of mooring her ship in this storm.

Born charmer Sean Okden gave up tap-dancing when he started working in the steel mill, but as that's going down the hill he grabs his chance being the only candidate in his coastal Australian home town Newcastle selected for a Sidney show. Being sacked soon just for a row with the arrogant lead dancer, he returns to find his girlfriend in bed with his brother Mitchell, and decides to start his own tap-dance group wearing hardhats, which he soon gives an original edge when the steel mill inspires him to weld metal on their shoes and dance on industrial steel, so it the metallic acoustics fit well with a local rock group. Financing their local debut is so expensive, even when the mill allows them free us of its premises -opening some acrobatic perspectives- while even his father won't allow him to touch his mother's inheritance for the project, that the 'Bootmen' need to steal the cheerleaders' podium in a televised sports match to get media attention. Sean generously helps his brother when attacked, at the price of their motorbikes, only to learn his assailant Huey and Mitch rival as car (part) thieves, but still allows him into the group - only to see his fatal fall during an attack by Huey's goons. Even when the mill announces phasing out Sean continues, now as a benefit for the sacked workers' retraining.

A recovering alcoholic becomes involved with his boss's wife, a former cocaine addict.

The story of the Black queer origins of rock n' roll. It explodes the whitewashed canon of American pop music to reveal the innovator - the originator - Richard Penniman. Through a wealth of archive and performance that brings us into Richard's complicated inner world, the film unspools the icon's life story with all its switchbacks and contradictions.

A young man, much to the chagrin of his father, becomes the new assistant to an illusionist in decline.